From Zombos Closet

JM Cozzoli

A horror genre fan with a blog. Scary.

Kidnapped Coed (1976) Pressbook

Kidnapped Coed, also known as Date with a Kidnapper, is a grindhouse (low budget, gritty, quickly shot) movie that was paired with Axe, which made the video nasties list in the 1980s over in the UK, and Hitch Hike to Hell (1977) on double bills. Both were directed by Frederick R. Friedel. I’ve not watched either, yet, but Kidnapped is either ignored as a boring, not so action-packed, grindhouse effort or praised as a pensive meditation with some artsy flair and carefully planned tracking shots. Either way, I found the pressbook’s cover interesting enough to share it with you. It sells the exploitation and the leering quality that grindhouse should be edged with, art or not. I love that tagline too.

Born in Brooklyn in 1948, Friedel had no training in film, no experience on a film set, and no idea of what actually was involved in film production. But he did know that Orson Welles had made Citizen Kane when he was twenty-five and decided that he wanted to make a feature by that age himself. (Cagey Films)

Kidnapped Coed movie pressbook

Frankenstein, Dracula, Mummy
and Captain Kronos Radio Spots
To Make You Scream

Frankenstein Created Woman movie scene

Welcome, all lovers of double features! Welcome to my Radio Spot Reliquary.

Well, I was rummaging through my files when I saw that my radio spot tribute to Hammer vampire movies was incomplete: I found two more. And, they were part of some Hammer Films double features which included a mummy sequel and three Frankenstein films! So, I thought I would introduce the Frankenstein and Mummy sagas here also. Confusing? Well, let me explain…

Last time I featured two Dracula movies which headlined two double features, one containing zombies and the other an occult adventure. This time the two vampire movies take the backseat to two Frankenstein movies and the third double feature has a mummy movie taking the backseat to a Frankenstein film! Whew! It’s not as complicated as it sounds.

First off, we journey to 1967 for Frankenstein Created Woman, a play on And God Created Woman from 1956, and The Mummy’s Shroud, third in Hammer’s Mummy series. Peter Cushing returns as Baron Frankenstein but Christopher Lee is absent from the former.

Second, from 1970, we have Horror of Frankenstein and Scars of Dracula, with Ralph Bates in the first and Christopher Lee in the second.

Lastly, from 1974, there’s Frankenstein and the Monster From Hell paired with Captain Kronos – Vampire Hunter. Peter Cushing again reprises his role as the good doctor in this, the final chapter of the Frankenstein saga, and Horst Janson stars as Captain Kronos, chasing vampires who drain the youth instead of blood from their victims.

Sadly, none of these double feature radio spots highlight any theater handouts.

The movies were winding down and the radio spots tried to capture the old glamour, but time and movie culture were taking their tolls. They are still fun, though, especially as two spots for the Horror/Scars double feature hold on to the puns from an earlier marketing angle.  But it’s sad to think these spots were at the end of such glorious Hammer traditions.

Murders! Corpses! Body parts! Vampires! Bats! Good vs Evil! Tombs! Bandages! Ancient curses! More gorgeous women in peril! Three Hammer double features!
Bonus! I just found two spots each for the single releases of Frankenstein and the Monster From Hell and Captain Kronos – Vampire Hunter. Enjoy!

Horror of Frankenstein and Scars of Dracula

Captain Kronos Vampire Hunter

Frankenstein and the Monster From Hell and Captain Kronos Vampire Hunter

Frankenstein Created Woman and The Mummy’s Shroud

Hammer Dracula Radio Spots

Dracula AD 1972 publicity photo with Lee and women around a coffin

Welcome, all lovers of the movies that drain you! Welcome to my Radio Spot Reliquary.

Many thanks go out to my friend, the ever-vivacious Granny Creech, for filling in for me and doing the spots for Dracula Has Risen From the Grave. I was busy elsewhere and just couldn’t fit it in to meet Ol’ Zombos’ schedule. He’s a real stickler about things like that, and I knew I’d be in big trouble with the old guy if I were late, so Granny saved my skin, what little there is left of it.

