From Zombos Closet

JM Cozzoli

A horror and movie fan with a blog. Scary.

Reel Fantasy Issue 1, January 1978

If you thought Quasimodo’s Monster Magazine was cheaply printed, you haven’t read Reel Fantasy. There was only this first issue, but if you look beyond the pulp paper, sloppy print quality, lazy layout, and poor photo reproduction, the articles showed determination and an attention to the movies and television shows shaping our dreams and nightmares in 1978. The extensive coverage on Star Wars was informative and fascinating to read, along with the 1977 television roundup, and articles on Laser Blast, Sinbad and the Eye of the Tiger, and Damnation Alley. There’s also an interview with Jane Seymour, before she opened her hearts to become the Kay Jewelers spokesperson. And the piece de resistance is the back cover advert by Howard Rogofsky. Long in the tooth comic book collectors know that name for sure.

Reel-fantasy-1-cover

Star Wars (1977) Radio Spots

Star Wars a New Hope, award scene

Welcome, all lovers of outer space adventures! Welcome to my Radio Spot Reliquary.

It was late May of 1977 when a relatively unknown movie opened in theaters and set off a chain reaction never before seen…a reaction that is still going strong almost fifty years later. Through sequels, comic books, books, cartoon series, and countless streaming spin-offs, the adventure continues to this day. Never has a handful of characters been so totally embraced by the cultures of the world as have these brave and gallant heroes battling seemingly overwhelming odds. Visually magnificent with groundbreaking visual effects, this motion picture set the standard for space operas to follow.

Radio-wise, the marketing campaign for this film never let up. The first five radio spots released were from May, 1977 and the next three were from mid-summer. The next fifteen story spots done in serial form were from its re-release in July, 1978 (shoot, at some theaters it was still playing as late as December, 1977!), and the last ten were from its re-release in 1979…”It’s Back!”

So, listen to the radio spots from the movie that started it all…a long time ago in a galaxy far, far away. The Force! Droids! Aliens! Heroes and a Princess! Jedis! Light Sabers! Star Destroyers! The Death Star! Star Wars!

 

 

Re-release in July, 1978

 

Re-release in 1979

Crossing the Streams:
Blindspot, Surrealestate, Agents of S.H.I.E.L.D

AI image of bookcase filled with books and movies, with an old television set in front.

Binge watching the streams and eye-balling the books falling off the shelf. What a life.

Finished the fifth season of the Agents of S.H.I.E.L.D and I’m wondering how much to the Hydra well they will go. I like that each season builds on that never-ending threat, sort of, but constantly making S.H.I.E.L.D destroyed by the lop off one head, two more take its place thematic is getting scripturally claustrophobic. And there’s the time travel goto that seems more a what-do-we-do-next necessity than an inspired creative exercise. I liked the first season more, where there was a solo episodic feel to the stories instead of a multi-threaded continuing narrative as the team came together with Phil Coulson (Clark Gregg–just sublime in the role, really). That team has the requisite techie nerds/hackers du jour/problem solvers duo of Leo Fitz and Jemma Simmons (lain De Caestecker and Elizabeth Henstridge), May (Ming-Na Wen) the martial arts prone pilot with a grim past; Ward (Brett Dalton) the dashing and heroic agent who turns out to be…but that would spoil it for you; Mack (Henry Simmons) who provides the moral compass and some solid knuckles; and Skye(Chloe Bennet) who can whip up a quake in a second. Interestingly, you can find some similarities between the Skye and Jane Doe (Blindspot) characters. Luke Mitchell, who plays Lincoln Campbell, an inhuman here, and Roman, a mean human in Blindspot, also generates a similar ambivalence in both of his characters across the two series.

