From Zombos' Closet

Zombos' Closet...a vast trove of endearingly cheap thrills, including movie and book reviews, and scans of his collections of cinema pressbooks, goofy paper-cutout Halloween decorations, and his amazing collection of Mexican lobby cards from B-grade films. If you have time to descend into a serious rabbit-hole of marvelous trash-culture nostalgia, visit that site just as soon as you possibly can. (DangerousMinds.net)

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Undergods (2020) Gothic Sci Fi Horror for the Arthouse Crowd

Zombos Says: Good for film students, arthouse audiences, and anyone looking to think about and question an intentionally deep and confusing movie.

IMDb lists Undergods by Chino Moya as a thriller and fantasy. That is misleading. Perhaps a clue to what Moya intended is found in the glimpse of a book by E.T.A Hoffman, being read by one of the characters. The movie's use of colors, pacing, and decay across the stories in this anthology also point to a tone and mood that leans to the gothic and horror. There is also the sci fi element that directs Moya's odd editing and intentional obfuscation as he bounces us back and forth in time between post-apocalypse and pre-apocalypse. This movie is not one you would normally want to watch but it is worth watching.

There is a lot buried in the stories here but this is not a mainstream film. I would expect it to be a cult favorite in due time, good for midnight viewings with more action-packed fare or a go-to film for student studies. Oh, and the thriller part of it is completely wrong: Undergods is neither thrilling or suspenseful; it merely lays out a narrative that could use some time-trimming from its 90 or so minutes run-time. You will probably lose attention at the 68 minute mark or thereabout, but stick with it. The direction and editing keep actions muted but the actors intense. Either Moya knows how to direct actors or knows how to stay out of their way, but the acting takes the foreground in every scene, usually overwhelming the dystopian facades it takes place in.  

 

"Wait a moment," said Zombos. I looked up from my review-writing.

"You are getting a bit long winded here with academic back alleys," he said.

This is why I hate writing movie reviews when he's around. He's a critic of the critic type of person. That can be very annoying.

I stood my ground. "I'm simply outlining my impressions of the movie. I had to sleep on this, you know, to figure out how to approach it when it uses final poster art that's not even about the movie. That girl standing in the decaying ruins of a post-apocalypse while a truck drives toward her is way off the mark. At least I think it is. Now you've got me all mixed up thinking about it. Can you let me get back to my review please?" 

Zombos sipped his Aberlour and squinted his eyes at me. I got the feeling he was mentally holding two fingers up in front of his eyes and squeezing my head between them. I shook that feeling aside and continued my review. Come to think of it, the male characters in Undergods were all being squeezed. I wonder if that was intentional too.

 

The time-shifting begins with two buddies (Johann Myers and Geza Rohrig) driving a grimy truck through an urban wasteland of decaying buildings and rotting bodies. They collect the bodies but why? Who is paying them? They also drink gasoline (unleaded I hope), so their mental acuity is questionable. With a lot of time on their hands, they chat, tell stories, share dreams. Cue the first story and time shift to, I'm guessing here, the recent past, to an apartment complex that's empty except for an older couple in one apartment and one tenant locked out of his apartment. Or so he said. Ned Dennehy (he played Scrooge in Dickensian 2015) is the locked out tenant. They invite him in. I would not invite him in. Dennehy has a look that is not inviting. As it turns out, not a good look for the tenants either. An elevator provides the transition to... 

...the next story, which involves a rich man (Eric Godon) who wants to become richer, a daughter (Tanya Reynolds) he adores, and a creepy genius (Jan Bivjoet) who wants to sell his architectural plans. Strangely, this story is told by a father telling his daughter a bedtime story, which is even more strangely being told by one of the questionable sanitation guys picking up bodies and drinking gasoline.  Again, I'm guessing here, but it would fit the fantasy element as Moya kicks around the point of view for us like an empty can. He definitely wants to play with us here, with timeframes, with the people in those timeframes, and the social malaise those people are swimming in. Is he saying these characters are why the apocalypse happened, in general? A society in decline? Or are we still inside the heads of those two buddies as they shoot the breeze? 

