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Uzumaki (Spiral, 2000)

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Zombos Says: Excellent

As Shuichi’s father says, “One brings forth one’s own uzumaki!” in this dark glimpse into Lovecraftian terror and looming doom.  Uzumaki is director Higuchinsky’s cinematic distillation of in-need-of-therapy Jungi Ito’s three volume, manga-sized descent into madness and chaos. The town of Kurozu-cho is beset by spirals, spinning the lives and minds of the townspeople, and changing them in  ghastly ways.  Higuchinsky captures the grotesque and arabesque images of Ito’s manga by using tightly framed, sharply angled views, tinted  green to accentuate the weirdness. There’s a panoply of bread and butter cinematography used to contrast against the spiral terror: tracking shots, panning shots, close-ups, and hazy, ghostly faces appear and fade. CGI spirals twirling in unexpected places on the screen also appear throughout the movie.

The story begins as flashback, told by Kirie (Eriko Hatsune), a young girl who sees the effects of the curse descending on her small, isolated town by the water. A gust of wind scatters leaves around her, startling her into remembering. Or is she forgetting? The mesmerizing vortex is never-ending, and perhaps Higuchinsky is telling us Kirie is caught in a larger one of time, folding over and over on itself in repetition, trapping her and her town by its endless looping.

Shuichi (Fhi Fan), Kirie’s morose, since-childhood, boyfriend tells her of his fears the town is beset by a curse of spirals. His father (Ren Ohsugi), consumed with thoughts of them, becomes an early victim.  Kirie sees him filming a snail. He ignores her. He begins to ignore everything except the spiral pattern he seeks out. He steals the hair salon’s spiraling sign and devours spiral noodles. A startling transformation, before a more physically terminal one, shows him exerting his own uzumaki by impossibly spiraling his eyes after seeking the pattern is no longer satisfying.

More victims follow as Kirie’s classmates  succumb to physical transformations with some turning into slimy human snails, another girl vainly sports a new hairdo of enormous black spirals imbued with their own life,  and a boy committing suicide splatters at the foot of the school’s spiral staircase. Someone remarks how happy his broken, blood-smeared face looks in death.

Spiraling out of control deaths escalate: first perplexed by Shuichi’s father’s enfatuation with spirals, Kirie’s own father (Taro Suwa), a pottery maker, becomes enthralled with the swirling clay to his detriment;  Shuichi’s mother (Keiko  Takahashi) collapses at the funeral for his father when she sees his face spiraling in the sky against swirling curls of smoke rising from the crematorium. She goes mad and cuts off her hair and fingertips to eliminate looking at anything resembling a spiral; an unwanted suitor for Kirie fatally wraps himself around a moving car’s wheel; and even Shuichi finally succumbs to the twisting madness permeating the sky, the ground, and eventually everyone. Even the tunnel leading into the town becomes useless, twisting on itself so no one can leave or enter.

A news reporter hunts down tantalizing clues for the curse involving serpents, mirrors, and Dragonfly Pond, the possible source of the growing otherworldliness. These hints at the cause for the bedevilment descending on the town ultimately tease but never explain. Various elements from the trilogy are here, but the final revelation of the curse, and its more visually gruesome encounters such as Umbilical Cord ( in volume 2) and The Scar (volume 1) are missing in this evocative Lovecraftian horror. That’s a shame. Uzumaki captures the manga mood of Ito’s spiral horrors so well, to see these additional terrors onscreen would have been like tasting the rich icing on a moist red velvet cake touched with cinnamon: sickeningly sweet but damn satisfying.

Book Review: Ghosts of Coronado Bay
A Maya Blair Mystery

Ghosts Zombos Says: Good

In the dark depths of the ocean, the Black Lady settled to the bottom in a cloud of silt and muck. The fish and lobsters, the only living witnesses, hurried out of its way. In the eternal blackness, the spirits of the dead howled with grief and anger. All except two.

“You snore enough to wake the dead.”

I turned over in my sleep. At least I think I was sleeping. It’s always hard to tell when you’re sleeping when you’re half-asleep.

“C’mon with you, I don’t have all night.”

Something small and wispy, like a feather, brushed against my forehead. I turned the other way.

“Juju beans! I don’t have time for this.”

Something large and hard whacked my forehead. I opened my eyes.

“Finally,” said the butterfly-winged elderly woman standing over me. Her long gossamer cloak fluted across my bed. I rubbed my eyes. Thinking of the word fluted hurt my head.

I looked at the Clocky alarm clock on my nightstand. It glared back with a god awfully early hour.

“Okay, I’ll bite,” I said, “you’re either an undigested potato, too much plum sherry, or Tinkerbell’s mom.