Surrealestate is back for its third season on Hulu. A novel touch has a real estate group tackling the more paranormal aspects of their properties with August (Maurice Dean Wint),  the nerdy guy who builds their ectoplasmic-fantastic gadgets to deal with the supernatural; the good hair guy, Luke Roman (Tim Rozon), who leads the group and can sense through the ether and talk to ghosts; his partner Susan (Sarah Levy) with her telekinetic and pyrotechnic abilities; and Clytemnestra (Elena Juatco) or just Lomax for short, who seems the more grounded-to-the-ordinary side of things person among them. Zooey (Savannah Basley), former receptionist and office manager, but now law career-minded–one foot in, one foot out–character, rounds out the main cast. There was Phil (Adam Korson), a former priest who worked with the group, but he was in seasons one and two. Being a Canadian production, like the X-Files first five seasons,  it has that narrative je ne sais guoi quality that differentiates it from American television storytelling. At first I thought a show about ghosts every episode would be redundant, but Surrealestate goes the heavenly highway route as seen in Touched by an Angel, Highway to Heaven, and Ghost Whisperer. But, and it’s a big but, it manages to avoid the saccharine aftertaste and leans more toward sinister shenanigans that need to be excised. That’s not to say that each story doesn’t wrap up to a white light ending, but in these stories, the characters and storylines are presented with more salt and less sugar. …

For Whom the AI Bell Tolls:
Book Cover Illustrators

AI image of robot drawing book coverThat screaming you hear is from the servers of AI grinding the bones of book cover illustrators. Just to add more salt to this wound, this article’s outline was generated by Perplexity AI. But I completely ignored its outline, which could be biased, even just a little.

The words you’re reading are mine, with a small dash of Hunter S. Thompson to give it them some bite. Just because the AI gave me an outline doesn’t mean I need to stay within its lines. I’m still the human in the loop. For now, anyway. By the way, the illustration for this article was also generated by Perplexity. You can stone me later. For now, just keep reading.

AI is coming for your job, man! That’s the bottom line, end of your story. Music, graphics, real humans writing real articles instead of robo-ridden slush, all of that’s fading away like a Picasso left out in the sun. Soon enough we’ll all be like Charlie Chaplain caught up in the gears of that monstrous machine, or one of the worker-drones in Metropolis, slaving away at the gears of that monstrous machine while whatever it produces, without any human skin in the game, nor human experience, nor human sweat, nor human experience’s highs and lows, sucks the electricity out of us non-cloud city dwellers to deliver, like a Dasher pumped by a large tip, what we used to pay skilled people for. …

Jaws (1975)
The Review Radio Spots

Jaws movie reviewer radio spots
Remember when professional critics’ reviews actually had a yay or nay power over movies? Here are radio spots highlighting the glowing reviews for Jaws, courtesy of Granny Creech and Radio Reaper.

Spielberg’s first big hit contained elements he repeated in many of his movies. A night sea hunt for the shark provides an early example of his favorite visual hallmark, a beam of light made visible by fog. He would continue to devote close attention to characters, instead of hurrying past them to the special effects, as so many 1990s f/x directors did. In “Jaws” and subsequently, he prefers mood to emotional bludgeoning, and one of the remarkable things about the picture is its relatively muted tone. The familiar musical theme by John Williams is not a shrieker, but low and insinuating. It’s often heard during point-of-view shots, at water level and below, that are another way Spielberg suggests the shark without showing it. The cinematography, by Bill Butler, is at pains to tell the story in the midst of middle-class America; if Spielberg’s favorite location would become the suburbs, “Jaws” shows suburbanites on vacation. (Roger Ebert,

Brides of Dracula
and Kiss of the Vampire
Radio Spots

Brides of Dracula publicity still
Lovely Yvonne Monlaur in the grasp of Baron Meinster, portrayed by David Peel.

I received a call from my ornery grandson, Big Abner, the other day, and I could tell right off he was up to something.

“Granny,” he said, “I just watched two movies and they really sucked!”

My mind raced, going over all the low-budget, Z-movies I could think of.

“Which ones?” I asked, taking the bait.

Brides of Dracula and Kiss of the Vampire!” he said with a big laugh. “Get it? Do you get it?”

