Attack of the Clones
Vinyl Soundtrack Record
Just got this press release…for you vinyl LP fans…
Stream “Across The Stars (Love Theme from Attack Of The Clones)”from the Star Wars Episode II Soundtrack on YouTube

Just got this press release…for you vinyl LP fans…
Stream “Across The Stars (Love Theme from Attack Of The Clones)”from the Star Wars Episode II Soundtrack on YouTube
Franklin Castle is known as the most haunted house in Ohio for good reason. It has all the elements for timeless specters to make their rounds down dark hallways and across empty rooms: there's the tragic history for the original tenants, the Tiedemann family, whose members died too quickly, leaving no heirs to inherit the house; there are those unsavory rumors of murder and other evils taking place within its walls; and there's that spotty record of ownership and vacancy stretching over the years, with each former tenant not wanting to stick around.
The walking tour through the house, alone, is enough to creep you out. Franklin Castle is a brooding, sad, silent place, not at all the type of abode you'd want as a bed and breakfast. Unless you counted on all your customers being paranormal types and into continental breakfasts with ghosts.
Previous tenants, the Romanos, are invited by for a brief chat with paranormal hosts Nick Groff and Katrina Weidman. The Romanos resist entering the house, and once they do, they leave early. Wikipedia's article on Franklin Castle hints at why the Romanos were not too keen on returning.
Another invitee is John Tenney, a paranormal researcher, who gives us the backstory to the proceedings. He brings the emotional pull for the episode, and its focus, telling us about young Emma, apparently still playing in the house. The Romanos describe how, when they were kids living there, they would play with Emma, although she always refused to go outside or change her Victorian-styled clothes.
Soon the batteries go dead and the audio goes screwy, and our hosts and Mr. Tenney decide to get some fresh air. So yes, you can see why paranormal investigators are drawn to places like this. A lot. And Mr. Groff and Ms. Weidman have three days worth of time to kill. I always wondered why Ghost Hunters would stay at a place for only a night. This show's twist of spending 72 hours onsite, combined with brisk editing and good camerawork, and two progressively sleepy hosts, is highly watchable even when nothing spooky is happening.
There are the usual personal impressions of feeling this way or that when entering rooms and one particular closet. An electronic spirit box is utilized and more EVPs are collected. Some interesting audio is captured, but still hard to verify beyond interpretation based on the timing and situation. Still, it's evidence to ponder.
Then Rob, the cameraman, once again sees something interesting and captures it. So I'm thinking Rob, who got bit in the Anderson Hotel episode, is a ghost-magnet and maybe they should get him to sleep in the middle of hallways as bait instead of Mr. Groff.
Which, come to think of it, is freaking crazy to begin with. Mr. Groff likes to make the 3am night shift a gamble by plopping his bedroll down in places no one in his right mind would want to spend much time in during the day, let alone the dead of night. Alone. In the dark. This time he sleeps in the middle of the basement while Ms. Weidman stays cozy with the spirit box a few floors above.
Ms. Weidman always seems to manage a saner and more comfortable sleeping spot.
A courtesy screening of this episode was provided for this review.
Flash! This press release just in…
New York, NY, March 16, 2016 – The Old School Kung Fu Fest, a three-day barrage of the rarest, wildest, and most incredible classic martial arts and action movies is back for its 6th annual edition.
This year, we’re focusing on Golden Harvest, the studio that became Hong Kong’s leading purveyor of truly insane action cinema in the 70’s, 80’s, and 90’s.
Established in 1970 by Raymond Chow and Leonard Ho, Golden Harvest fast became a rival to Shaw Brothers with a string of blockbusters in the 1970s, and went on to became a dominant force in the Hong Kong film industry throughout the 80’s and 90’s, producing, financing, and distributing over 600 films across many genres. The studio has nurtured the talents of Bruce Lee, John Woo, Michael Hui, Stanley Kwan, Jimmy Wang Yu, Jackie Chan, Sammo Hung, Angela Mao, and many others.