“Great, another comedian. Take a whiff.” She leaned in close to me and pulled my head against her bosom.

“Toothpaste?” I sniffed. “And is that a hint of soggy mint floss caught between braces?”

She nodded and waited. I removed a bit of gossamer fuzz from my cheek, looked back at Clocky, looked back at her bosom, and waited to wake up.

“I’m the Tooth Fairy!” she finally said, flapping her wings in exasperation. “And don’t you use ‘long in the tooth’ in a sentence or I’ll deck you one. It’s bad enough I’ve got people like you gumming up the dreams of the youth of today. Don’t get me started on that stupid Rock movie, either. And do you have any idea how hard it is to keep leaving quarters under pillows in this economy?”

I folded my arms. “Look here, what’s this hallucination about?

“You, you ninny! You crushed Zombos Junior’s heart by telling him I don’t exist.”

“Wait a minute,” I said, thinking back. “You mean yesterday? Can I help it if Zimba kept his pillow-teeth in her drawer? He saw them and asked what gives.”

“Ewww! That’s pretty creepy? Even I don’t keep the teeth.”

“What could I say? Then he puts two and two together and it snowballed into no Easter Bunny or Santa Claus. I couldn’t stop it. Childhood ends sometime, right? Bang or whimper, it’s all the same. Why don’t you go and bother those young-adult-supernatural authors who write dark fiction? Hell, times were Tom Swift, Nancy Drew, and the Hardy Boys were as real as you could get. Now it’s sex and murder and mayhem. That’ll put a damper on anyone’s childhood.”

“All right, fine, I will. Name me one.”

“JG Faherty. He wrote Ghosts of Coronado Bay. It’s a Maya Blair mystery story.”

“Tell me about it.” The Tooth Fairy pulled a steno notebook and pencil from a pocket in her cloak, and then sat on the edge of my bed, waiting. I reluctantly pulled myself up more, made my pillows a little more comfortable to rest my back on, and told her about the book.

“Maya Blair’s a young girl with a gift for seeing ghosts. It started with her seeing her dead grandmother, Elsa, who drops by regularly for chitchat. Between high school, working at her parents’ diner, being a virgin and not really liking it all that much, she’s got a lot on her mind. But she’s got morals and scruples in spite of the peer pressure and the machinations of Gavin Hamlin, the evil ghost come back to find a needed key to unleash a dark power. He and the scurvy crew of the Black Lady went down during a terrible storm in 1900 something, but Coronado Bay’s maritime museum pulls up artifacts from the sunken wreck, bringing Hamlin and his evil designs along with them, back to the surface.

“Now Maya not only see’s the ghosts, but she has a weird ability to make them whole again, solid I mean, so they appear like everyone else—except for the clothes, since those are out of date. One of the ship’s crew, Blake Hennessy, is bent on stopping Hamlin from finding what he’s looking for, because he knows Hamlin’s up to no good and a powerful sorcerer to boot. He and Maya eventually hook up, though she’s definitely not Nancy Drew, so it takes her a while to realize Blake’s cold touch is not from anemia.”

The Tooth Fairy looked up. “Not seeing the darkness yet.”

“I’m getting to that. When Hamlin finds out a virgin’s blood can make him solid again—enough to touch and hold onto things—he starts murdering girls for their blood. He learns about Maya’s abilities and how her virgin blood would be like Chateau Lafite Rothschild 1982 compared to the Sangria he’s been sampling. The murder scenes are short, brutal, and bloody. Maya has to keep Hamlin at bay, along with the cutthroat crew of the Black Lady, who would love to skinny dip in her blood, too.”

The Tooth Fairy’s eyes widened. “Ooh. How does she stop them?”

“Can’t say. That would ruin the story for you. But, not only does she have to balance fighting evil with avoiding her jocky-jerk ex-boyfriend who tries to manhandle her, with working at the diner when she rather bowl or hang out with friends, and with keeping up with school work, she’s got the hots for Blake and Hamlin—until Hamlin shows his true colors—heating things to frisky-see for her.”

“Sounds like she could use some help,” said the Tooth Fairy.

“And she gets it. From her close friend Lucy, who’s much more loose in the girdle–if you catch my drift– than Maya, and an unexpected enemy turned friend when needed the most. She’s also got a knack for martial arts and knows how to take the ballast out of a sailor’s pants with one good kick.”

“So this writer, JG, does she–.”

