From Zombos Closet

September 26, 2011

Graphic Book Review: Evelyn Evelyn

Evelyn_evelyn_dark horseZombos Says: Excellent

Call it a glum child adult's fairytale or a morose adult child's fairytale, Evelyn Evelyn: A Tragic Tale in Two Tomes from Dark Horse is quite intoxicatingly real in it's grotesque fiction. It is darkened parquetry, laid across the pages of two small tomes bordered by slipcase, revealing the piquant story of the conjoined Neville sister twins' never existence, from birth to YouTube stardom, embellished with gross exploitation, tearful misfortune, and their eventual, but tenuous, music salvation.

The tartly sweet baroque illustrations by Cynthia von Buhler are all coffin frills and funeral lace and purple ribbons heavily blushed by somber Autumn colors and impossibly tragical events. This is the bedtime story Wednesday Addams would want to fall asleep to, people'd to absurdity, dusted lightly with caked talcum and caressed softly by razor sharp tinsel.  

Their caretakers, Amanda Palmer and Jason Webley, musically gifted in their own right, have preserved the fragile confidence of the twins enough to bring their melancholic artfulness to light, as well as their bittersweet, decidedly corkscrew journey that starts with a detrimental birth in a medically-modified Airstream trailer,  necessary salvation from a chainsaw-wielding doctor of dubious reputation and errant skills, unnecessary loss to a chicken farmer who coops them like his chickens, and questionable rescue by candy-wielding saviors who bring them to live at a shady home for wayward girls, where VHS tapes and debauchery mix and 13 year-olds mysteriously leave for parts unknown, late at night.

Elephant Elephant, the two-headed elephant, their only friend in the circus where they must perform, provides surcease of misfortune until misfortune insists, but the inseparable and resourceful sisters use the wonder of technology and the closeness of the  Internet to garner notoriety with their ukulele and fragile gumption; sure in the knowledge that, no matter what travails they face, through thick or thin they will never split up and go their separate ways.

Endearing, frightening, and perplexing, in Evelyn Evelyn, the truth is stranger than reality, and far more cheeky.

The Beast With A Million Eyes
By Professor Kinema

Poster_of_the_movie_The_Beast_with_a_Million_Eyes

One interestingly unique little film from the 1950s that I've always had an affection for is The Beast with a Million Eyes (1955). The original ad art featured a never-never creature with a body containing an endless array of eyes that disappeared off the edge of the poster. It was hyped as "filmed for Wide Screen in Terror-Scope." Since this film was promoted and sold before it was ever filmed, one can assume the 'Wide Screen and Terror-Scope' elements were there from the beginning. This same line appeared in the later printed lobby cards, which consisted of stills from the finished production. All showings that I've seen have been in the normal 1:66 to 1 format. The IMdB lists the 'official' format as 1:37 to 1, not really a 'wide screen' and surely not anything that could be recognized as being in any sort of 'terror-scope.' On the other hand I haven't heard of anyone expressing disappointment over not being thrilled by something that was not in any sort of 'terror-scope.'

If this little opus occupies any place in film history it would be for one main fact; it contains the very first Paul Blaisdell cinematic creature.

The premier issue of Fantastic Monsters of the Films (1962) features an article documenting the creation of this creature; 'Little Hercules.' The copy of the article emphasizes " …we (the monster makers) do not always work on Million Dollar Movies, and we do not take home Million Dollar Paychecks. Often we have to work within limited funds in a budgeted amount of time." Not mentioned is the actual amount of money Blaisdell did in fact recieve for his work: $400 – half of which was spent on materials. In a series of step-by-step illustrations the creation of the model unfolds. Materials mentioned for the construction of the model were modeling clay and liquid latex rubber. Other materials listed, for a generic background structure, include chicken mesh wire and plaster of paris. Randy Palmer's affectionate book Paul Blaisdell, Monster Maker (McFarland, 1997) mentions the additional materials needed to complete the model; small plastic eyes, plastic fangs, rubber lizard tails for antennae and wire hangers for the bat-like wings.

