From Zombos Closet

Pressbooks (Horror, Sci Fi, Fantasy)

Konga Sales Brochure

What the movie lacks in special effects and storyline, this sales brochure for Konga makes up for with exciting graphic style. I love the synopsis on the second page, which includes “Sandra falls into some mysterious man-eating plants.” The first page is a die-cut showing only Konga’s eyes, a nice pricey printing touch. There was a fascination with apes, as primal terror or comic relief, to scare and cheer audiences from the early days of Hollywood, beginning with 1918’s Tarzan of the Apes, up until the 1970s. Of course, the usual primate sidekick did still appear, here and there, in movies. Monkeys could be pretty scary too, but apes have the size and bulk more suitable for being visually menacing; and, let’s face it, look funnier dressed in human clothing.

The Lodger (1944) Pressbook

Here’s the exciting pressbook for The Lodger (1944) with Laird Cregar. It’s almost as big as he was. As David J. Hogan in his Film Noir FAQ notes, while some consider this a remake of Hitchcock’s The Lodger (1927), only the name and the Jack the Ripper storyline match to the previous film. Both, however, are based on the 1913 novel of the same name by Marie Belloc Lowndes. In this one, Cregar uses his immense stage presence (both figuratively and literally), and his piercing eyes, to create a multi-dimensional character that vacillates between sinister and innocuous, innocent and guilty, with a definitely male-gaze problem toward women and his dead brother. The last minutes of the chase through the catwalks of a theater provide a thrilling noir backdrop and pace. The fog-bound streets, darkly lit byways, and confined spaces filmed entirely on the Fox backlot give this noir a classic status. Unfortunately, Cregar’s body size kept him from being a leading man and he died from trying to lose enough weight to open up those roles for him. He was 31.

The Lodger 1944 movie pressbook

Goliath and the Vampires (1961) Pressbook

goliath and the vampires pressbook

I have a confession to make. I’m addicted to Peplum. That’s right. There’s nothing more exhilaratingly earthy than a super-strong brawny guy in loincloth kicking ass and tossing around large objects like they were wiffle balls. Whether he’s fighting mythological monsters, fighting his way out of Hades with a swooning woman tossed over his shoulder, or rippling his dew-dappled muscles against enemies and assorted monsters, I’m in Heaven. It’s a guilty pleasure.

Maciste Against the Vampire became Goliath and the Vampires for AIP to provide a sequel, of sorts, to their box office hit, Goliath and the Barbarians, starring Steve Reeves. Bringing sword and sandal movies over from Italy proved a profitable endeavor for AIP.

I grew up watching sword and sandal movies on television every Sunday. Steve Reeves and Gordon Scott were big, handsome, and always in command. Although they gave me one hell of an inferiority complex they still provided a lot of wholesome, he-man action against the supernatural and the bad guys.

Maybe I should confess…I have a weakness for Mexican masked wrestlers, too… …

The Birds (1963) Pressbook

Hitchcock had mentioned the birds rise up against humans because they are fed up with us. Given how badly we’ve messed up the planet, I’m expecting The Birds to become a reality any day now. Much of nature seems to be gunning for us these days. Back in the the 1970s there were a slew of movies depicting how mother nature turned into a mean bitch. From Frogs to Long Weekend to Soylent Green, we’ve been told this story again and again. But Hitchcock makes it pretty terrifying indeed. This 40-plus page pressbook for The Birds is a showman’s dream. Like William Castle, Alfred Hitchcock liked to play pitchman to his movies, and appeared to have fun doing so. The 6 foot standee of Hitchcock in a bird cage is awesome. Now my life won’t be complete until I find one.

ComicRack reader version: Download The Birds Pressbook

Before you fly away, see more pressbooks from Zombos’ Closet.

The Birds002

The Terror of the Tongs (1961) Pressbook

As noted in The Hammer Vault: Treasures From the Archives of Hammer Films by Marcus Hearn, the Kinematograph Weekly stated “the principal ingredients are sex, revenge, mystery and murder and a talented and attractive cast vigorously churns them into exciting screen chop suey.” Hearn goes on to describe Christopher Lee’s return from a sunny vacation on the first day of shooting causing issues for the makeup team: he had a nice tan. Hammer’s board of directors also delayed the film’s opening date “considering the film to be below par.”

But I like it. I find Lee’s Fu Manchu-like performance (The Face of Fu Manchu followed in 1965), while rightfully questionable today, is still quite fear-inducing.

The film’s U.S. release, care of Columbia, for which it was again billed with Homicidal, had occurred a few months earlier on 15 March (though for some Stateside dates, Tongs played with The Warrior Empress [1960] or Hammer’s Sword of Sherwood Forest [1960], the latter of which must have made for a curious double bill). Hammer Complete: The Films, the Personnel, the Company, Howard Maxford, McFarland

terror of the tongs british pressbook

Abbott and Costello
Meet the Killer, Boris Karloff
(1949) Pressbook

I was watching Abbott and Costello Meet the Invisible Man last night. I still chuckle at the silly gags. That made me start thinking I’d like to catch Abbott and Costello Meet the Killer, Boris Karloff, so I pulled out the pressbook to prepare. There is nothing more so 1940s than seeing Boris Karloff or Bela Lugosi wearing a turban and tux. The article titled Karloff Still Haunted by Monster Role is worth a gander.

