From Zombos Closet

Magazine Morgue

Fantastic Monsters Magazine Club
by Professor Kinema

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In the pre-flea market, pre-yardsale and pre Ebay days of my youth, a truly exciting place to visit and spend my meager allowance was the Farmer's Market. In concept it seemed to exist somewhere between a wholesale produce market and antique barn. One cubicle was always immediately searched out and perused by me. This area contained a variety of notions (such as rubber monster masks, whoopie cushions, kazoos, etc) and back issues of comics and monster magazines. These periodicals always seemed to be in pretty good condition, except for the tops of the front covers. These were savagely removed, probably by something like a box cutter. I was informed later that this was done so the individual dealer, at the time, could return these sliced off sections of the front covers for credit. The rest of the magazines were subsequently sold to vendors, by weight. Then these vendors, who occupied these cubicles in the Farmer's Markets, would in turn re-sell them, usually for the affordable price of 5 cents per copy. This was definitely within my pre-teen budget.

Perusing the monster magazines I first set my eyes on Fantastic Monsters of the Screen. Having regularly purchased copies of FM and CofF for some time before and since, these seemed almost as interesting. For the grand total of 25 cents I bought the first five (of seven total) issues. This was after carefully perusing all of the available copies. All had that cut across the top, with the titles removed, as well as corresponding portions of several pages beneath. The person who wielded the mutilating box cutter was probably in a hurry. For a nickel apiece, I wasn't planning to save these as collectibles but, rather, to further mutilate them. As did many monster magazine readers of the era, my plans for these issues was to remove the illos of the monsters. These, in turn, would either go into some sort of personal album or decorate the walls of my bed room. I wasn't planning to use anything like a box cutter, though.

As was the case in the other monster mags I acquired, the ads towards the back of the issue were of interest. These were pages filled with the usual 'cool stuff' which went beyond what the vendor in the Farmer's Market had for sale. Two small ads were unique. One was for sets of color slides of 'Hollywood Monsters' and the other was for a 50 foot reel of 8mm film and 100 foot reel of 16mm film of 'Filmland Monsters.' Both ads were illustrated with familiar monsters. The ad copy read: See the Hideous Three Eyed Atomic Mutation, the She Creature, the Crawling Claw, the Smashing Awesome Amphibian…and, the Mushroom Monster from Venus! The illos of the slides matched the subjects of the film footage. Both ads had the same address: Golden Eagle Films of Topanga, California. Of all of the items offered for sale in any of the monster magazines I had ever possessed, these interested me most.

FanMo01 However, since it was a year or two past the publication dates of Fantastic Monsters (which appeared between 1962-63) I thought the magazine had stopped publishing, and the company – Golden Eagle Films – had long since gone out of existence, along with all of these precious items.. That was that, I surmised.

A friend, and fellow collector, years later lamented that I should have at least dropped a note to Golden Eagle Films at the Topanga Canyon address and inquired if any of the advertised treasures were still available. Thinking back, I figured what a totally logical and terrific idea. It would have been a 50/50 chance. Paul Blaisdell, editor of Fantastic Magazine and seller of the desired items, still lived in Topanga Canyon. He died there in 1983 at the 'youthful' age of 55.

In the few brief, but pleasant, conversations I had with collector Bob Burns, he told me that along with being an accomplished illustrator, sculptor and model maker, Paul Blaisdel was also an accomplished photographer. He often made photographic records during the planning, constructing and usage of his monstrous creations. His medium included color slides and film, 16mm film and stereoscopic photos. American International allowed him to market any and all color slides that he personally took of his 'creations' as well as a limited amount of the film footage that was used in their feature productions. The limitation was that footage of the creatures could be included as long as the featured players were not. This is what comprised the 5 sets of slides as well as what was featured in the 50ft and 100ft of 8mm & 16mm film – in 'sparkling black and white.'

Had I managed to track down these mail order items they would truly be valued collectibles.

