From Zombos' Closet

Night Gallery at One Way

A pleasant bite at Crazy Burger, then a nighttime walk past One Way Gallery in Narragansett, Rhode Island reveals these two engrossing pieces of horror art. I couldn't make out the artist's name. Perhaps he's a child of Pickman...

Movie Pressbook: Young Frankenstein (1974)

Foreign Movie Posters With Boris Karloff

Book Review: The Monster's Corner

Zombos Says: Very Good

Ghoulies, ghosties, beasties, here be monsters all, hobnobbing their way through the mortal realm in 19 tales assembled by Christopher Golden, with book-body parts supplied by Jonathan Maberry, David Liss, Kevin J. Anderson, Nate Kenyon, Sarah Pinborough, and many more. Squatting in the monster's corner is you, metaphorically speaking of course, as the next meal, the next victim, and next sideline viewer or partaker of nasty events. Identifying who the monsters and victims are can be a little challenging because sometimes they swap places or appear similar, depending on your vantage point, and the tone of monstrosity varies from story to story, as does the terror. 

Perhaps the clearest monstrous vision here is seen through Pinborough's The Screaming Room. Having snakes for hair and turning people to stone doesn't make the Gorgon a social butterfly, but when her dates do eventually show up, she does get to spend a very long time with them, enjoying their constant song of love. Only they aren't singing and she's deluding herself, turning her loneliness into happiness. A simple premise sustains a truly terrifying revelation, and this story will not easily leave you once you put the book aside.

Often the monster ranks are swelled by those we unleash ourselves, and in Maberry's Saint John, you may be hard pressed to find the saints, but sinners abound. Armageddon leads to madness, but sometimes madness can lead to redemption, and here the sinners must face a holy roller to reckon with, dressed in swirling white robes and long sharp blades wielding salvation.  Not surprisingly, coming from an author who specializes in death and destruction in apocalyptic measures, Maberry creates an unbalanced world populated with unbalanced people, and places his heroic protagonist, who's either deep-dish crazy, made so by the monstrous events of his past, or following God's crib-notes, within it, preaching one slash and thrust sermon at a time. There's an intimacy here as Maberry focuses on one small street corner and those people stepping into it, coming under Saint John's light. Victims and monsters are interchangeable. Salvation is tenuous. The emotional complexity deep and disturbing. Maberry may have created a new and noble antihero ripe for novelization.

For a swim with Lovecraftian primevalness, Tananarive Due brings us to Graceville, Florida in The Lake. Abbie's new job, new house, new life is growing on her so much she's becoming a whole new person; or thing, anyway. People say not to swim in the lake in summer, though the reasons are hushingly unclear. She swims anyway. The lake's calm water is so inviting. Slowly changes in her attitude start to match the physical changes between her toes, and the changes in her appetite. Is she dreaming? Is she delusional? Is she embracing a whole new Abbie? Her understated tranformation unfolds in carefully building paragraphs, rendering the terror mood gently and matter of factly, until the ending reminds you it's not wise to swim in the Graceville Lake during the summer months.

You won't find gore or check-the-door scares in The Monster's Corner, but you will find, hanging out in its dark recesses,  a well varied assortment of true monsters, seeming monsters, and would-be monsters, all either vying for your understanding--as carefully outlined in Gary A. Braunbeck's witty And Still You Wonder Why Our First Impulse Is To Kill You--or your blood.

Comic Book Review: Justice League Dark 1

Zombos Says: Good
(story good, but artwork lacking)

Since Zatanna is wearing pants they put her fishnet stockings on her arms, overly done coloration brightens to distraction, and another apocalyptic vision gets everyone in a huff. And don't get me started on using Justice League in the title: it's somewhat confusing, but since Superman, Wonder Woman, and Cyborg aren't up to the task at hand, I suppose it will have to do for now.

Even John Constantine winds up here as Madame Xanadu sees a bleak future and calls Shade (actually she calls his M-Vest). Enchantress is dreaming madness and chaotic spells ensue. This first issue sets up the looming hunka-burnin' catastrophe with mini-ones, and introduces key participants including Deadman, Constantine, Zatanna, Shade, and a mysteriously confused young girl.