at The Metrograph
Ludlow Street (between Hester St. and Canal St. NYC)
Friday, April 8
5:40pm – BIG BULLET (92min)
7:50pm – PEDICAB DRIVER (93min)
10:15pm – THE BLADE (104min)
Saturday, April 9
1:00pm – RUMBLE IN THE BRONX (103min)
3:15pm – ENTER THE DRAGON (110 min)
5:40pm – THE MAN FROM HONG KONG (103min)
8:45pm – A TERRA-COTTA WARRIOR (97min)
11:00pm – PEDICAB DRIVER (93min)
Sunday, April 10
1:00pm – THE BLADE (104min)
3:15pm – THE MAN FROM HONG KONG (103min)
5:30pm – RUMBLE IN THE BRONX (103min)
7:45pm – THE PRODIGAL SON (100min)
10:00pm – BIG BULLET (92min)
To celebrate Golden Harvest’s legacy, we have put together a program of some of the studio’s greatest martial arts and action films: we’ve got Bruce Lee’s funkadelic masterpiece Enter The Dragon (1973); the original One-Armed Swordsman (Jimmy Wang Yu) and the one-off James Bond (George Lazenby) going mano-a-mano in the car crashtastic The Man From Hong Kong (1975); Sammo Hung and Yuen Biao in martial arts action paradise with The Prodigal Son (1981); Sammo Hung directing and starring in Pedicab Driver (1989), the greatest achievement of his early career; Jackie Chan fighting a big yellow hovercraft in Rumble in the Bronx (1995); Tsui Hark’s feral swordplay movie The Blade (1996); and the last truly great Hong Kong cop film of the 90s, Big Bullet (1996). All the titles (except Prodigal Son) will be super-rare 35mm screenings!*
In other exciting news for fans of Hong Kong cinema, Warner Archive has begun to make Golden Harvest titles available as part of their manufacture on demand service. 16×9 widescreen DVDs in their original language with English captions can be ordered for the discerning film fan’s collection. Titles include A Terra-Cotta Warrior (1989), He's a Woman, She's a Man (1994), The Blade (1995), Pedicab Driver (1989), Blade of Fury (1993), Big Bullet (1996) and Downtown Torpedoes(1997) – and these few are just the beginning!
For information on how to order visit www.warnerarchive.com
The 6th Old School Kung Fu Fest is presented with the Hong Kong Economic and Trade Office New York, in association with Warner Archive.
We’re deeply grateful for the support of the Kenneth A. Cowin Foundation.
*The Prodigal Son will be screened on DCP.
More jungle spectacle courtesy of Tony Rivers. He spotted these scans made by comic book fiend Bill Meugniot. This time, Buster Crabbe (Buck Rogers, Flash Gordon), takes a stab at it. Hold on to your loin cloth as the "Mighty Thunda" swings through the trees. Exciting poster art and lots of promotion can be found in the 12 pages of this pressbook, including a coloring page!
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A menacing inset scene and carefully arranged border illustration, along with an intriguing use of coloration, make this Mexican lobby card for Jungle Drums of Africa a perfect example of how movies depicted the Dark Continent in the 1950s: full of mystery and menace. Quick, what's the single theme every jungle movie from the 1940s to 1950s always seemed to peg its script on? My answer: outsiders pissing off the locals enough to cause much harm and mayhem. From comedies to jungle dramas, hapless visitors and belligerent natives were the usual payoffs. Not surprisingly, many horror movies follow this same theme.
Fellow jungle-fever fan and pressbook collector Tony Rivers strikes again. He spotted Will Meugniot's scans of this Congo Bill, King of the Jungle pressbook you can go ape over. Or go ape over Congo Queen Cleo Moore if you like.
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You should read my review of this ignored horror gem, although this lobby card kind of kills the monstrous surprise. After you see the movie, read the pressbook.
I have another Mexican lobby card for El Hombre Indestructible (1956), the blue version. Here's the yellow version, which is more vivid. There are so many movies about men and women victimized by mad scientists, aliens, and themselves, where to start? Lon Chaney Jr. was electrified twice: first in 1941's Man-Made Monster, then in this movie. A great all-around actor, he's the only one to portray all founding-father Universal Monsters: Dracula (or his son, still not sure), Wolf Man, Mummy, and Frankenstein (okay, the Monster, for you purists).
Simple but effective promotion for When Worlds Collide, a George Pal movie that, given his preference for a larger budget, would have been heavier on special effects and art direction. A remake went into pre-production a few years ago, but it's in limbo at the moment. Tech geeks (like me) will enjoy seeing the differential analyser (analog computer) used, in the movie, to crunch the collision numbers.
Here's an example of the interesting contrast we usually see when witches are portrayed in movies: you either see the decrepit naked hag with long dirty hair rolling around in baby fat in a decidedly non-delicious life-style ((The Witch, Lords of Salem) versus the nubile, sometimes naked, beauties rolling in seductive charms and comfortable bed linens (Baba Yaga, Burn Witch Burn, The Devil's Own).
I'll leave it up to you as to which portrayal is your favorite.
Paul Naschy strikes again as werewolf Count Waldemar Daninsky in Night of the Howling Beast. This one was a Video Nasty in the United Kingdom and I don't believe it was ever released there. I have yet to "get into" Paul Naschy's oeuvre, but I know some Naschy fans who would bite my head off for such a lapse.