A door forced open later leads to a loopy time wrap from past to present to past, making for a very jarring entrance into those two buddies' world consisting of an endless and mostly dead cityscape of ruins. From there, the final story embraces a more colorful world but one of emotional emptiness for the people living in it. A perplexing return of a formerly "dead" husband (Sam Louwyck) makes it a problem for the current one (Adrian Rawlins). There's well-placed dark humor here, especially with the letters the disconnected and disaffected son puts on his bedroom wall, as if he had to be reminded of what those letters spell out. A karaoke rendition makes for a very uncomfortable scene and is the only heated one allowed in the movie. A deeply disturbing but telling (and darkly funny) visit to a social worker makes this story the most perplexing but inherently understandable one of the bunch.

And so the two buddies continue driving for bodies and fresh meat. I'll leave the fresh meat part of it up to you to discover. We may all fall into that category soon enough, but soylent green it ain't.

 

Zombos took the last sip of his Aberlour, looked down at my review, sighed, and left the room. A reaction, I'm sure, most viewers will have after this movie. But it is one hell of a ride, with emphasis on the hell. Oh, and the techno soundtrack is awesome.

Roar of the Iron Horse (1951) Pressbook

The pressbook for Roar of the Iron Horse contains a lot of promotional information and ideas. Of course, in the 1950s, cowboy movies were an easy draw for the younger set, until mutant monsters and atom bombs creeped out everyone enough to make the classic monsters in the 1960s more inviting. By then, science fiction and detective shows crowded out the Western dramas across television screens while the big screens showed less and less of them too. But in 1951, they were still roaring at the box office.

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All aboard for more pressbooks From Zombos' Closet!

The Sea Hound (1947) Pressbook

Here's the 1955 re-release pressbook for The Sea Hound serial with Larry "Buster" Crabbe. The smarty-pants patches promotion, as a giveaway, is novel. Note to "sort patches into two groups: one for small children and one for teen-agers." On page 2 it's mentioned that patches were used "for smooth selling of Adventures of Captain Africa and other smash Columbia super-serials." I quickly reread that pressbook and found the patches were both plastic and cloth, and 2.5 inches. Looks like 1955 was the year for patches as giveaways. 

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Set sail for more pressbooks From Zombos' Closet!

Desperadoes of the West (1950) Pressbook

Thanks to The Serial Squadron member Chris McCleary, I've been posting many pressbooks from his dad's collection. He did two great things: collected serial pressbooks to keep the history alive and met his screen heroes to boot. Here's one signed by Roy Barcroft. I miss the days when you could meet and greet your screen heroes, chat a bit, and walk away with a signed something or photograph while keeping your shirt on your back. Today, of course, it's a Wells Fargo stagecoach holdup's worth to do anything like that at a convention. 

ComicRack reader version: Download Desperadoes of the West Pressbook

Don't get desperate! Here are more pressbooks From Zombos' Closet, pardner.

Terror Tales Vol. 2 No. 1

The classic, I Chopped Her Head Off! is in this issue. If you ever wondered why parents and decent citizens (don't you love that term?) ganged up on the comics industry forcing the bland comics code on us all (but a boon to magazine sales), this one story captures everything you would put on a poster illustrating the evils of comic books. And you can color it in! Yes boys and girls, you too can be seduced by the dark side, just a few color pencils needed. Now that's one thing I bet you hadn't thought about. Just print out the pages of this splaterific issue of moral decay and bamm! instant adult coloring book! You can thank me later. Just don't tell your parents and loved ones where I live. I'll deny everything.

ComicRack reader version: Download Terror Tales Vol.2 No.1

Don't be terrified! Here are more magazines From Zombos' Closet .

Jungle Raiders (1945) Pressbook

Treasure, a miracle drug, and jungle mystery and intrigue are "sizzling" in this jungle serial from Columbia. I wonder if any theaters added jungle sounds or the fortune telling idol to their lobbies? I also would love to have one of those club cards, punched or unpunched. Nice use of contest mats, a code, and a jungle sundae help round out the promotional business. The poster art is also exciting and there were 8x10 art stills available highlighting it. I don't know what was more exciting: the serial itself or the ballyhoo around it?

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You don't need to raid a jungle to find more pressbooks From Zombos' Closet.