Getting in their way is the artwork, with color that saturates the opening action in a golden haze, and the closing setup in purple. Mikel Janin draws everyone with almost the same face, and poses characters stiffly in his scenes. One welcome exception is Constantine dropping in unexpectedly. Another is the encounter with filthy flying teeth (now try and say that 3 times fast), which is rendered less effective by a putting-green background.

Peter Milligan's story builds well to the quiet climax, adding mystery and pending threat, but Janin's layout, while grid-wise assists the narrative, content-wise needs more oomph and fluidity to bring on the darkness.

And for gosh sakes, dull those colors!

Comic Book Review: I, Vampire 1

Zombos Says: Very Good

I wouldn't have picked this one up if DC hadn't sent it to me for review. I have a problem with the cover. It sucks. Okay. I know. You want more of a critical assessment than a fanboy kind of knee-jerk opinion. Here it is then: it sucks a lot. It's too yapping Twilight-y, and its composition panders more to stereotypical male herdy-nerdy readers with its voluptuous, booby and elf-y coy female posturing brazenly. I don't know what age range they thought they were aiming for with this one, but I'm not near it apparently. And it doesn't jive with the more sophisticated content, which I can tell you doesn't suck. 

Andrea Sorrentino's heavily dark boundaries and shadow-fused illustration would easily be at home in a black and white world, but Marcelo Maiolo's color dashes and toning brings emotional depth as well as objective and personal perspective through its variation across the pages.

This first issue re-establishes the centuries-old love-hate relationship between Mary and Andrew: she's intent on feasting and he's more of the fasting kind. Joshua Hale Fialkov interweaves their lovers' dialog between present and past, and in spite of his 400 years of vampire-killing savvy, she gets in the last word. Much bloody mayhem ensues

If Fialkov and Sorrentino can sustain the emotional intensity and visual flare started in this first issue, the series should have a long run. Their predominant use of wide-format panels gives ample room for telling the story with imagery and narrative, and red dialog boxes and discrete splashes of blood punctuate the lovers' quarrel, broadening it to apocalyptic proportions.

At 20 pages an issue, it's a tough call whether I want to wait for the trade paper or pick up each issue. I'm tempted toward the latter based on the promise shown here.

Is it me or is everything so apolcalyptic these days?

My Halloween: My Scary Halloween

Five questions asked over a glowing Jack o'Lantern, under an Autumn moon obscured by passing clouds...in between mouthfuls of candy corn...with My Scary Halloween.

Why is Halloween important to you?

At some point we all leave our childhoods behind and with it a treasure trove of make-believe, candy, and the wonder that one night a year ghosts and witches do exist. Halloween allows me to reconnect with that childhood wonder and in that moment that sense of fascination recharges my creative soul for an entire year.

Describe your ideal Halloween.  

I love my Halloween scary – from the front porch where kids are greeted with macabre yard haunt, to the decorations that fill my house with a very spooky atmosphere – every detail is carefully considered. In the background a horror movie is playing, or perhaps a playlist of my favorite Halloween music. I usually have a few friends over to hand out candy, tell ghost stories, and enjoy a warm bowl of Autumn stew. After the activities fade and I am alone, I watch horror movies until late at night when the last of the pumpkin scented candle burns out.

What Halloween collectibles do you cherish, or hate, or both?

I collect a Halloween village and every year I spend a month putting it together. I build platforms, carve rocks out of foam, and wire the whole thing together (pictures are on my website). This is a fascinating hobby for me and I've learned things like engineering, electrical wiring, woodworking and painting – all the same things I've put into use in my own actual home.

When was your very first Halloween, the one where you really knew it was Halloween, and how was it?

I don't have many memories of celebrating Halloween as a kid. One of my most memorable Halloweens was my first year in San Francisco. The Castro neighborhood put on quite a big "show" and the costumes were incredible. One woman was being wheeled around in a phone booth covered with crows in homage to The Birds, and of course, there were the 8-foot-tall drag queens with headdresses that practically reached the traffic lights. I'd never seen anything like it (or since).

What's the one Halloween question you want to be asked and what's your answer?

Q: Do you want to go trick r' treating?

A: Yes! Let me grab a bucket.

Marketing Your Book and Your Part 2 By Scott M. Baker

Read Part 1

So that’s it? I set up a blog and a webpage and I’m done marketing my book?

