From Zombos Closet

Remembering the Saturday Afternoon
Spook Shows

Spook ShowProfessor Kinema remembers…

The recent announcement of the closure of a movie theater I regularly attended as a kid invoked many memories. The Saturday afternoon kiddie-matinee (a term I always took exception to, even as a kid) often consisted of a kid-friendly feature film, a few cartoons, and even a chapter of a resurrected serial.

Inside the theater the pervading atmosphere was one of chaos. Similar scenes have been well depicted in such films as Stoogemania, Tim Burton’s Ed Wood, and to a lesser degree in Joe Dante’s Matinee. Like the Josh Mostel character as a boy, Howard F. Howard of Stoogemania, I believed I was the only kid in this feral audience who was truly interested in watching what was happening on screen. To add to the madness, this theater offered what select theaters across the country were offering during this era: a Live Spook Show.

When the movie ended (like anyone would even notice) a business-suited man stepped out on the stage in front of the screen. Bathed in the glow of a harsh spotlight, he attempted to restore some order to the mayhem.

Once he got at least the minimal semblance of attention, he announced the theater was surrounded by spooks, and even more, a mad scientist would appear on this very stage and make a monster! Frankenstein, the Wolf Man, and a few assorted other creatures were likely to make appearances. Suddenly from the rear of the theater could be heard a blood curdling scream. All heads turned to catch the sight of a hapless female being pursued by a madman wielding a meat cleaver. The girl ran, still screaming, down one aisle, across the front and then back up the other aisle. The madman always managed to stay a few steps behind her, waving the weapon at the audience as well.

On stage, the announcer hastily departed. In his place came a shabby looking mad doctor and a few odd (very odd) assistants wheeling out what appeared to be a makeshift operating table. On the table was a large humanoid figure covered with a blood stained sheet, ugly feet protruding. A few, tinkered together, electrical devices where then set in place.

As the electricity flowed, the sheet stirred and whatever was underneath sat up, with the sheet falling off to reveal a monster!  It didn't resemble the Frankenstein monster in the least, but it was assuredly a monster. Immediately, this monster became  out of control and was set upon by the mad doctor and his assistants. All were quickly knocked to the ground. The monster turned to the audience, threateningly, but from stage left appeared … the Wolf Man! A battle ensued.

SpookShow02Dust was churned up and the lights dimmed. While growling and snarling, the unholy duo disappeared off stage. To this day I can’t recall who was the victor.

The live, monsters-in-your-face era of Saturday afternoon entertainment reached through the 1960s, embodied by Ray Dennis Steckler with his Hallucinogenic Hypnovision, and incorporated the mad slasher chasing hapless female scenario in such classics as Incredibly Strange Zombies, who Stopped Living and Became Crazy Mixed Up Zombies. Reportedly, he took his innovation one step further by accomodating outdoor drive-ins.

Spook ShowI got a strong feeling of community with these long gone live stage shows. During this Saturday afternoon melee, the cleaver wielding madman and his intended female victim managed one last dash through the theater. Upon closer examination of both of them, they bore a striking resemblance to a guy and his girlfriend who were in a grade or two ahead of me in school. I wonder what they're up to today?

–Jim K/Prof K

 

Movie Pressbook: Chamber of Horrors (1966)

Here's a terrific pressbook for Chamber of Horrors, filled with lurid illustrations and nifty theater giveaways like horror rings and a herald. Also noteworthy are the gimmicks to get butts in seats like the Fear Flasher and the Horror Horn. (I had to break the centerfold spread into three scans due to its size, and the pages are not in exact sequence.) The pressbook size is 11 inches by 17 inches.

chamber of horrors pressbook

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PP06212012_0001
chamber of horrors pressbook
chamber of horrors pressbook

chamber of horrors pressbook
chamber of horrors pressbook
chamber of horrors pressbook
chamber of horrors pressbook
chamber of horrors pressbook
chamber of horrors pressbook
chamber of horrors pressbook

chamber of horrors pressbook

Movie Review: The Amazing Spiderman (2012)
Good, But Very Different

the amazing spiderman movie 2012

Peter Parker (Andrew Garfield) is different, his alter ego Spider-Man is different, and the playbook Marc Webb's The Amazing Spider-Man movie uses–a franchise reboot that wasn't, artistically speaking, necessary–seem's more suited to the morose Batman than the spunkier red, white, and blue teenage nerd who gets bitten by a unique spider.

This time around the spider has been genetically engineered by his scientist father, who leaves young Peter with Aunt May (Sally Field) and Uncle Ben (Martin Sheen) whenOscorp Industries gets rough concerning his father's research into cross-species regeneration and decay rate algorithms.

Peter's parents die shortly after leaving him. Years later he's a bright science student but bullied at school, in love from afar with Gwen Stacy (Emma Stone), and soon to meet Dr. Connors (Rhys Ifans), his father's friend and co-researcher. Dr. Connors wants to grow his missing arm back and needs a workable decay rate algorithm. Peter supplies it after finding his father's briefcase containing the needed research information. Mayhem ensues.