My Halloween: WGON Helicopter

Superheroes (1974)Five questions asked over a glowing Jack o’Lantern, under an Autumn moon obscured by passing clouds…in between mouthfuls of candy corn…riding on the WGON Helicopter…

Why is Halloween important to you?

Halloween has always represented a sort of “cutting loose” in my life. I don’t normally dress as Dr. Clayton Forrester from Mystery Science Theater 3000 in my daily life, but on Halloween, it’s not only perfectly acceptable, but expected. Growing up, it was that one day a year when my brother and I would start planning what our costumes would be weeks before the actual day. We spent our childhood in a very rural setting, and so we often couldn’t go door-to-door. Our parents would drive us and during some years, actually make our costumes for us.

I’m from northern Michigan, so the autumn was always crisp and clean, leaves on the ground, occasionally a snowflake or two. The air was perfect, the sun seemed to shine a little differently during October. The mysterious mood generated by “scary” costumes and a good ghost story or three nestled into my memory, sending a part of me back in time every instance I hear the word “Halloween.” It was important to me for the feeling of freedom, both in attitude and in nature.

MeasDrForrester1993Describe your ideal Halloween.

The child-like spirit is first and foremost. You’re “too grown up inside” to enjoy it? Tough…you better learn to quickly because that’s the part that comes out during Halloween. A sunny day with a few clouds here and there, and a blue sky through the bare trees. The air has to be crisp and cool, but not too cold. There doesn’t have to be a party – I’m fine with not going to one, although they’re usually a good time. Plenty of candy for trick-or-treaters, and when that’s done, two or three carefully-selected horror movies are on the docket to close out the night.

What Halloween collectibles do you cherish, or hate, or both?

Believe it or not, I’m an antique-y, vintage-y kind of guy. I have specific things I look for when I go to an antique store or flea market. The Halloween collectibles I enjoy now, or want to get a hold of, are usually the ones I grew up with. Specific decorations or toys that I might have had when I was a kid in the 70’s.

In fact, that’s my cut-off point, right around 1979. Maybe into as late as 1982 is OK, but there’s a certain kind of magic attached to those decorations or toys that my mom would put out a week before Halloween. I can’t name anything specific, but I’d know it if I saw it. Such is the fun of collectible hunting.

What was your first Halloween…?

I try to remember my first experience with Halloween, and as I get older, the memories get a little hazier. An early one that stood out for me was 1974. My brother and I wanted to be superheroes, and you have to understand that the both of us have been comic nerds since the days when it wasn’t “cool” to be a comic nerd. The only problem was which one we wanted to be. We were immense fans of Thor, Spider-Man, Superman, both Captain Marvels (you comic fans know what I mean by that), the X-Men, the Metal Men. The problem was settling on one. That was OK, because our parents did it for us.

We had oversized books of Superman and DC’s Captain Marvel, so that is what they went with: homemade costumes that, while not as intricate as the cosplay experts can churn out, was good enough for us in 1974. Sweatshirts, shorts over pants, and capes made from old dress shirts…they weren’t perfect, but that night we were the mighty Justice League brought to life in a seven- and four-year-old’s imaginations. And we got some pretty sweet candy that year.

WgonhalloweenWhat’s the one Halloween question you want to be asked, and what’s your answer?

One question I wouldn’t mind being asked about Halloween is “What’s a good movie marathon for Halloween night?”

My answer might depend on the personal tastes of the person who’s asking, but I could provide a general list that I might run with on a good Halloween night. First off, without question, is the original 1978 Dawn of the Dead. That’s a Halloween tradition. For sheer atmosphere, I’d recommend the original version of The Haunting. You really can’t go wrong with that one. The recent mockumentary Lake Mungo is a fantastic chiller that depends on atmosphere. For downright scares, I usually go with the tense, frenetic [REC] films from Spain. For more international atmosphere and creepiness, I’d recommend The Pang Brothers’ stylish The Eye(NOT the remake). For some yuks of the comedic kind, it’s good to pick from the trio of Shaun of the Dead, Zombieland, and Evil Dead 2.

So many to choose from, so little space.