Hell, no. In addition to a webpage and a blog, you will also need to establish an account on some of the various social networking sites (SNS) available on the Internet. Facebook and Twitter are the most common, although there are dozens of SNSs available. If there’s a particular site that caters to the audience you’re trying to reach, by all means add that to your Internet presence. But don’t go crazy and establish a profile on every SNS available, because the more time you spend maintaining these sites and networking means the less time you spend writing.

You will also want to join a few forums and/or chat groups to make your name known throughout the community. I suggest a mix between those directed primarily to writers and those frequented by fans of your genre. A good place to begin is Goodreads. This site is dedicated to writers and readers, and it maintains numerous chat groups that span all genres. Beyond that, do your research and check out various forums/chat groups until you find a few where you feel comfortable visiting. As with the social networking sites, moderation is the key.

Cool. I love Facebook. I have a couple of dozen zombie pets that I’m taking care of.

You’re missing the point. Your goal is to sell books, not to steal your friend’s zombie rabbits or create photo albums of your last trip to Europe. You need to market yourself as much as your work. The best way to accomplish that is to establish a reputation as a reliable expert in your genre. Don’t just use these sites just to talk about yourself and your latest writing project. Discuss books and movies, offer the latest news in your genre or the publishing industry, or maybe write a series of blogs on how to get published. When visiting websites and blogs other than your own, if you find an interesting post, share it on your SNSes; your fans and other bloggers will appreciate it. And don’t get discouraged if you don’t have a thousand followers at the end of the first week. This is a slow and labor-intensive process, so be patient. If you market yourself correctly and give it time, slowly but surely you’ll build up a following of fans who will want to read your book, who will tell their friends to read it, and who will eagerly await your next novel. (NOTE: Gary Vaynerchuk's Crush It!, available from Amazon, provides an excellent step-by-step approach on how to achieve this.)

There are two things to keep in mind when blogging and networking.

First, always use your writing name when posting. While it might be fun to call yourself vampireexpert69 on Facebook, it makes it almost impossible for your fans to find and follow you.

Second, and this is a matter of personal opinion only, avoid controversial subjects and flame wars with fans or colleagues. This is one of those instances when bad publicity is worse than no publicity for beginning authors. If you’re a vampire author who is not a fan of Twilight, don’t bash the series every chance you get. Don’t take sides on political issues, militantly support controversial causes, or publicly and consistently lambast a colleague as a hack who can’t write for merde, otherwise you run the risk of losing major portions of your fan base. As a writer trying to establish him/herself, you can’t afford to alienate potential readers.

Finally, there are other things you should do to market yourself and your book:

Book signings: These are your most important venue for building your fan base. And don’t limit yourself just to book stores. I do a lot of signings at comic book stores. Conventions are also a big draw for fans. Book expos are a great way to meet potential fans. Specialized conventions are also a big plus. For example, if you write about animals, attend pet expos. Of all the horror cons I’ve attended, authors are among the most popular celebrity guests. John Lamb, author of the Teddy Bear Mystery series, once told me that he sells almost as many books at teddy bear conventions as he does at book store signings.

Guest blogging: These are vital for new authors to get their names out in the public domain. There are many established blogs that allow aspiring or first-time authors to guest blog on their sites. I am indebted to Dawn's Reading Nook, Adventures of the Cautionary Tale, Back of the Book Review, and several genre sites for allowing me the opportunity to talk about my writing. I’ve made several new friends and fans thanks to their generosity.

Look for every opportunity you can find to get your name out there. Convince your local radio and television stations or newspapers to interview you as a hometown celebrity. Arrange virtual book tours (which is especially important if you’re an e-book author) where you have chat room discussions on various forums. Spend the time and effort to create a video trailer for your book that you can post to YouTube. Donate autographed copies of your book to charity events, or do book signings at such events with all the proceeds going to that charity. These are just the proverbial tip of the iceberg. There are dozens of things you can do to publicize your book, all of which inevitably increase sales and lead to more exposure.

Well, that wraps up my blog series on how to get published. Any questions?

Yeah. You just described a hell of a lot of work to go through to be a mid-list author. Why would anyone in their right mind want to write for a living?

Good question. Let me answer that next...