“–She’s a he,” I corrected, “but he captures a young girl’s challenges in today’s world pretty well. Maya’s as believable as any high schooler with boys and books and youthful hopes on her mind can be, minus the supernatural gravitas of course.  And JG brings on the gravitas with electrical discharges Hamlin can control to his benefit and the threat of serious physical harm to Maya and her friends. Once the ghosts are around Maya, they can hit, hurt, and kill like any other living thing.”

The Tooth Fairy closed her notebook. Tucking it, and the pencil, back in her cloak she said, “All right, then, I’m off to see JG Faherty to get to the bottom of this.” In a shimmer of sparkles she was gone.

“Good, give him my regards.” I slumped down and slid beneath the covers. The smells of chocolate and hard-boiled eggs made me sniff back to wakefulness. I slowly pulled down the covers from my eyes and looked up. Standing over me was a big furry bunny holding a basket filled with variously colored eggs. He didn’t look very happy.

Damnit, Zimba, who keeps pillow-teeth meant for the Tooth Fairy. Now I’ll never get to sleep.

Jules Verne Graveside

Jules Verne By Professor Kinema

Whenever we travel to Europe, averaging at least twice a year, we often plan a day trip of some sort. A good friend of ours lives in a suburb of Paris. Philippe (with a lovely wife and three charming children) greatly enjoys providing the transport for our occasional day trips.

One day trip was to Bayeaux, to view the famous tapestry, and then on to Amiens. In Amiens we had a most pleasant visit at Jules Verne’s house/museum, then out to find his gravesite. A few minute’s ride and we were at Cimetière de la Madeleine.

One of the fun elements of searching for celeb gravesites is in the ‘quest.’ For some reason, I wasn’t prepared with the specific site coordinates so we started to explore the avenues. I did know that his grave site was close to a major cemetery roadway and not hidden somewhere among other graves. After walking for as long as we thought we should we came upon two ladies. We struck up a conversation with them and mentioned that we were looking for the gravesite of author Jules Verne. They simply said, “follow us.” Within a few minute, we were there.

Jules Verne Grave The exquisite sculpture atop the gravesite was created by Albert Roze. It depicts a figure, Verne himself, bursting upward out of his tomb and reaching for the heavens. The tombstone simply reads, ‘Jules Verne, ne a Nantes le 8 Fevrier 1828 – Decede a Amiens le 24 Mars 1905.’

Two photos of it are a part of my Professor Kinema page. Just being here within a few feet of this magnificent site was an exhilarating experience. We couldn’t help but follow the line of the outstretched hand and look towards the heavens ourselves.

From the 1860s until his death he considered the genre of his works to be Voyages Extroadinaires. With the premier issue of Amazing Stories in April of 1926, editor Hugo Gernsback gave spiritual birth to the phrase ‘Scientifiction’ (a combination of ‘Scientific Fiction,’ as earlier published stories were called). Later this phrase morphed into ‘Science Fiction’ (and eventually ‘Sci-Fi,’ ‘SF,’ ‘Ess-Eff,’ et al).

A drawing of Verne’s gravesite graced the top of the main page of Amazing Stories for many early issues. Many Verne works were reprinted in Gernsback’s pioneering bedsheet format (later switched to pulp format) magazine.

–JK/PK

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Vault of Horror Pressbook

Here is an 8 page pressbook for the Vault of Horror. I always smile when I look at Glynis Johns (remember her in Mary Poppins?) brandishing that hammer with such malicious glee. The screamiere promotion gimmick is smart: a scream and one ticket buys two seats to see the movie.

Now I just scream after buying a ticket and a snack at the concession stand.

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About From Zombos’ Closet Blog

Zombos’ ClosetJmcozzoli

 

Welcome to Zombos’ Closet, a rather dark and cloying place, filled with untold treasures and just plain lousy stuff that Zombos keeps stuffing into it. I am Iloz Zoc (just IL to my friends), full-time and long suffering valet to Zombos. You remember Zombos, don’t you? A grade B actor in numerous grade C horror films, most of which are forgotten by his few remaining and decaying fans. He is such an aging dilettante; always looking backward, while reluctantly moving forward into the new age of horror on screen and in print. He pines for the old, less gory days, but secretly enjoys those zombies and slashers, and the occasional science fiction or fantasy tidbit. And I, his patient and understanding servant, am charged with finding more and more room in his immense closet to accommodate his passions of the moment. And then there is Zimba, Zombos’ dark mistress of the sonnets. She hates horror with a passion, and his acquisitions even more. So many nights have I waited until she falls into her undead sleep, to slip into the dark hallways of the mansion on tiptoe, precariously balancing those acquisitions oh so quietly past her door, trying desperately not to wake the unholy beast within. It was bad enough that Zombos had to give up the hearse for a mini-van after they were married, but give up his treasures, never!