All that would be needed next to create the ultimate collectible package would have been the Fantastic Monsters Club package. This consisted of a 'blood red membership card,' a free monster photo (of a Blaisdell creature, natch), an exclusive member's bulletin complete with a secret message and strange facts, plus a year's subscription to Fantastic Monsters. All this for $3! Including the 5 sets of monster slides @ $1 apiece and the 8mm film @ $2–I would also have had to acquire the 16mm film @ $6–this monsterkid would have had to shell out a grand total of $16 (not counting postage) at the time.

The value of all of this in today's collectibles market? Who knows?

Jack Davis Frankenstein Pin-up

I never really liked the Jack Davis Frankenstein pin-up, so I didn't get that promised "100 hours of laughs and thrills." Don't get me wrong, it's a great drawing, but maybe it's that fuzzy vest, annoying me deep down on some Pavlovian level. My mom bought me one of those Carnaby Street Mod vests on a whim. Seriously. She expected me to wear it to school, looking like some Michael Saracin wannabe in it. Maybe that's why I don't like this poster.

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More Famous Monsters Back Covers

More promotional Famous Monsters of Filmland back covers from Professor Kinema. I seriously doubt any reader wound up with one million  dollars, fantastic secret or not, but I'll bet lots of kids spent the money in their imagination while trying to win it. I met Robert Lansing (4D Man) and sold an accounting program to him  way back in the 1980s, while I was working at B. Dalton's Software Etc. store on 5th Avenue in New York City. He was shorter than I imagined.

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Famous Monsters Back Cover:
What Will He Find?

Before Warren Publishing realized the importance of advertising merchandise on their back covers, early issues of Famous Monsters of Filmland promoted the magazine with simple yet striking black and white pictures and text instead. From Professor Kinema's FM collection comes this visually effective promo using big Tor Johnson and big letters to ask the question…

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Famous Monsters Frankenstein
and Dracula Posters

I believe this is the first advertisement that appeared on the back cover of Famous Monsters of Filmland to promote the Frankenstein Monster and Dracula posters. I dare you to name one FM fan who doesn't regret not hanging on to these posters. Dracula was my favorite. I hung him on my bedroom door. Frankie hung around on the closet door. Both were awesome to behold. Would love to see these reissued, along with the Mummy and the Wolf Man and the Creature From the Black Lagoon. Be great they could keep the price to a dollar a piece, too. Just sayin'. (Scan courtesy of Professor Kinema)

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Captain Company Battlestar Galactica

The 1980s were all about spaceships, alien races, and adventures among the stars. While I grew up with the television series, the recent reimagining of Battlestar Galactica worked for me, too. But the earlier ship designs are still memorable, and the toys more playable. Especially with a few "space" monsters tossed in.

Before the new Battlestar Galactica kicked in, Richard Hatch lambasted it for how his character, Captain Apollo, would be portrayed, especially since he had been working hard on a revival of the original series himself. His passion did, at least, earn him a meaty role in the new series as Tom Zarek. Shrewd.

battlestar galactica toys

 

Captain Company Star Wars

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I started collecting toys in earnest by the time The Empire Strikes Back hit the theaters. Blame the Star Wars merchandising machine. I'd scour Toys "R" Us every weekend for figures and vehicles, and dreamed of finding more of those red markdown stickers on them.

Then I hit the jackpot. A comic book store I visited for the first time had all the playsets for 5 bucks apiece. Those micro playsets with their diecast figures were my favorites. The guy was happy to finally sell all those playsets gathering dust on his top shelf, I was happy to suddenly find all of them.  Win-win all around.

I miss the exhilaration of those early days before collecting became a business, and you could leisurely walk around Toys "R" Us without some knucklehead grabbing an action figure right out of your hands if you hesitated for a moment, or rudely shoving you out of the way to be first at the racks to find those hard-to-find gems.

Yes, I miss those days. eBay doesn't muster the same thrill-of-the-hunt enjoyment you get tracking your collectible prey in person. 

Captain Company Fun Reading

Captain Company not only offered wonderful toys for little ghouls and boys, but it also provided exciting reading for lovers of the fantastic. My introduction to Mandrake the Magician and Buck Rogers came from reading these wonderfully oversized books. Here's where the power of print trumps digital every time. You can still find these books on Amazon.

Buck rogers
Dick tracy