Double Bill Pressbook: Screaming Skull and Terror From the Year 5,000 Part 1

Double Bill Pressbook: Screaming Skull and Terror From the Year 5,000 Part 2

View Part 1

I'm not sure, but I don't think you can use the term "hideous She-Thing!" in publicity anymore. Unless you're a politician, of course.

Graphic Book Review: Evelyn Evelyn

Zombos Says: Excellent

Call it a glum child adult's fairytale or a morose adult child's fairytale, Evelyn Evelyn: A Tragic Tale in Two Tomes from Dark Horse is quite intoxicatingly real in it's grotesque fiction. It is darkened parquetry, laid across the pages of two small tomes bordered by slipcase, revealing the piquant story of the conjoined Neville sister twins' never existence, from birth to YouTube stardom, embellished with gross exploitation, tearful misfortune, and their eventual, but tenuous, music salvation.

The tartly sweet baroque illustrations by Cynthia von Buhler are all coffin frills and funeral lace and purple ribbons heavily blushed by somber Autumn colors and impossibly tragical events. This is the bedtime story Wednesday Addams would want to fall asleep to, people'd to absurdity, dusted lightly with caked talcum and caressed softly by razor sharp tinsel.  

Their caretakers, Amanda Palmer and Jason Webley, musically gifted in their own right, have preserved the fragile confidence of the twins enough to bring their melancholic artfulness to light, as well as their bittersweet, decidedly corkscrew journey that starts with a detrimental birth in a medically-modified Airstream trailer,  necessary salvation from a chainsaw-wielding doctor of dubious reputation and errant skills, unnecessary loss to a chicken farmer who coops them like his chickens, and questionable rescue by candy-wielding saviors who bring them to live at a shady home for wayward girls, where VHS tapes and debauchery mix and 13 year-olds mysteriously leave for parts unknown, late at night.

Elephant Elephant, the two-headed elephant, their only friend in the circus where they must perform, provides surcease of misfortune until misfortune insists, but the inseparable and resourceful sisters use the wonder of technology and the closeness of the  Internet to garner notoriety with their ukulele and fragile gumption; sure in the knowledge that, no matter what travails they face, through thick or thin they will never split up and go their separate ways.

Endearing, frightening, and perplexing, in Evelyn Evelyn, the truth is stranger than reality, and far more cheeky.

The Beast With A Million Eyes By Professor Kinema

One interestingly unique little film from the 1950s that I've always had an affection for is The Beast with a Million Eyes (1955). The original ad art featured a never-never creature with a body containing an endless array of eyes that disappeared off the edge of the poster. It was hyped as "filmed for Wide Screen in Terror-Scope." Since this film was promoted and sold before it was ever filmed, one can assume the 'Wide Screen and Terror-Scope' elements were there from the beginning. This same line appeared in the later printed lobby cards, which consisted of stills from the finished production. All showings that I've seen have been in the normal 1:66 to 1 format. The IMdB lists the 'official' format as 1:37 to 1, not really a 'wide screen' and surely not anything that could be recognized as being in any sort of 'terror-scope.' On the other hand I haven't heard of anyone expressing disappointment over not being thrilled by something that was not in any sort of 'terror-scope.'

If this little opus occupies any place in film history it would be for one main fact; it contains the very first Paul Blaisdell cinematic creature.

The premier issue of Fantastic Monsters of the Films (1962) features an article documenting the creation of this creature; 'Little Hercules.' The copy of the article emphasizes " ...we (the monster makers) do not always work on Million Dollar Movies, and we do not take home Million Dollar Paychecks. Often we have to work within limited funds in a budgeted amount of time." Not mentioned is the actual amount of money Blaisdell did in fact recieve for his work: $400 - half of which was spent on materials. In a series of step-by-step illustrations the creation of the model unfolds. Materials mentioned for the construction of the model were modeling clay and liquid latex rubber. Other materials listed, for a generic background structure, include chicken mesh wire and plaster of paris. Randy Palmer's affectionate book Paul Blaisdell, Monster Maker (McFarland, 1997) mentions the additional materials needed to complete the model; small plastic eyes, plastic fangs, rubber lizard tails for antennae and wire hangers for the bat-like wings.

My Halloween: WGON Helicopter

Five questions asked over a glowing Jack o'Lantern, under an Autumn moon obscured by passing clouds...in between mouthfuls of candy corn...riding on the WGON Helicopter...