But you, dear reader, will find something of interest, I’m sure…we’ve been hear since 2006, patiently waiting for you.

Okay, sure, my closet, to be precise, is pretty well stuffed, too.

So many horrors, so little time to be terrified; frightful, isn’t it?

As a horror fan starting in the 1960s, I grew up in Brooklyn with three theaters in walking distance (the Loew’s Oriental and the Benson on 86th Street were my favorites). Many weekends and many nights were spent watching horror and sci fi movies (my mom would take me to the horror movies, and my dad took me to the sci fi ones). My first true scare was watching Night of the Living Dead (I was way too young for that!). My fondest memories are watching all those wonderfully good (and some frightfully awful) movies on my local NYC channels , hosted by either Zacherley or the Creep, and eating way too much sugar-loaded cereal on Saturday mornings while I watched Scooby Doo, The Monster Squad, and Groovie Ghoulies.

So you can see how I’d turn into a horror fan with a blog. Scary, isn’t it?

From the old to the new in horror movies in reviews and views, here and there you will also meet up with these curious characters in those reviews, along with their sundry adventures. Chalk it up to the cheeky writer side of me.

Zombos and Zoc — my alter egos, so to speak. 

Zimba—Zombos’ alluring wife.

Zombos Jr—Zombos’ annoying son.

Glenor Glenda—Our rather sensitive housekeeper. She never can make up her mind.

Lawn Gisland—Ex-rodeo and silver screen cowpoke, all six feet and three inches of him. Having starred in numerous television Westerns during the 1950s and 60s, he and Zombos go way back together. He hung up his spurs and retired to Florida to wrestle gators for the tourists. Getting bored with that, he had an itch and scratched it by touring as a trick-riding and fancy shooting cowboy for the Smith and Walloo Brothers 3-in-1 Circus. For a man his age, he doesn’t show it. Zombos often jokes that Lawn must keep a decrepit looking portrait in his attic like Dorian Gray. All joking aside, I think he’s right.

Jimmy Sosumi—Zombos’ crackerjack estate lawyer. His motto is ‘where there’s a will, there’s a way…to make money.’

Paul Hollstenwall—Our annoying neighbor, purveyor of bad movies, which he insists on showing us at every opportunity. The Hollstenwalls live at 0004 Gravestart Lane, a short energetic walk from the mansion.

Pretorius—Our quite ancient groundskeeper who keeps a very neat lawn.

Chef Machiavelli—A culinary god; we’d starve without him.

Other points of interest:

  • Lots of wild Mexican Horror Movie Lobby Cards
  • Lots of Horror and Science Fiction Movie Pressbooks
  • Love those Halloween Decorations and Fascinations
  • Oodles of Reviews of comics, books, magazines, and whatever else strikes the horror in me

Enjoy,

JM Cozzoli

Please Note: If you are legally blind and would like to learn more about the Mexican lobby card and pressbook images on this blog, please contact me at [email protected].

Interview: Classic Hollywood Horror-Comedies
With Paul Castiglia

BorisBoogie Paul Castiglia has been writing and editing comic books and pop-culture articles for 20 years, most notably overseeing the Archie Americana paperback series of classic Archie Comics reprints. His past forays into horror-comedy include providing a chapter for the book MIDNIGHT MARQUEE ACTOR SERIES: VINCENT PRICE covering Price’s comedic horror films with Peter Lorre, and writing the comic book based on the animated series Archie's Weird Mysteries. He has also edited the upcoming Archie Comics Haunted House trade paperback collection of spooky stories.

Paul's blog, Scared Silly, will post its first review at midnight tonight, kicking-off his adventure writing about classic horror comedies for his upcoming book, Scared Silly: Classic Hollywood Horror-Comedies.

Here's my interview with Paul to wet your appetite.

 

How does a writer and editor for Archie comics wind up doing a book on classic horror-comedies?

Simple, I’ve always been a fan of the horror-comedy genre, and I’ve always wanted to read a book that provided an overview of the entire genre. Since none existed, I figured the only way I’d be able to own a book like that would be to write it myself!

It really goes back to my childhood. I was a child in the 1970s, when movies and TV shows from past decades were routinely rerun. I grew up watching the classic comedians on TV, particularly Laurel & Hardy and Abbott & Costello; and I grew up watching a lot of cartoons. Both of those pastimes fed into my love of comic books.

Originally I was scared of films like “Abbott & Costello Meet Frankenstein” (heck, when I was real little I was also scared of Herman Munster!), but ultimately the comic relief alleviated the scares and somewhere along the line I developed a particular fondness for the “spooky” comedies.