Hop Harrigan (1946) Re-Release Pressbook

Here's the 1956 re-release pressbook for Columbia's Hop Harrigan serial. Somehow, I don't think going after everyone in town who is air-minded is the best promotional campaign I've come across. However, the other promotional items are nifty: a model display, a lobby death ray gun (always a draw for me), club card for youngsters (but I still want one), a substitution code, and inviting people named Harrigan to the opening. Of course there's the usual clothing and luggage, the not so usual making paper planes, and the very challenging finding airplane parts "from your local air field" to put in theater lobbies.

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You don't need to be air-minded to enjoy more pressbooks From Zombos' Closet.

Sophie Lang Goes West (1937) Pressbook

I was drawn to this pressbook because you don't often see early movies fronting a female lead character. There were three Sophie Lang movies of which this is the last one.  Promotion ideas for this one had fashionable clothing trends, luggage, a hope chest stunt, and a photo-fun contest. Larry "Buster" Crabbe (Flash Gordon and Buck Rogers) plays the heavy. 

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You don't need to go West to see more pressbooks From Zombos' Closet.

Give Us Wings (1940) Pressbook

It gets confusing trying to keep track of the Dead End Kids, the Little Tough Guys, the Bowery Boys, and the East Side Kids as they pop up in various serials and movies. Long story short: the Dead End Kids were a group of young actors that appeared in the Broadway play Dead End in 1935. In 1937 they wound up in Hollywood to star in the filmed version of the play. Then in 1938 some of them, along with newbies, starred in the movie, Little Tough Guy, so they also became known as the Little Tough Guys. This led to more movies and eventually acquiring the additional monikers East Side Kids and Bowery Boys as they continued to participate in the lucrative franchise over the years. Interestingly, though they began on a serious note, their movies became more comedic and light-hearted as time progressed.

ComicRack reader version: Download Give Us Wings Pressbook

You can find more of their pressbooks From Zombos' Closet.

Jungle Siren (1942) Pressbook

Burlesque stripper Ann Corio made her way to Hollywood to star in Swamp Woman, Jungle Siren, Call of the Jungle, and Sarong Girl. Note the trend toward steamy environs to lessen the need for clothing. What's unusual about this pressbook is that it's larger than most (18x12 inches) and has two fold-out sections, which makes this a pricey pressbook to print and distribute. 

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No siren needed to see more pressbooks From Zombos' Closet.

The Blonde Captive (1932) Pressbook

Contrary to the title, the blonde woman is not a captive. She also puts in just a few minutes of screen time.  This whole movie is a sham. Basically taking a 1928 documentary and adding a blonde woman subplot along with some extra footage, blame Columbia Pictures for this pre-code weirdness in 1932.  Exploitation? Hell yes. Someone snoozing during a new ideas meeting for generating more box office? Hell yes. The only saving grace here is the poster art by Wynne Davies, a superb pulp-style artist who could capture the sexy and tawdriness with the best of them. This movie was lost at one point but someone found it in 2010.  They can't find London After Midnight but they could find this?

ComicRack reader version: Download The Blonde Captive Pressbook

Pressbook library From Zombos' Closet

Cobra Woman Pressbook Front Cover

Ah, the good old days when Hollywood idealized, feminized, exoticified, and basically fronted eye-candy appeal stories for pretty women. Such women spent countless hours making themselves attractive to men and simply lounged around until a man came along to get the story moving. And of course they were surrounded by other pretty women, making all men swoon and lust after them. Here's the front cover to the pressbook for Cobra Woman (1944). Maria Montez plays the exotic woman and her twin  sister (points for twins!). I wish I had the whole pressbook, but this cover will have to do for now. Leonard Maltin called it a camp classic. You may call it something else. Of course, what's a pretty woman without a tropical locale? Here it's Cobra Island. Along with the prettiness you have Sabu and the not so pretty Lon Chaney Jr. What more can you ask for in a camp classic?

