From Zombos' Closet

Mexican Lobby Card: Fort Bowie

Fort Bowie 1958

 

Mexican Lobby Card: The Call of the Savage

I'm not sure if this is the Mexican lobby card for The Call of the Savage, 1935. I doubt it is, but that's the only movie with Dorothy Short that's listed in IMDb that remotely connects to this title. Actor John Bently does not appear in the IMDb or Wikipedia databases, so I can't cross match with him. Any ideas, please let me know.

Los Hombres Tigres Mexican Lobby Card

 

It's Alive on Amazon! Horror Movies to Savor and Detest

They said it couldn't be done! Then they said it shouldn't be done! Then they said DON'T DO IT! But I did it anyway. I never listen.

My book, Horror Movies to Savor and Detest, compiling the best (and worst of my reviews for all that shimmers, or doesn't, in horror cinema is alive on Amazon for your Kindle delight.

And it's free to borrow if you're an Amazon Prime member, too (it's okay, I can skip a meal here and there just to make you happy).

Dos Fusileros Sin Bala Mexican Lobby Card

Laurel and Hardy in Bonnie Scotland 1935

AAAhh!!! Real Monsters Lunch Bag

I found a pack of these AAAhh!!! Real Monsters lunch bags at a yard sale. They make cool trick or treat bags, don't you think?

Mexican Lobby Card: The Catman of Paris

The Catman of Paris 1946

 

Graphic Book Review: Five Ghosts Volume One: The Haunting Of Fabian Gray

Zombos Says: Very Good

Fabian Gray is a man possessed with both a mission and coterie of five ghosts: the wizard, the archer, the detective, the samurai, and the vampire. As you would imagine, this gives him a leg up--or ten legs up?--above and beyond his usual tenacious and resourceful self.

These wonderful reasoning and fighting abilities channeled through the ghosts were given to him by the Dreamstone, an ancient artifact--let's be polite and just say--he acquired . So what if Fabian Gray isn't all that clean and proper in his background? His ethics now seem to be on the up and up, so that counts.

But there are always complications when great power belongs to one man and others would have at it for themselves. Coming after it, and Fabian, are dark forces led by the devilish-looking Iago, a few big nasy spider-god things and their determined worshippers, and, as one character lays it out for him, "as with all things Mystical, there is a risk of danger."

But of course. Cue the drama. The Dreamstone itself is becoming a dangerous burden. Fabian needs to prove he's worthy to wield such power or it won't allow him to keep it. Isn't it annoying how that always winds up being the case?

Frank J. Barbiere's story is old-time movie serial paced (for you younger fans that means it's a lot like Indiana Jones in characterization and style), and the artwork is the Joe Kubert school of action and outline as energized by Chris Mooneyham. This team-up works hard and well to deliver the blow by blow encounters and the compact panels to build to a satisfying climax that leaves the door open for more rousing adventures.

And before I forget, there's the big eye-glasses wearing, steadfast but reluctant, why-do-I-continue-to-hang-out-with-you sidekick to provide contrast and levity throughout in key moments of terror. A dip in the purity pool for Fabian to fight old guilt demons rounds out his mysterious past, and a continuing thread to bring salvation to his sister promises there will be a mission within each mission goal to sustain the series.

Given all this, I'd say Fabian Gray easily has more than a ghost of a chance for adventuring onward.  

Graphic Book Review Hellboy: The Midnight Circus

Zombos Says: Very Good

There's magic to be found at the circus. Mischief, too. Especially when creepy clowns bang noisy drums in the middle of the night down dark, lonely roads to attract the attention of little boys. Little hellboys, that is.

Mike Mignola (story) and Duncan Fegredo (art) provide the mischief, and colorist Dave Stewart adds the sinister atmosphere in this short graphic novel that takes place when Hellboy's too young to smoke, but old enough to be tempted to burn.

He's also too energetic to be cooped up in the dusty confines of the Paranormal Research and Defense Headquarters, circa 1948, so he sneaks out in the dead of night to grab a puff or two. But something else is looking to grab him instead.

Also sneaking about, "from the clock strikes midnight...to the fearful crack of dawn" is a creepy circus with strange animals and stranger attractions, which would give Cooger and Dark's Pandemonium Shadow Show serious competition.

Enticing him into the wondrous rings of the big tent is a mysterious ringmaster with nefarious plans, and his daughter, who also has a few sinister plans of her own. Both father and daughter have a hellish time seeing eye to eye, but each one has their eyes dead set on the little red hellion with a promising future: for evil or good.

We know which way they'd like to see him go even if he doesn't. In turn, they try to entice the little kid with the big red hand into a future potential that's different than he or anyone else back at headquarters had thought about; except for one worrywart quoting ominous passages from books no one else is reading.

The artwork dutifully captures the mystery and the damnation while the story delivers all the circus devil-fleas and Hellboy could-bes you would expect from Mike Mignola, especially as experienced through young Hellboy's desire to grow up faster than he really ought to.

This title will be available October 23, 2013.

Mexican Lobby Card: The Animal World

The Animal World 1956

 

Mexican Lobby Card: Grizzly

Grizzly 1976

 

Mexican Lobby Card: Lady Scarface

Lady Scarface 1941

 

Dracula Publicity Photo: Bela Lugosi, Dwight Frye, Helen Chandler