Beware! Once again, the archives have been unburied, and the hideous horrors unleashed! For your entertainment and edification pleasure, of course. Members of the League of Tana Tea Drinkers dig six feet deep to find their past misdeeds…and reveal them to you, one favorite and notable post at a time!
Slasher Speak shrinks in terror from The Invasion:
In this third retread of the 1956 sci-fi classic Invasion of the Body Snatchers (based on Jack Finney’s 1955 novel The Body Snatchers, critics and audiences will likely be caught up in the backstage brouhaha that had director Oliver Hirschbiegel’s original cut deemed “too cerebral” for studio execs, the much-ballyhooed Wachowski brothers of Matrix fame being brought in for eleventh-hour rewrites, and up-and-coming action director James McTeigue V for Vendetta adding extra action sequences to the mix.
Vault of Horror shares their top movies of the 1960’s with us:
In the grand tradition of my previous decade-favorite lists, I’m moving right along to the era when your parents used the Vietnam War as an excuse to smoke dope and get on the pill! That’s right friends, it’s the 1960s–quite possible the most tumultuous age of horror. This is quite an interesting list if i do say so myself, a telling mix of traditional terrors and more modern-style flicks. This was, after all, the decade in which the Hays Code and studio system died, and all the rules went out the window.
Dinner With Max Jenke takes on Manhattan along with Jason in Friday the 13th Part VIII:
For horror fans, the decade of the ’80s did not end on a proud note. By 1989, the titans of terror – Jason, Freddy, Michael Myers – who had once ruled over the box office had all frittered away their popular appeal along with their street cred. Arguably the most grievous fall of the bunch was with Jason and Friday the 13th as the series disappeared up its own ass with Jason Takes Manhattan.
TheoFantastique sees The Lost Boys as the Brady Bunch, and lives to tell about it:
One of my favorite vampire films is a “cult” classic, Joel Schumacher’s 1987 film The Lost Boys. I was therefore pleased to find a paper presented by Jeremy Tirrell at the national convention of the Popular Culture Association that deals with the film titled “The Bloodsucking Brady Bunch: Reforming the Family Unit in the The Lost Boys. The paper is found on Tirrell’s “print archive” section of his website, and he considers it a “work in progress.
The Drunken Severed Head explores why monsters make good friends:
A friend of mine (I’ll call him “Bill”) lost his mother very recently, and I sent him my wishes for “many lasting solaces, great and small.” Knowing my friend, it’s likely one of the solaces he’ll turn will be his love of classic horror films.
Classic Horror teases us with Lisa and the Devil:
The story of Mario Bava’s Lisa and the Devil is the stuff from which cinema legends are made: brilliant auteur is given carte blanche to make his masterpiece, but the end result can’t find a distributor. To recoup costs, the film’s producer pressures the director to add scenes of demonic possession to cash-in on a popular American film (in this case, The Exorcist).