This fondness served me well when it came time to write the “Archie’s Weird Mysteries” comic book series (based on the TV cartoon of the same name) and a chapter in a book about Vincent Price films covering the horror-comedies where he was teamed with Peter Lorre.

Ghost chasers Horror and comedy seem to be opposites; so why do you think horror-comedies have always enticed audiences?

Psychologists will tell you that the difference between a laugh and a scream is slight. In fact, sometimes people laugh when they should be screaming. “Nervous laughter,” they call it. Both are a form of release, and when combined they make a formidable pair: what better way to relieve the tension of just being scared than with a laugh right on top of the scare?

In the end, it goes back to the basis of all stories – the idea that being a hero means conquering a problem. If you can laugh at your fears, you are that much closer to conquering them.

Interview With The Sleeping Deep’s J. B. Palmer

The Sleeping Deep Jeffrey Blake Palmer’s Lovecraftianesque The Sleeping Deep screenplay is winning a lot of film festival awards these days. Before his head swells bigger than a blowfish–what with all those kudos and attention–I thought it best to snatch him away from his busy schedule and lock him in the closet for a bit, until he answered a few questions about his work and his inspirations.

 

Tell us about the young monsterkid who grew up to be Jeffrey Blake Palmer.

Ooohh, perhaps my mother would be better suited to answer that question…

FADE IN:

I was born and grew up in the quaint New England mill town of Dover, New Hampshire, which I would later capture on film in my feature On the Fringe. It was idyllic, charming, safe. I was fond of dismantling anything electronic (radios in particular), doodling in my notebooks, goofing off around the neighborhood. Seems I was always lost in thought, my head cluttered with artsy-fartsy ideas all vying for attention. Definitely was a bit of a daydreamer. But I never terrorized the neighbors’ pets, only my younger brother.

I do have fond memories of spending Saturday afternoons during the summer watching Creature Double Feature on Channel 56 in our cool basement entertainment room. Man, those were the days.

Where does your ambition to film and script movies come from?

I think my ambition really boils down to embracing an artful life. Film and filmmaking is a collaboration and combination of so many disciplines, from composing musical scores to special effects to acting, costume design, writing… it’s truly a celebration of the spice in life.

The deal was sealed when I stumbled onto a film class in college and was surrounded by freaks, nerds, weirdos and misfits. I immediately decided to pursue a film degree at Keene State College, a small state school in south-western New Hampshire and I’ve been at it since.

Once Again, The Apocalypse (but now due 2012)

The 4 Horsemen of the Apocalypse Nice to see the apocalypse has been rescheduled. Like one of those near endless Friday the 13th sequels, you just can’t keep a good hoax down. But now the date is 2012, so I hope you can wait. I know the suspense is simply killing me.

Fueled by a crop of books, Web sites with countdown clocks, and claims about ancient timekeepers, interest is growing in what some see as the dawn of a new era, and others as an expiration date for Earth: December 21, 2012.

Read all about it before it’s too late: Apocalypse in 2012? Date Spawns Theories, Films…

Interview With Vince Liaguno
Unspeakable Horror

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No place is darker than in the shadows of our closets…
And on each self, and in each corner, rests shoes, and clothes, and unspeakable horrors…

Editors Vince Liaguno and Chad Helder step into Zombos’ closet for a chat about their upcoming horror anthology that dares to open the creaking doors to those most personal, untidy closets we all share, where the light bulb is always dark, and the space is always pressing. And where fear is always piled deep in the farthest, darkest, corner.

 

How did Unspeakable Horror: From the Shadows of the Closet come about?

Chad Helder: In 2006, I started a website called Unspeakable Horror [http://unspeakablehorror.com] that explored the intersections between the horror genre and queer theory. Early on, I heard from Vince who was about to publish his first novel. We quickly became friends. At some point, Vince came up with the idea of publishing an anthology of gay horror stories. As a lover of short fiction, I was really excited about the prospect. That’s how it all began. Vince launched Dark Scribe Press, and the project began.

Reviews and Interviews With A Bit of Fiction

Here are some of the reviews and interviews I framed with a fictional story that highlights the various characters living in Zombos’ mansion, or just illustrates my incessant need for cheekiness.

Interviews

Crimson QA With Austin Williams

Gospel of the Living Dead With Kim Paffenroth

Paul Bibeau’s Sundays With Vlad

Jonathan Maberry on Writing

Reviews

Ghost in the House of Frankenstein

Tokyo Gore Police

Dying to Live: Life Among the Undead

Dying to Live: Life Sentence

Tap Dancing to Hell and a Pot O’Gold

Part One — Castle of Blood