From Zombos Closet

Sing, Cowboy, Sing (1937) Pressbook

I'm not sure how singing and cowboys became a thing for movie fans, but here's Tex Ritter's Sing, Cowboy, Sing. Also, it was always important for a cowboy to have a special horse, and here it's White Flash. Of course, Gene Autry's Rudolph, the Red-Nosed Reindeer topped the charts in 1949, so there's something to singing cowboys for sure.

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Dr. Cyclops (1940)
Mexican Lobby Card

Fantastic special effects and fast pace keep this horror science fiction movie still enjoyable to watch. Wikipedia mentions it's the first American horror movie to use the three-strip technicolor process.  Albert Dekker is especially sinister and dangerous as a scientist with no moral center. The colorful poster art uses Dr. Cyclops and Doctor Cyclops in its titles.

DR Cyclops

The Ghost That Walks Alone (1944) Pressbook

Here's another ghost-inspired crime comedy (cromedy?) from Columbia Pictures. Some pages are out of order but this 8 page pressbook is complete. The 1940s saw a lot of movies using a ghostly theme in storyline or title or both. This one seems to use it mainly in the title, sadly.

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Whispering Ghosts (1942) Pressbook

Quite a bit of promotional push in this pressbook for Whispering Ghosts with Milton Berle and Willie Best. Best also starred with Bob Hope in The Ghost Breakers. Best's movie output was prolific, but according to Wikipedia "is sometimes reviled because he was often called upon to play stereotypically lazy, illiterate, and/or simple-minded characters in films. Of the 124 films he appeared in, he received screen credit in at least 77, an unusual feat for an African-American bit player."

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The Monster and the Girl (1941) Pressbook

A fascinating and entertaining blend of crime, noir, gorilla, and horror. Paramount's The Monster and the Girl starts off as a noir in tone and camerawork, but then ignores that and moves on to an ape-murdering-for-vengeance storyline. It gets my vote for the best man-in-gorilla-suit movie produced in the 1940s and possible the best, period. The story plays all the emotional angles, and tosses in a faithful dog for good measure (like in Man-Mad Monster, also released in 1941). There's something simply mesmerizing, odd, and sometimes head-scratching with the mad-scientist and gorilla cycle of horror movies, but this movie works it's magic and makes it, well, work! I highly recommend it. As for this pressbook, my word, it's amazing! The amount of promotion and article coverage reaches twenty packed pages. 

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Abbott and Costello Meet Frankenstein Pressbook

Here's a great movie to watch on Halloween. Forget that the Wolf Man was cured earlier or that Dracula was dispatched in House of Dracula.  Or even that Frankenstein's Monster got bogged down in House of Frankenstein; here they romp with mirth and madness, and contrary to the naysayer purists who lambaste this movie for its treatment of the classic monsters, this is an essential and worthy entry to the Universal Horror Mythos. 

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