Here's another Mexican lobby card for the duo of Kitty De Hoyos and Dacia Gonzalez. Not sure what the chickens are meant to convey, but I'll let you draw your own conclusions. Two words will come to mind, I'm sure. Very lively card showcasing the two women. Notice the absence of their usually brandished whips.
Looks like Zorro has some competition. Careful attention devoted to this lobby card's layout and colors draws your eyes first to the masked characters on the left while inferring their capabilities at providing suitable action for this southwestern actioner. Note the diagonal flow of the card and how two characters, a cowboy on the right and a masked rider on the left, are facing each other. Perhaps a love interest is being hinted at?
My, what big eyes they have. I couldn't resist the inherent (unintentional?) humor in the illustration of this Mexican lobby card for La Atlantida, El Paraiso Perdido.
I spotted this on eBay. I had thought theater standees were fairly modern in conception. Wrongo. But they certainly didn't carry around cell phones or pocket cameras back then, so I'm guessing this was used more as advertisement than a backdrop for selfies.
Do you notice the odd contrast between the illustration and inset scene of this Mexican lobby card for The Hell of Frankenstein (1960)?
Here's the Mexican lobby card for Bomba and the Jungle Girl (1952).
Lots of fisticuffs punctuate the movie serials. This Mexican lobby card for El Rey Del Sabotaje (Radar Patrol vs. Spy King) captures the pugilistic-paced thrills. Striking use of yellow with black, and the tilted position for the inset scene work very well together with the font choices creating an easy to understand and visually exciting layout.
My Interview with John Moulder-Brown
By Jim Knüsch (Professor Kinema)
In the early 1970s, John Moulder-Brown made his mark in horror films with starring roles in Vampire Circus and The House That Screamed, in which he chopped up some school girls and pieced them back together. In the critically acclaimed Deep End, he was Mike, a sexually disturbed teenager who murders the girl of his dreams in a half-filled swimming pool. In King, Queen, Nave he had a memorable encounter with Gina Lollobrigida, who also wound up dead, and in Ludwig he portrayed the mad brother of the crazed titular king. He’s played the handsome prince in Rumpelstiltskin and the concerned, and for once guiltless, husband in Agatha Christie’s Sleeping Murder.
I had the opportunity to interview Mr. Brown and here it is.
First things first, what led you to acting?
JMB: My parents split up when I was four. My mother wanted me to go to boarding school, my father wanted me to stay with him. He sent me to a private school, which was literally just around the corner from where we lived. They had a strong concentration on drama and, as a result of that, I fell into acting. My father had an army background. He was a major, but I had always wanted to be an actor. Through the school I worked as a child actor.
…
Interview: John Moulder-Brown
By Professor KinemaRead More »
For The Monster Times issue 17, coverage of Forbidden Planet, Flash Gordon, and science fiction on television joins Amicus Productions' Asylum and the influence of Rod Serling's work for the cinema fantastic on the small and large screens. The 3oth World Science Fiction Convention in Los Angeles is reported on (seems McDonald's provided cheaper and better food than the banquet event), and Bill Feret's Monster Times Teletype gives the skinny on upcoming and ongoing newsy stuff (something we take for granted today, given the Internet's over abundance of newsy stuff).
…