The mayhem takes a while to simmer to boiling point, and it isn't Sam Raimi's mayhem, and that old Spidey Sense isn't as finely tuned yet for Peter. He gets beat up a lot and looks like it. I don't recall Tobey Maguire looking this bruised and sore after taking on Doc Ock or the Green Goblin.  Peter also needs more help in this movie, which is supplied by a brave Gwen Stacy, her father the police captain (Denis Leary) and a resourceful construction worker (C. Thomas Howell) who realizes even super heroes need our help sometimes. 

The funniest scene happens with Stan Lee and it gets my vote for the best Stan Lee cameo appearance in a Marvel film. And the best scene doesn't take place with Spider-Man battling the gigantic Lizard; it happens hanging off the traffic-jammed Williamsburgh Bridge, when Spider-Man must save a frightened kid and time's slipping away fast. These scenes sparkle inside a cleanly executed storyline that doesn't share enough of its substance with us: Aunt May and Uncle Ben are here, but they're perfunctory; Peter Parker experiences a life-changer, but he takes it in stride; Dr. Connors nearly get's his wish to send New Yorkers back to the Mesozoic Era, but he's stopped surprisingly quickly just so we can spend more minutes with Peter and Gwen, leaving me hoping Dr. Connor's would pop his lizard tail back in to shake things up one more time. Sadly, he didn't.

If you're keeping a scorecard, I rate this movie "good" and a little better–but just a little–than Raimi's Spider-Man 3. That movie also had too many scripters to tell the story. Garfield is taller and slimmer than Maguire, and he's got a fuller head of hair, but Maguire still shows more nuance even when standing still. Also in this movie, Peter Parker has finally acquired a cell phone, although he needs to use the vibrate button more. He also watches YouTube, which leads to a surprisingly relevant confrontation between him and Captain Stacy over what appears to be the truth in a video concerning Spider-Man. As for The Daily Bugle, it gets brief mention through a newspaper bundle showing a front page, but Peter's photo-taking is not uppermost here.

The 3D renders the movie quite dark for viewing while giving negligible depth to the action. I recommend seeing the 2D version instead.

Eerie No. 1 Ashcan Edition

While discussing horrible things (movie related, of course) with Professor Kinema one sunny Sunday, he tossed this replica of Eerie No. 1's 24-page ashcan, 1st edition, over to me. While I vaguely knew about it, I had never seen this pocket-sized first issue, which was quickly slapped together in 1965 by Warren Publishing, and distributed briefly to lock in the magazine title's name before a rival used it, or so the story goes.

Here's the entire ashcan for your edification pleasure (although the stories were pulled from Creepy issues). From what I've read on the web, this replica indicates it's from the 1st edition because: on page 18, panel 5, what should be recognized as the back of a bald-headed man in the upper left corner shows only black; and in the margins of certain pages you can see the paste-up instructions. Bootleg copies abound, making it a difficult item to purchase without authenticating it first.  Warren complained about the bootleg copies in Creepy No. 81 (see page at the end).

eerie 1 ashcan
eerie 1 ashcan
eerie 1 ashcan
eerie 1 ashcan
eerie 1 ashcan

Dr. Morbid’s Haunted House and House of Frankenstein
In Lake George, NY

I spent Father's Day in Lake George, New York, visiting some old haunts. Not one for the boating pleasures of the Lake, I always have a memorably morbid time every visit paid to House of Frankenstein's Wax Museum. With wife and son (sadly, they aren't horror fans) cowering behind me, we made our way through the dark, narrow passageways. I laughed, they cringed, at the tormented waxwork figures depicting scenes of gruesome cruelty, blood-letting, and monster mayhem. It never gets old for me, even though I've visited House of Frankenstein since way back in the 1970s, when it first opened. The hanging body-bag room really freaked them out, but we eventually made it through with limbs and composure intact.

house of frankenstein wax museum
house of frankenstein wax museum
house of frankenstein wax museum
house of frankenstein wax museum
When they went back to the hotel to splash in the indoor pool, I visited Dr. Morbid's Haunted House for the first time. Same owners as House of Frankenstein, I think, but Dr. Morbid's is a haunt attraction with live performers creeping about. The theme is a haunted waxworks factory, a demented owner, questionable business practices, and some disgruntled–and dismembered–former employees. My ghoulish host was insane, screechy, and acted appropos to the creepy proceedings as she led the way through the scary environs. I was the only visitor for this tour; I hate going it alone, but hell, I'm a horror blogger, damnit, it's my job to be scared! Seasoned pro that I am (and in horror, 'seasoned pro' can take on some interesting meanings), I jumped a few times and slowed cautiously before turning dark corners. Loved it. 

dr. morbid's haunted house
dr. morbid's haunted house
Heading back to the hotel, I couldn't believe my horror fan luck. Next to the indoor pool stood an Addams Family Pinball game! Man, every Father's Day should be this much fun.

addams family pinball game

Professor Kinema Remembers Ray Bradbury

ray bradbury
In the 1970s I wrote a letter to Ray Bradbury inquiring about what would be involved in adapting some of his stories for a TV series. Basically it was for information on my part, since there was no potential for a TV series existing…for me, that is. He promptly wrote back informing me that all of his stories belonged to him, personally and completely. He then mentioned what the price of the film rights would be for each of the stories I mentioned. Needless to say, it was way out of my class. He concluded the letter with a word of encouragement. ‘Why not write something original?’ Most other authors (at least those who would bother to answer) would simply say something like, ‘Buzz off kid, not interested…unless you could come up with the extraordinary fee for what I’ve written.’

