Mexican Lobby Card: Not of This Earth
A low budget gem from Roger Corman, this movie always terrified me when I caught it on television in the 1960s. This Mexican lobby card captures the eerie terror quite well.
Not of This Earth 1957
They Tore Down Paradise…
And the Movie Theaters of Our Dreams
Part 1
With the kind permission of Brian Bukantis (Arena Publishing) and the author Dr. Vollin (Freddie Poe), I’m happy to be able to reprint Dr. V’s article, They Tore Down Paradise…And Put Up a Parking Lot, which originally appeared in the May issue of Movie Collector’s World, No. 683, 2005.
Many of you have heard me speak or write about the glory days of movie-going in my home town of Worcester, Massachusetts. The idea for this article came from my frequenting a local Honey Dew Doughnut Shop. While sitting there at 8:00 in the morning one day, sipping my usual eye-opener, I noticed an elderly man doing likewise and I thought to myself “Where do I know this guy from, he looks awful familiar.” I never forget a face–a name maybe–but not a face.
I continued seeing this man at the coffee shop for some time, until one day while sitting next to him, being the social butterfly that I am, I leaned toward him and said “Excuse me. I know you from somewhere but I can’t recall from where?” He replied “Well, my name is John DiBenedetto. I used to be the manager of the old Poli Palace in downtown Worcester.” “Oh wow!” I said, “now I remember you! I used to go to the Poli when I was a kid! You haven’t changed much at all. Sure. I remember you. You were always dressed up nice, with a suit and all. Wow, nice to meet you!”
My new found friend seemed thrilled that I had remembered him; after all, it was almost 40 years ago. I told John that I was a writer and wrote about collecting old movie paper, mainly from the horror genre. John, now a spunky 83, immediately started to reminisce about the bygone days of the movie theater industry in Worcester. We spoke briefly that day, but before we parted I told John that I would love to do a piece about him and the old movie theaters here in Worcester. And would he mind having his brain picked by the “Doctor”? John told me he stopped into Honey Dew everyday between 8:00 and 8:30 a.m. and that he would be glad to talk about his days as manager of the Poli Palace, Worcester’s premiere movie house of it’s era. Hence the birth of this article.
The screw started to turn in this half-century old cranium of mine. I started to think about how great it was going to the movies as a pre-teen in the early 1960s. Only movie fans my age or older can remember the old school movie theaters. If you missed the 1960s and started attending movies in the mid to late 1970s, I feel bad for you. If the megaplex movie theater, showing four or more films at once, is all you can recall, then you missed the true experience of movie-going as it was once known.
While this story may seem to be personalized, or only about my locale, it really is not: it is possibly and probably the story of almost every movie theater of my era. What happened here in Worcester, Massachusetts, once a movie theater hot-bed, happened in every town everywhere almost simultaneously, and across the U.S.A movie theaters closed, one after another.
I consider it a high point in my life to have stepped through the portals of the past into the lobbies of these grand old movie theaters, before they gave way to urban development and the wrecking ball, and the megaplex format (sorry, no lobby posters for you, you saw the previews on the boob tube anyway). Writing this article was going to be a different stroke of the pen for yours truly. Most of my research went on right here in my office at the House Of Poe, with the exception of my annual Chiller article, which I outlined while on locale in the swamps of New Jersey.
But this article involved legwork…
Go to Part 2.
Mexican Lobby Card:
Horrors of the Black Museum
Released in Hypno-Vision! Binoculars with eye-piercing spikes added for good measure.
Horrors of the Black Museum 1959
Comic Book Review: The Wake 1
Zombos Says: Good (but predictable so far)
DC Comics doesn't send me books to review on a regular basis, but I do enjoy receiving them when I do. Of late, I've a mind to not review a comic series until it has made its run: issue to issue can be spotty, but taken as a whole reading experience, a series can play out rather well. So I tend to wait until I've gotten through all the issues, single or in a collection, before forming a critical appraisal. But when I receive unsolicited issues for review I, of course, try to review them as soon as possible. One of two things usually happens: DC's trying to ramp up support for a memorable endeavor or they're trying to shore up as much support as possible for an iffy one.
The first issue of Scott Snyder and Sean Murphy's The Wake (a 10 issue series) isn't iffy. The art is full of well-angled scenes and interesting characters, although Murphy does have a fondness for straight lines and sharp noses and chins that's a little excessive; but his lively faces and movie-scene storyboarding stands out even more.
The story ends on a high note with a surprise revelation that eggs you on to pick up issue 2, but the usual shadows of Homeland Security Departments dabbling in secret undertakings, and a Dr. Archer who, with her soured past history, is reluctant to get involved when they need her expertise, keeps this issue at the let's-see-where-Snyder-takes-it stage. She is urgently needed because she specializes in cetological vocalizations and there is a recorded whale song that sounds suspicious–and which also reminds her of a catastrophe she hasn't quite gotten over yet–sparking Homeland Security's interest in getting her involved.