Why is Halloween important to you?

Halloween has always represented a sort of "cutting loose" in my life. I don't normally dress as Dr. Clayton Forrester from Mystery Science Theater 3000 in my daily life, but on Halloween, it's not only perfectly acceptable, but expected. Growing up, it was that one day a year when my brother and I would start planning what our costumes would be weeks before the actual day. We spent our childhood in a very rural setting, and so we often couldn't go door-to-door. Our parents would drive us and during some years, actually make our costumes for us.

I'm from northern Michigan, so the autumn was always crisp and clean, leaves on the ground, occasionally a snowflake or two. The air was perfect, the sun seemed to shine a little differently during October. The mysterious mood generated by "scary" costumes and a good ghost story or three nestled into my memory, sending a part of me back in time every instance I hear the word "Halloween." It was important to me for the feeling of freedom, both in attitude and in nature.

Describe your ideal Halloween.

The child-like spirit is first and foremost. You're "too grown up inside" to enjoy it? Tough...you better learn to quickly because that's the part that comes out during Halloween. A sunny day with a few clouds here and there, and a blue sky through the bare trees. The air has to be crisp and cool, but not too cold. There doesn't have to be a party - I'm fine with not going to one, although they're usually a good time. Plenty of candy for trick-or-treaters, and when that's done, two or three carefully-selected horror movies are on the docket to close out the night.

What Halloween collectibles do you cherish, or hate, or both?

Believe it or not, I'm an antique-y, vintage-y kind of guy. I have specific things I look for when I go to an antique store or flea market. The Halloween collectibles I enjoy now, or want to get a hold of, are usually the ones I grew up with. Specific decorations or toys that I might have had when I was a kid in the 70's.

In fact, that's my cut-off point, right around 1979. Maybe into as late as 1982 is OK, but there's a certain kind of magic attached to those decorations or toys that my mom would put out a week before Halloween. I can't name anything specific, but I'd know it if I saw it. Such is the fun of collectible hunting.

What was your first Halloween...?

I try to remember my first experience with Halloween, and as I get older, the memories get a little hazier. An early one that stood out for me was 1974. My brother and I wanted to be superheroes, and you have to understand that the both of us have been comic nerds since the days when it wasn't "cool" to be a comic nerd. The only problem was which one we wanted to be. We were immense fans of Thor, Spider-Man, Superman, both Captain Marvels (you comic fans know what I mean by that), the X-Men, the Metal Men. The problem was settling on one. That was OK, because our parents did it for us.

We had oversized books of Superman and DC's Captain Marvel, so that is what they went with: homemade costumes that, while not as intricate as the cosplay experts can churn out, was good enough for us in 1974. Sweatshirts, shorts over pants, and capes made from old dress shirts...they weren't perfect, but that night we were the mighty Justice League brought to life in a seven- and four-year-old's imaginations. And we got some pretty sweet candy that year.

What's the one Halloween question you want to be asked, and what's your answer?

One question I wouldn't mind being asked about Halloween is "What's a good movie marathon for Halloween night?"

My answer might depend on the personal tastes of the person who's asking, but I could provide a general list that I might run with on a good Halloween night. First off, without question, is the original 1978 Dawn of the Dead. That's a Halloween tradition. For sheer atmosphere, I'd recommend the original version of The Haunting. You really can't go wrong with that one. The recent mockumentary Lake Mungo is a fantastic chiller that depends on atmosphere. For downright scares, I usually go with the tense, frenetic [REC] films from Spain. For more international atmosphere and creepiness, I'd recommend The Pang Brothers' stylish The Eye(NOT the remake). For some yuks of the comedic kind, it's good to pick from the trio of Shaun of the Dead, Zombieland, and Evil Dead 2.

So many to choose from, so little space.

 

Come fly the friendly skies of horror at The WGON Helicopterhttp://wgonhelicopter.blogspot.com

My Halloween: Evil von Scarry

Five questions asked over a glowing Jack o'Lantern, under an Autumn moon obscured by passing clouds...in between mouthfuls of candy corn...with Evil von Scarry...

Why is Halloween important to you?

My wife and I's anniversary is on Halloween. We had a Halloween/Carnival theme to our wedding and we're both Halloween freaks.