“Yes, Abner, I get it, you big goof. Was there anything about them you liked?”

“Yep, two things,” he responded. “Beautiful women and beautiful vampire women.”

I sighed and told him to get back to work.

After he hung up I began to think about what he said, and there was some truth to it. Hammer Films ushered in a new retelling of the old Universal classics with The Curse Of Frankenstein (1957) and Horror of Dracula (1958), both color productions that featured lots of blood and graphic stake-driving scenes not pictured in the old versions. And each was complete with ghastly monsters and…beautiful women, often in bosom-baring low-cut dresses as befitted the time period in which the movie was set. They were hits and Hammer Studios began a series of movies on the Frankenstein and Dracula legends. …

Movie Theater Standees

At AMC, heading in to see F1 (which was good by the way), I spotted these new standees in the lobby. I have mixed feelings about Fantastic 4: First Steps. Love that they finally seem to have Kirby’s Galactus, which is an awesome character. Sad to see Silver Surfer is not male. I make no apologies. I understand that Shalla-Bal becomes the silver surfer in alternate universes’ stuff (Earth X), but in the original comics it was Norrin Radd. If there’s a thematic or planned storyline reason for her as Silver Surfer here, I’m all ears, but for now just not fully buying it. Just really tired of the redundant multiverse excuse for character timelines, that are picked up when original storylines run dry. The trailer for Superman gave me goosebumps, though. Looking forward to that one.

 

Fantastic 4 Theater Standee

Naked Gun Standee

The Roses movie theater standee

Elio Movie Standee

Smurfs movie theater standee

Jurassic World Standee

Feakier Friday Standee

Jaws 3-D Radio Spots
(For Your 3-D Ears)

Jaws 3-D, water skiers being followed by shark

Gary Fox and the Radio Reaper just can’t stay out of the water…

Since 2-D wasn’t enough to bring the terror close, Jaws 3-D made those shark chompers sharper for popcorn-loving audiences. Or, at least, that was the intention. Released in July of 1983, This “third dimension is terror” outing pumped up a soggy script with gory optics. Being a Jaws nut no matter what, I did watch this, with friends, in the theater. The 3-D glasses gave me a headache but I persevered. Besides, I loved Louis Gosset Jr. as much as Lea Thompson (I know, right!) and with a team of female water skiers, the Sea World park  backdrop, and Brody’s son all growed-up to face a mother shark and her baby–with help from “plucky” dolphins, what’s not to love? Well…although they hired Richard Matheson (yeah, that guy) to turn in a top-notch script, some bright bulbs decided to revise it to his dislike. Of course, audiences (including me) ate it up anyway as much as the sharks ate up the people. To get the lowdown on Jaws 3-D, read Just When You Thought It Was Safe: A Jaws Companion by Patrick Jankiewicz. One tidbit I gleaned from the book: Because of the 3-D process, the original hope was to use it for a Creature From the Black Lagoon sequel, headed by director John Landis. Sid Sheinberg, head of MCA, saw the test and opted to do Jaws 3-D instead. Ouch.

The radio spots provided by Gary and Radio Reaper include the Advance Promo and Preview Trailer.

 

Jaws 3-D park visitors running out of time as water and air get worse

Jaws 2 (1978) Radio Spots
Just When You Thought…

Jaws 2 - 1978 Shark attacking helicopter

Once again the mysterious Radio Reaper strikes with radio spots from Jaws 2

“Just when you thought it was safe to go back in the water” is the tagline we can never forget. While Jaws 2 may be the best of the sequels, given that it has Roy Scheider returning as Chief Brody, Lorraine Gary as Ellen Brody, and Murray Hamilton playing the mayor again, it began the sequelitus money-grab of the franchise. But who could resist? There is something about watching a huge shark chomping on people–especially teenagers–that riffs off what makes horror movies so appealing. This time the director, Jeannot-Szwarc, gets the credit after replacing the original director, John D. Hancock. Scheider returned to fulfill a contract obligation, but wasn’t too happy on set. Once again, the problems with salty water mixing with a mechanical shark led to delays and a ballooning budget expense. In spite of the director differences, script rewrites, and technical problems, Jaws 2 was another box office winner. (ScreenRant has something to say about it.)