 

Terror Tales Vol. 2 No. 4 July 1970

The lead off story, Isle of the Demons, will have you in stitches, assuming they can find all the pieces. If that weren't nauseatingly enough for you, Evil Monsters will bring you past dripping, oozing labyrinths of slime, past plopping whirlpools of filth (whew!). Mere mortals had a tough time in horror comics, that's for certain. In Death Strikes Four, the amount of narrative and dialog text (a staple of early horror comics), just may kill you before the clock strikes, but the art is fabulous as you wait. And talk about chasing time, that clock has long hands and a homicidal temperament. This is one of my favorites! Oh, and there's a detective who tries to Bury Her Deep, but she keeps bobbing up with the tide, and a hangman at the end of his rope, and a witch who...well, you know, it's all there in gory black and white. Enjoy.

ComicRack reader version: Download Terror Tales Vol.2 No.4

Take a stab at more terrorific magazines From Zombos' Closet.

Pirate Treasure (1934) Pressbook

What drew my eye to this pressbook for Pirate Treasure, Universal's swashbuckling movie serial, was the showmanship page. From lobby stunts, pirate coloring competition, pirate mask and hat, pirate treasure bags, heralds, hangers, and more, it's a splash of thrills. The stunt work in this serial is noted as stellar too. Yo ho ho!

Find more buried treasure without a lot of digging: pressbooks from Zombos' Closet.

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Double Shock Running Wild and Tarantula Insert

Get your bobby socks on. It's a double bill of shock and horror! Just when you escape the juke box jungle the tarantula grows on you (in a bad way). This double bill promotion insert fell out of the Running Wild pressbook I was thumbing through. I'm thinking this made a neat date night movie or drive-in snuggle. I'd think the date night would get more traction at the drive in, but the balcony might do in a pinch. I miss theater balconies. They were filled with mystery along with the sticky floors. Thanks to Trailers from Hell (Joe Dante and Charlie Largent) for supplying the Running Wild pressbook and this pleasant surprise contained within.

Witches' Tales Vol. 5 No. 1 January 1973

An interesting escape into the wrong body, Satan dances into mischief, a burning desire flames up, people are doomed, scientists screw up, and the art is to die for (which apparently many people do in horror comics). Enjoy.

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No need to scream. You can catch up on more horrible magazines From Zombos' Closet.

The Hitch-Hiker (1953) Pressbook

Ida Lupino directs a gripping 1950s styled noir that brings home the dangers of picking up hitchhikers. William Talman's performance (best known for playing Hamilton Burger on the Perry Mason television series, 1957 to 1966) is pitch perfect. He has the face, the voice, and the attitude for nasty in spades. Edmond O'Brien makes the perfect 1950s average Joe pushed to the extreme. This is one film noir you won't want to miss. This 18x12 inches pressbook is no slouch either.

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Give a thumbs up for other gripping pressbooks From Zombos' Closet.

Witches' Tales Vol. 4 Issue 3 May 1972

A puppet carved from gallows wood, a dancer who twirls in the wrong direction, Medusa's head holds up like granite, and a witch goes for a joy ride on her  broom. And two stories and the undying fiend provide a bit more terror for you in this issue of Witches' Tales.

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Don't be hexed. You can see more lurid and bewitching magazines From Zombos' Closet.

Fort Vengeance (1953) Pressbook

This pressbook for Fort Vengeance is more interesting than the movie. The campaign art promoted the "red savage" theme in the usual way (war paint, axe, feathers, and menacing face). Rita Moreno starred in a cardboard role and sold cardboard bread in a Hollywood Bread tie-in. Interesting to note that bread was a common tie-in (called tie-up here) with westerns, especially for television. The pressbook mentions "the movie was filmed in color to bring out the scenic splendor of the Canadian Northwest, but the movie was shot indoors and outdoors in California. 

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You don't need to go on the warpath to see more pressbooks From Zombos' Closet.

Gentleman Joe Palooka (1946) Pressbook

Clean-living prizefighter makes good. Monogram made 12 movies based on Ham Fisher's comic character, Joe Palooka. Lots of movies and shorts in the 1940s and 1950s knocked out stories centered around the boxing ring. We tend to label more contemporary comic book inspired movies as franchise, merchandise, and sequel-itis prone properties, but merchandising and repeated entries for a property started decades ago, even before Star Wars. If it's hot its cloned more than a gaggle of storm troopers, when the force of an insatiable audience kicks in.

ComicRack reader version: Download Gentleman Joe Palooka Pressbook

Don't get boxed in. You can see more prizefighting pressbooks from Zombos' Closet.