Other people Homeland Security has brought onboard for the investigation include Dr. Marlin, who's written Legends of the Ocean–and what a coincidence, Dr. Archer has read it!–Meeks, the standard-plot-equipped anti-social type who has apparently crossed paths with Dr. Archer beforehand–not in a joyous way–and running the secret show, Agent Astor Cruz, who is, true to form, revealing those secrets only when needed.
Who do you think will die first?
The story proper starts 200 years earlier, our present time, give or take the Carnaby Street clothes and hairstyle of Dr. Marlin, and the first 4 pages tease us with the 200 years later aftermath. There's a 100,000 years ago teaser too, but that ties to the last page's thing revelation. Snyder has a lot going on so he has a lot of explaining to do. Hopefully he does it well in the next 9 issues.
Mexican Lobby Card:
The War of the Gargantuas
Green hairy giant monster fights brown hairy giant monster, with Tokyo, once again, underfoot. Just go with it and its fun.
The War of the Gargantuas 1966
Universal Monsters
Paint ‘N’ Marker Book
I can't tell you how hard it's been for me to NOT color in these pages of this Universal Monsters Golden Book from 1991. And I'm not making any promises as to how long I can resist the urge.
Mexican Lobby Card: Gorilla at Large
Movies with hairy apes menacing leggy women are a small staple of the horror genre. Fay Wray in King Kong made it fashionable to be dramatically carried away in big hairy arms, and the dramatic contrast between big grunting brute and fragile screaming lady is always good for a thrill, or a laugh, given the man-in-suit special effects of the time.
Gorilla at Large 1954
Karloff, Stuart, and Bond
In The Old Dark House
Acquired this gem of a photograph, with Boris Karloff, Gloria Stuart, and Lilian Bond in a scene from The Old Dark House, from ebay; once again, from David J. Skal. Looking forward to his future offerings 😉
Here's Mr. Skal's listing details:
"For Karloff completists: a rarely seen image of Karloff, Gloria Stuart, and Lilian Bond in James Whale's THE OLD DARK HOUSE (1933). A crisp repro 8×10 bordered darkroom print on traditional fiber paper (not resin-coated). In immaculate condition (item is a barely handled file copy acquired by seller in the 1980s). Image has sharp contrast with no negative flaws, specks, or scratches in image. Only markings (on reverse) are film title and two small reference numbers in light pencil, with very small gray corner smudge (also on reverse). Seller has never seen image in any book or magazine."
Dracula: Bela Lugosi and Dwight Frye
I acquired this photograph of a deleted scene from Dracula, courtesy of David J. Skal, through eBay.
Here's Mr. Skal's listing details:
"This is such an iconic horror image it's easy to forget that scene doesn't actually appear in the final release print of Universal's 1931 horror classic DRACULA. Short scene of Renfield (Dwight Frye) pledging his fealty to Dracula (Bela Lugosi) appears in the shooting script, was recorded as filmed (by the numbered scene still), but was cut from the release print for unknown reasons. The footage itself has been lost, and this photo is all that remains. Item is an older print (from the 1970s) on 8×10 glossy fiber stock, bordered, in pristine condition (has been carefully stored for the last twenty years). Custom darkroom print with unusually nice gray scale–the folds of Dracula's cape, for instance, are sharply visible. No marks, crimps, pinholes. or damage of any kind. A few very small spots in background are negative artifacts, not a flaw of the print. From the personal research collection of David J. Skal, author of HOLLYWOOD GOTHIC and THE MONSTER SHOW."
Lon Chaney as Frankenstein Monster
I recently acquired this dramatic Lon Chaney Jr as Frankenstein’s Monster photograph from noted monsterkid David J. Skal through his eBay listing. Now if only Lon Chaney could have delivered this mood in Ghost of Frankenstein, that would have been wonderful to see.
Here’s Mr. Skal’s listing note:
“This dramatic portrait of Lon Chaney, Jr. as the monster in GHOST OF FRANKENSTEIN (1942) was the central for several image-flopped original posters, including some international ones. The posters would have been vastly better had they retained the full shadowy impact of the original photo! This is a midcentury darkroom print (likely 1960s, though perhaps earlier); 8×10, bordered, on traditional glossy fiber paper (not resin-coated) in excellent condition for a photo previously used editorially. Signs of normal handling wear, with some lower right corner border crimping. Some printer’s instructions on the back in light repro blue ink, a small piece of clear tape, and the stamp of original owner, the late Stephen Jochsberger, (d. 1989) a noted New York collector and fan magazine contributor. Seller purchased item from the Jochsberger estate in1990. From the personal research collection of David J. Skal, author of HOLLYWOOD GOTHIC and THE MONSTER SHOW. “