Describe your ideal Halloween.

No costume No candy. Kids going out all night gettting treats and dressing like monsters and ghosts, haunted houses, carving jack o lanterns.

What Halloween collectibles do you cherish, or hate, or both?

We're both kind of into Nightmare Before Christmas, lots of Tim Burton memorabilia around, skulls, black cats, ghosts, scary trees, the works.

When was your very first Halloween, the one where you really knew it was Halloween, and how was it?

It was awesome, the one I remember best. My brother and I used pillow cases and when they were full went back home, dropped em off, and went out again. I think that year was about a 2 1/2 pillow case year, lol.

What's the one Halloween question you want to be asked and what's your answer?

Q: Is it supposed to be scary?

A: YES!!!

Movie Pressbook: Battle of the Worlds and Atomic Age Vampire

This is the first pressbook I've come across that devotes page space to a second movie, but doesn't list it on the cover. Atomic Age Vampire appears on the last 3 pages.

My Halloween: Pandora's Pen

Five questions asked over a glowing Jack o'Lantern, under an Autumn moon obscured by passing clouds...in between mouthfuls of candy corn...inked with Pandora's Pen...

Why is Halloween important to you?

There’s a certain type of magic unleashed into the spiced autumn air of late-October. Children sense it and relish in its mysterious chill, but many adults tend to turn their noses up at it, thinking they are too old for Halloween. But it is truly the one time of the year when lovers of the macabre are allowed to embrace their true selves and roam free among the normal people of the world. Halloween is important to me because the atmosphere allows me to feel right at home and to try and show others the magic of fall.

Describe your ideal Halloween.

My ideal Halloween lasts the entire month of October (and preferably some of September, too) because the magic of Halloween is hard to capture in a single day. I will do a marathon of all the best Halloween-themed movies, read plenty of Halloween stories, and listen to the right music to gear up. Then I’ll decorate the house, create my costume, and carve pumpkins.

As a kid, nothing could beat the pumpkin farms where we went on hayrides, ate elephant ears, and examined the best pumpkins. As we near the day, only the best haunted houses are in store. Finally, as Halloween arrives, I’ll witness the spectacle of costumed children trick-or-treating and throw a party with Halloween-themed food and drinks… and who knows, maybe a ghost or two will show up…

What Halloween collectibles do you cherish, or hate, or both?

One Halloween quite a few years ago, my mother (who is just as much a fanatic as I am) bought a 2-ft tall poseable skeleton who we named Benny. But after Halloween that year, we couldn’t find any space in our cluttered basement to store him, so we left him out sitting beside the fireplace. A stuffed turkey ended up in his lap for Thanksgiving; he donned a Santa hat for Christmas; the Fourth of July gave him an American flag bandana. Even now we keep him out year-round as part of the family, and he recently wore a paper top-hat and tie for my sister’s engagement party.

When was your very first Halloween, the one where you really knew it was Halloween, and how was it?

My first Halloween, I was too young to recall, but I distinctly remember my kindergarten or first-grade Halloween where we dressed up for school and paraded down the hallways. The other girls wore Dorothy’s ruby red shoes and princess dresses. Me? I went as a skeleton, complete with full-body bone suit and painted face. I knew then that there was something different about me, and that afternoon as I reluctantly put on a heavy denim jacket and raced over the dead leaves with the neighborhood kids as we went house to house, I knew that this was truly Halloween.

What's the one Halloween question you want to be asked and what's your answer?

Q: I think I’ve lost the magic of Halloween since growing up. What can I do to get it back?

A: There are so many things you can do, and I’ll tell you all of them on Pandora’s Pen’s Halloween Countdown: http://joannapary.wordpress.com/category/halloween-countdown/

Book Review: In Extremis by John Shirley

Zombos Says: Excellent

Reading John Shirley's In Extremis is like sticking your moistened middle finger into a live lamp socket: it's punishing but oddly exhilirating after the initial shock. These stories are nasty; they're rude, roiling attitudes of sludge scooped up into the palms of your hands, all greasy slippery feeling and gnarly intense, forcing you to look behind you fearing someone's going to catch you reading them. And you will. Read them. Losers abound, sick humanity thrives, and the scariest thing about Shirley's bowery dark environs is they're crazy batshit and familiar and you sitting there wishing they aught'nt, really shouldn't be. 