Jaws (1975) Radio Spots
With Bite

Jaws - 1975 Shark on a boat!

The Fourth of July Weekend is coming, and you know what that means….

Welcome, all lovers of all things intense and terrifying! I’m the Radio Reaper. Welcome to my Radio Spot Reliquary.

It was back in the summer of 1975 when I saw a movie that scared me to death! I would never go swimming in the ocean again! Despite many production problems the movie went on to become one of the top grossing movies of all time and put the name Steven Spielberg on the map.

From the horrifying opening to the explosive climax, the terror doesn’t stop.

“May be too intense for younger children.”  Hell, may be too intense for adults! Just listen to these exciting spots from 50 years ago!

Poor Chrissie! Poor little kid on the rubber raft! The bitten-off leg! You’re gonna need a bigger boat! Chief Brody! Quint! Hooper! Bruce the shark! JAWS!!!

Jaws Re-release Spot

 

ZC Note:  Jaws was the original summer blockbuster, ushering a whole new terrortainment into the theaters. Who could enjoy the beach after that movie? While the fictional town of Amity Island was located off the coast of Long Island, the movie was actually filmed at Martha’s Vineyard in Massachusetts. Jaws was the first major movie to be filmed on open waters instead of studio water tanks, which caused numerous issues for Bruce, the mechanical shark. They had so much trouble with Bruce that, although Stephen Spielberg originally planned to show Bruce eating up more screen time, he relied instead on John Williams’ score to use music to drive the now unseen terror.

The town of Amity may have been fictional, but some of the details come from real events. Quint (Robert Shaw), the experienced shark hunter, was based on Frank Mundus, a shark fisherman from Montauk, New York. Benchley used Mundus’ experience catching a gigantic great white shark off of the New York coast as inspiration for writing Jaws in the ’70s. The story itself was also loosely based on the Jersey Shore shark attacks of 1916, a time when five people fell victim within two weeks in early July. ScreenRant

Check out Josh Olson on Jaws over at Trailers From Hell.

Tarzan and the Leopard Woman (1946)
Pressbook

William Armstrong (add an All American after his name and that sounds like a movie serial!) contacted me, asking about the Tarzan and the Leopard Woman pressbook. He recalled I’d snagged it sometime back in an auction on Emovieposter. I didn’t recall it. Now, that’s a glaring example of the difference between a hoarder and a collector, but nevermind that. Anyway, I recently started cleaning up the mess that is Zombos’ Closet and, lo and behold, I found a stack of great pressbooks lost behind some boxes. And there it was! Along with a ton of other pressbooks I had forgotten I had. Oops. Need to get that hoarder/collector balance in shape, I know. Of course, as I rediscovered them, I thought, what a monkey’s uncle I am (sorry, no refunds on puns or idioms). I clearly have no advantage over Cheetah. So, you can thank William Armstrong (All American!) for reminding me about Tarzan and the Leopard Woman. Here’s the cool pressbook. Add a mental Tarzan jungle cry as you drool over its pages.

Tarzan and the Leopard Woman 1946 pressbook

Underground (1941) Pressbook

The poster art and unusual size (9 inches x 20 inches folded, 18 inches x 20 inches unfolded) grabbed my attention for this Underground (1941) pressbook. The story concerns two brothers on opposing sides of a really bad situation. Although the storyline concerns Word War II, not so surprisingly, it is still relevant today. What’s old is new again, and what’s new is old again. That lobby floor set piece is pretty cool. These days, while we get standees in the theater lobby, they’re usually so standard and uninspired. Theater movie promotion way back when was so much more exciting to experience.

ComicRack reader version: Download Underground pressbook

 

Underground movie pressbook cover

Underground 02