Mr. Bradbury encouraged one to write.

In the early 1990s at Unkka Forry’s birthday weekend I had the pleasure to actually meet him in the Ackermansion. He kindly autographed several items for me and posed for an informal picture. These inscribed items not only contained his signature, but the date of the inscription. This serves as a fond memory of the day I encountered the ‘Dean of Science Fiction Writers.’ He had been labeled a science fiction author, but in articles I’ve read about him he prefered to be considered a Fantasist.

We chatted briefly. I didn’t bring up the letter I wrote to him. No doubt hundreds have been written to him. He wouldn’t have an immediate recollection of mine. At the birthday event he got up and related a few fond thoughts about his boyhood and lifelong friend, Forry. One comment he made about what he shared with the Ackermonster was “We both grew old…but we never grew up. ”

A great epitaph for not only Forry Ackerman and Ray Bradbury, but for all of us who love living in the realm of the Fantasist.

Professor Kinema (Jim Knusch)

 

Snow White and the Huntsman (2012)

ScreenHunter_52 Jun. 04 11.33

Zombos Says: Good

In Disney’s  groundbreaking 1937 animated version of the Snow White fairy tale, the wonderfully wicked and least kid-friendly moments take place in the Dark Forest, when the witch-queen is spellcasting, and when she plummets to her death after being chased by the rosy-cheeked dwarves. In Snow White and the Huntsman, Charlize Theron as the monomania-driven Ravenna provides splendidly wicked moments throughout, returning this Brothers Grimm story to its darker meaning of sorcery, depravity, vanity, and the lust for power. The few glimmers of romance seen flashing between Snow White (Kristen Stewart), the Huntsman (Chris Hemsworth) who saves her, and her childhood friend William (Sam Claflin) who blames himself for abandoning her, pale against Theron’s mordsdurst for eternal beauty. If Mirror, Mirror left you with a Pop Rocks candy aftertaste, here’s your chance to replace it with the bite of a mature licorice liqueur.

Ravenna seduces then kills Snow White’s father, King Magnus (Noah Huntley), and imprisons her in the castle’s North Tower. As Snow White grows into a fair young lady, Ravenna ravages the countryside, draining the beauty and youth from attractive female villagers to remain the fairest of all; until Snow White becomes of age that is, and the Magic Mirror warns the Queen that to remain the fairest and gain eternal beauty, she must eat Snow White’s heart.

Ravenna sends her white-haired, Moe haircut-styled, brother (Sam Spruell) to fetch Snow White. He fails and Snow White takes a powder to the Dark Forest. Ominous black shrouded figures, gnarled, black shriveled trees, and creepy big black bugs galore play on her mind and she swoons, luckily landing on the one dry spot of ground in an otherwise murky nightmare of marshes and muck.  Ravenna sends Eric the Huntsman to bring her back with the promise of bringing his wife back from the dead. She lies, so Eric sides with Snow White and takes her out of the Dark Forest, where they meet a small group of women who have disfigured themselves so Ravenna will leave them alone. Her brother doesn’t, and Eric must quickly return to protect Snow White.

Ms. White not only enchants the Huntsman into helping her, but also the sourpuss dwarves (Mini-Me versions of Bob Hoskins, Ian McShane, Ray Winstone, Toby Jones, Eddie Marsan, Johnny Harris, Nick Frost, and Brian Gleeson) who capture her and Eric. She also beguiles a bridge-watching troll, some fairies, many cute woodland creatures, adorable one-eyed mushrooms, and a majestically rendered white stag, in CGI animated scenes that harken back to Disney’s hand-animated ones.

At Ravenna’s “mirror, mirror, on the wall…” this Magic Mirror flows golden across the floor and forms into a tall, shrouded figure with a male voice to reassure her she’s still the fairest or to give direction on how to stay the fairest. A telling moment comes when Ravenna is speaking with the golden figure as her brother watches unnoticed. He doesn’t see the figure standing in front of his sister and he doesn’t hear it speaking to her. I suddenly thought it’s all in her mind! The mirror isn’t magic. The male figure is her solace and her guilt personified.

The battle between good and evil in Snow White and the Huntsman reminded me of Ridley Scott’s Legend.  Although the stakes are somewhat different, Ravenna is as evil and purposeful as Legend‘s Lord of Darkness, and Snow White is as determined as Jack in stopping her and restoring the balance of goodness to the land. Unlike previous versions of the Snow White story, romance and housekeeping are not the priorities here, but beauty is.

Ravenna’s beauty runs only as deep as her skin; Snow White’s beauty runs to her soul.