The acid test is getting past Just Like Suzie. The two stories before it, Cram and You Blundering Idiot may trip you up, but they're the warm up acts for the burlesque and grotesque reality show in  Just Like Suzie. Sure, getting caught in a train during an earthquake, and maybe hiring some guy to kill you but he's a shlub so he has to keep doing it to get it right are enough to dishearten you from continuing, but if you can keep going after Just Like Suzie, you've earned it. Seriously.

I can't describe the story too much, it's got that 1970s badassness to it, along with its gritty, adult comedy of errors, with those errors piling up into one big clusterfu--like I said; its all 70s badassness. Suzie's a prostitute who dies, I can tell you that, but her attachment to her junkie-john, a guy named Perrick, is fast and rock solid. In all the wrong place. Without any doubt you will squirm and sweat along with him, and find it well darn funny, too. Bad habits are hard to break and some break you hard, and some just leave you whimpering, dangling limp in resignation.

I can describe Faces in Walls for you a little more, though, and this one and Just Like Suzie are my favorite nightmares in this collection, but there are plenty more to go round. Imagine you're paralyzed, neck down, vegetating in Wemberly Sanitarium for years, bedded in a lifeless room with walls peeling their green paint, bed sores pressing angrily against you, and no one visiting you except for Sam Sack and those faces in the walls. Conversation with one of those faces in particular holds your interest, but Sam's attention you don't want. He wears a pillow case over his head and comes into your room late at night to play. His kind of play you don't need. But you can only lie there.  Until that one particular face tells you more.

There's a short story by Oliver Onions--can't quite put my finger on it I read it so long ago-- that Shirley reminded me of with this one. And no it's not The Beckoning Fair One. It had a fairy tale quality to it as I recollect, a girl, and a curious friend. Shirley's less prosaic than Onions, of course, but darker in intent, and his rythm between narrative and dialog is more insolent and unforgiving, and with the psychological horror of each situation leeching the life out of his characters captured with such exhuberance, Shirley wins hand over fist. I wonder if Shirley looks over his shoulder while he writes, fearful someone might catch him in the act?

So pour yourself a glass of Shiraz, volume up The Three Tenors, and sit near a mirror so you can reassure yourself there's no one looking over your shoulder while you read. The wine and music will help sweeten the bitter spirit aftertaste when you've finished the book--if you get that far.

But not by much.

Movie Pressbook: Death Race 2000 (1975)

This low budget cult movie was ahead of its time in depicting reality television programming. We've not reached the point of this or The Running Man, but I wonder how long it will take before we do?

Famous Monsters of Filmland: The Annotated Issue # 1

Zombos Says: Very Good

Having acquired a distributor, Warren phoned me. "I know you're quite serious about your films," he said, so I'm going to tell you something and then I'm going to hold the phone a yard away from my ear because I'm sure I'll hear you scream all the way to New York." You, Forrest J-no-period Ackerman, are about to become editor of -- are you ready for this? -- FAMOUS MONSTERS OF FILMLAND!"

"Oh, no! [groaned Forry Ackerman] Do I have to put my name on it!"

 

In Famous Monsters of Filmland: The Annotated Issue # 1, Joe Moe opens the vault to bring Forry's original hand-typed and pencil-edited manuscript for the first issue of FM to light, and Kevin Burns and Dennis Billows remember the sci fi man who crash landed on Planet Horror with a shock wave still reverberating today.

I took the above quote from Forry's Birth of a Notion, wherein he describes how FM evolved from an initial idea of doing a oneshot magazine based on the French Cinema 57 issue devoted to classic monsters, then to the idea of doing a oneshot called Wonderama (The Mag of a Thousand Faces), comprised of movie stills from Forry's vast collection, and eventually to fate stepping in with lucky timing. Teenage horror movies were becoming hot and the magazine distributors Warren failed to impress at first with "his mad idea" suddenly remembered him: now they craved the monsters. And soon thousands of kids would crave them, too.

Burns follows with an affectionate recollection of meeting Forry for the first time, Following Forry, and Billows, "one of Forry's most valued assistants" provides glimpses into the mettle of the man with a selection of Ackermanisms culled from tape and written interviews on why Forry collected, his first movie,  his friendship with Fritz Lang, and Forry's touching recollection of Boris Karloff.

