Here's a German pressbook for Frankenstein Must Be Destroyed. The German pressbooks I've seen so far are usually a one sheet fold-out with a splendid scene-rich centerfold. They also include the ad mats on cheap pulp paper to be cut out and used in newspapers.
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And here's a little sword and sandal cheesecake for your Thursday. I'm not sure which Sybil Danning movie this one is, but I doubt it can live up to the illustration shown here.
Here's a little peplum beefcake to brighten your Thursday. I find it odd the title shows "Sanson," but the movie's original title was Sansone. Perhaps the "e" was removed so he had room to flex those biceps better.
Oh, those wild beatniks. Wild, wild, wild. Could never get the hang of those bongos, though. Rhythm’s just not my bag, man. But I dug the tights the women wore. Slinky and sexy. One of the best horror movies with a beatnik atmosphere is A Bucket of Blood. Sherlock Holmes once quipped about “art in the blood” when discussing Mycroft, but A Bucket of Blood posits blood-in-the-art for a nice kick in the jive. A bucket’s worth, more or less.
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Here's the large Mexican lobby card (the size of a mini-poster) for Leyendas Macabras De La Colonia (1974), Macabre Legends of the Colony, with Tinieblas, El Fantasma Blanco, and Mil Máscaras. Great inset scene. And yes, it's as wild as this card depicts. Luchadors, mummies (and one bitchin' dead mommy of a witch), Aztec warriors, and a painting that transports to colonial times to get some fighting done.
Simple yet stunning visuals combined with an existentially tinged inset scene make this Mexican lobby card very eye-appealing and thought-provoking.
Interestingly, the Mexican lobby card for I Was a Teenage Frankenstein (1957) is titled The Son of Frankenstein, El Hijo De Frankenstein.
Here's the Mexican lobby card for the feature version of Zombies of the Stratosphere, Satan's Satellites (1958). I fell in love with this movie immediately seeing that cool space outfit Marex (Lane Bradford) is wearing. One of Leonard Nimoy's first screen appearances, as another alien, is to be found here, too.
A very enjoyable movie with great Harryhausen special effects. A monsterkid classic. The art direction on a budget for Earth vs. The Flying Saucers (1956) is exemplary. From the weird, featureless alien survival suits to the rotating flying saucers, and let's not forget that fantastic warbling alien voice, it's still fun to watch. Here's the UK pressbook for it.
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The exploitation angle is pushed hard in this pressbook for Unidentified Flying Objects: The True Story of Flying Saucers. That pilot's singular expression, used in the poster art, is so direct, so embracing of suspense, that it's quite a teaser for seeing the move. If it wasn't the cold war fear, it was fear of alien invaders that sipped around the coffee tables of 1950s/1960s suburbia and metropolises.
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Movie Pressbook:
Unidentified Flying Objects (1956)Read More »
Here's another version of the Mexican lobby card for Robot Monster, El Monstruo De Marte. The lobby cards are definitely much more exciting than the movie. I'm guessing the inset scene shows the gorilla with the rabbit ears–you youngin's go google "rabbit ears"–choking some poor actor who realized this movie was really really bad and wanted out. But with a few Red's Apple Ale (or any suitable hard cider of your choice), this movie's a wild hoot of fun (on a par with Spookies or The Video Dead).
Nice amount of promotional tie-in for Gorgo: see the Special Book Editions page for tie-ins to Famous Monsters of Filmland, Charlton Comics (I loved Charlton Comics!), and a movie novelization. Gorgo is one of the better Bs coming out of the 1960s mostly because of the storyline, with an appealing theme of a mom just wanting to protect her child. And what a big mother she is.
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