ComicRack and YakReader version:  Download Abbott and Costello Meet the Killer .

Abott and Costello Meet the Killer 001

Radar Men From the Moon (1952) Pressbook

The novelty of this Republic serial is the nifty atomic rocket backpack that sends our hero, Commando Cody, flying through his adventures, literally. The costume first appeared in King of the Rocketmen (1949). The Commando Cody name begins with this serial, Rader Men From the Moon, which does have a cool futuristic military ring to it. Stuntman Dave Sharpe doubled for Tristram Coffin in King and George Wallis took over the backpack for Rader Men. I am not sure who stunt doubled for him.

Looking to create a character that would be as impressionable (aka marketable) as Spy Smasher, Captain America, and Captain Marvel, Republic used the tagline Commando Cody, Sky Marshall of the Universe–ditto on the cool futuristic military ring. What little kid wouldn’t want a rocket backpack to fly around the house in? The costume reappears in Zombies of the Stratosphere, where more space aliens threaten earth, particularly one notable screen newbie who wound up in a starship later on: Leonard Nimoy.

Choosing the Commando Cody name is explained in Jack Mathis’s Valley of the Cliffhangers.

Entitled Planet Men From Mars until four months prior to production, the serial underwent more basic changes than the alteration from marturiam to lunarium for the ray-gun-powering element, and these primarily dealt with the leading character who was originally called Larry Martin. From a list of names submitted to associate producer Franklin Adreon, Republic prexy Herbert J. Yates chose “Commando” from one entry and “Cody” from another to form his composite choice “not only for this serial but for several more to come.” Through Adreon, all studio personnel were advised of the importance of this creation, which was to be promoted in theaters and on television as well as being capitalized on via the marketing of such items as ray guns and flying suits manufactured under the Commando Cody label.

Radar Men from the moon pressbook

Prehistoric Women (1950) Pressbook

Not to be confused with the Hammer produced Prehistoric Women (1967), this 1950 oddity is notable for its sexploitation angle that’s light on sex but heavy on the cheesecake. Here’s what I suppose the pitch might have been. “We get a bunch of beautiful women together, dress them in furs and go heavy on the makeup and hairstyling, toss in some clubs for them to use to find primitive men as husbands, add the usual battle of the sexes but make sure the guys show their superiority in the end, and, oh…save the budget by leaving out the dinosaurs. That stop-motion stuff gets expensive. And the sets will be dirt cheap, mainly because they are dirt, with some rocks for good measure. It is the stone-age right?”

And thus was born Prehistoric Women. What’s more dumbfoundingly mesmerizing than this movie (which, really, if shown during a midnight show would be perfect) is the 8-page, oversized pressbook that shows more creativity than the production itself. I’m guessing the creatives behind this held their tongues firmly in cheekiness, especially with the narrator lending the fake-science documentary flair that was a pompous addition to some movies in the early 1950s.

Prehistoric Women 1950 pressbook

The Horror Chamber of Dr. Faustus
and The Manster
Pressbook

The Master Suspense Thrill Show! See The Horror Chamber of Dr. Faustus, cringe in terror from The Manster! Ah, the good old days, when two movies were shown back to back for an admission fee that was about 1/15th the cost of today. You could spend a few leisurely hours in a nicely air-conditioned theater, sitting in the balcony, munching on popcorn (or flicking it across the heads of the patrons below) and too many sugary sweets, watching the horror. Now the horror is more likely seated next to you, with someone eating something smelly, that idiot in the front who can’t seem to stop texting, the guy with the pail of Coke and a small bladder, and you looking back toward the concession stand you can no longer afford. Oh, wait, at least you can spend a few hours–no balcony anymore, bummer–watching a single movie that is as long as a double bill. That’s something, I suppose.

the manster pressbook

Stairway to Heaven (1946) Pressbook
It’s Heavenly

This 12-page, large format, pressbook for Stairway to Heaven, 1946 (the American title), is heavenly. Lots of promotion, articles, and theater lobby eye-candy to bring in the romantic couples. You can thank director Joe Dante (Gremlins, Piranha, The Howling, need I continue?) for sending along this beauty to ZC. This movie is a fantasy romance and stands at 20 in the British Film Institutes’ 100 Best British Movies list. Operation Ethel, the massive escalator built for the titular stairway between here and there, cost a lot of money at the time, but was noteworthy onscreen. Bosley Crowther, the persnickety film critic for the New York Times liked it–a miracle right there.

stairway to heaven 1943 pressbook