A room by room photo tour of the treasures in the Ackerminimansion, Forry's last residence and smaller repository for wonders and terrors, rounds out these prefatory articles, leading into the hand-written outline for the issue's contents and the old-fashioned typed pages, with penciled edits here and there, revealing Forry's creative process in bringing the first issue of FM to the newstands. Earlier in Birth of a Notion, Forry mentions how Warren would hold a card in front of him as he typed. Written on the card  were the words "I'm 11 and 1/2 Years Old, and I am your reader. Forry Ackerman, Make me laugh."

It worked.

 

My Halloween: Know Joe Moe

Five questions asked over a glowing Jack o'Lantern, under an Autumn moon obscured by passing clouds...in between mouthfuls of candy corn...with Joe Moe...so you know...

Why is Halloween important to you?

Like our favorite Horror movies themselves, Halloween represents such a high degree of art, craft, and creativity. It's so theatrical, clever, and creepy. A great way for parents to encourage imagination and share their limited (or vast) knowledge of tradition, stagecraft and spooky mythology with their family. If all else fails, it's a nationally sanctioned day for kids to piss off uptight parents!

Halloween is also transformative. As a kid, you could be whoever you wanted for that one magical night. Or, at the very least, not be your regular self for a spell. All of this contributed to my aspiration to tell spooky stories as an adult. While I haven't accomplished all I have left to do yet, I have made movies, designed haunted rides for theme parks internationally, and lived with and took care of one of the pioneers of our genre, the late great Forrest J Ackerman. Thanks, Halloween! Pretty good trip so far!

Describe your ideal Halloween.

One that goes on for the entire month of October. It starts with planning the big, themed Halloween party for the actual day. This year it's Vampire Spaghetti Dinner with my fanatic Halloween pal, actress Carol Ann Susi (from the original Night Stalker series and now Mrs. Wolowitz on The Big Bang Theory). But long before the 31st, there's exploring Disneyland's family-friendly Halloweenification, Knott's Scary Farm's infamous, immersive, month-long Halloween Haunt. Universal Studio's Halloween Horror Nights is hit or miss, but I personally never miss it! There's even the fun of scoping out the mainstream department stores to see what innovations, decorations and novelties are offered this season. And no Halloween can go by without a visit to Del And Sue at Dark Delicacies in Burbank. Oddly, nowadays, I hardly ever wear a costume as part of my Halloween celebration?!

What Halloween collectibles do you cherish, or hate, or both?

I worship any Don Post Studios mask. Back in the 70s, having one of those deluxe, over-your-head treasures was like owning an actual piece of classic horror history. There was no better way to become your favorite monster than to squirm into one of those remarkable, detailed latex masks. I don't own any myself today, but I do have a copy of the mask I actually sculpted for Don Post Studios in the 80s (Schizoid, at left). I can't express what an incredible dream come true it was for this (then) 22-year-old kid from Hawaii to contribute a monster mask to the company that so affected my childhood dreams and ambitions. Seeing my mask on shelves at the Hollywood costume shops and theme parks was beyond exciting.

When was your very first Halloween, the one where you really knew it was Halloween, and how was it?

I was nine when Halloween coalesced into understanding of the tradition and fun of the holiday. It was the year my parents finally allowed me to read Famous Monsters of Filmland magazine. Now I could put all the creatures and movies I was drawn to into the context of the genre. I also got my first store-bought costume, Frankenstein's monster! It was one of those boxed costumes. A flimsy printed, shiny jumpsuit, tied in back like a hospital gown. And the vacu-formed mask printed with garish colors that smelled like plastic (and later, spit). I wore that costume days before Halloween. I shredded it. I won my first Halloween contest that year. Today I realize that I won, not because of my lousy commercial costume, but because I stood next to a kid in an identical costume and the judges thought we were cute twins. Luckily, I was handed the prize and not that other kid.

What's the one Halloween question you want to be asked and what's your answer?

Joe, will you please attend my:

a) Halloween Party

b) Haunted House

c) Seance

d) Homemade graveyard

e) Spooky movie screening

f) All of the above

My answer is...YES!

Joe and Werewolf under a full moon. (Joe's on the right)

 

Forry's Don Post Life Masks