Anyway, in keeping with my original plan, here are spots for two more Hammer vampire treasures, Dracula: Prince of Darkness and Dracula A.D. 1972. …

Wild West Days (1937) Pressbook

Here’s a funny thing. I like to research the movie when I post the pressbook for it. For Wild West Days I decided to try ChatGPT to see how it would respond to my simple prompt: “Tell me about the movie serial Wild West Days 1937.”

It didn’t do well. Twice it gave me completely wrong information and twice I corrected it. It finally got it right on the third prompt. How it could have been so off the mark I’m not sure, but imagine someone asking about the movie who didn’t already know something about it? That person could have walked away thinking it was a B Western made by both Republic and Monogram, starring Ray ‘crash’ Corrigan, Ken Maynard, and Hoot Gibson. Oh, and it was directed by Louis King and John English. Louise Stanley played the romantic interest too. Yikes~!

Finally, third time was the charm. “You’re absolutely right again, and I deeply apologize for the confusion in my earlier responses. Wild West Days (1937) is indeed a Universal Pictures film serial, not a B-movie Western as I mistakenly suggested. Let me provide the correct details about the serial.”

So let that be a warning to you, as Criswell said (well okay, I added the AI): “Future [AI] events such as these will affect you in the future” and “We are all interested in the future [of AI], for that is where you and I are going to spend the rest of our lives.” Amen, brother.

Wild West Days 1937 movie serial pressbook

Kiss of the Vampire (1963) UK Pressbook

While Van Helsing and Dracula are missing from this Hammer horror, the story switches up vampire lore to create a cult of vampire worshippers looking for some fresh blood. Newlyweds soon find themselves up against the evil, but are saved by Professor Zimmer (Clifford Evans) who turns the tables on the cult by putting them on the receiving end of the bloodletting. This film and The Devil Rides Out are two lost opportunities for Hammer to expand into interesting follow up movies with both the Professor here and Christopher Lee’s excellent Duc de Richleau, and leaning into more occult-themed horrors. For American audiences the movie was retitled Kiss of Evil (for television) and heavily edited for violence. The finale is somewhat of a letdown only due to the special effects for the time, but the production values of Hammer were always well executed on small budgets. One wonders what the movie would have been like if Peter Cushing and Lee could have taken up their classic roles for this one.

Kiss of the Vampire UK pressbook Kiss of the Vampire UK pressbook Kiss of the Vampire UK pressbook Kiss of the Vampire UK pressbook

How to Frame a Figg (1971) Pressbook

The Ghost and Mr. Chicken is my favorite Don Knotts movie. Not great, but good enough. In fact, he was always good in any movie. With his rubbery body, superbly sculpted comedic face, and uncanny ability to be kinetic even when not moving, he was and still is always fun to watch. In How to Frame a Figg (pressbook courtesy of It Came From Hollywood), the last of his 6 picture deal with Universal, as Hollis Figg, he plays the patsy, then stumbles into his own salvation, eventually. Yvonne Craig lends a welcomed zest; she was always so perky and self-assured, especially in Batman. Speaking of which, I can’t believe Knotts never played a villain in the Batman series. He was such a natural for a role like that. The best comedians always could also do dramatic turns with depth too. I could see him as a Two Face kind of villain for sure.

How to Frame a Figg 1971 movie pressbook

Terror By Night (1946) Pressbook

An enjoyable entry in the Sherlock Holmes series by Universal, Terror By Night is a solid 60 minutes of whodunit that director Roy William Neill keeps fast-paced and tensely mysterious given the confined setting of a “moving” train. Significant back projection helps maintain realism and Neill’s high-contrast lighting adds to the noirish look. The one failing movies taking place on trains or boats or planes have is the instability of simple motions of people walking or standing on something moving, sailing or flying; characters are always so motionless and stable while the normal jerks and bumps normally experienced in real life are not shown onscreen. The production costs for such realism can be high, but would be a welcomed sight. You can see a good copy of this movie on YouTube. The character actors appearing in the Sherlock Holmes movies were superb. To learn more about them I highly recommend reading Sherlock Holmes and the Fabulous Faces: The Universal Pictures Repertory Company by Michael A. Hoey.

Terror by Night Pressbook

Z vs. V: Among the Living
Book One Review

Z vs V Among the Living book coverThe standard “Don’t get eaten” plotline for zombie novels gets a nice gust of fresh air in Brad Goldberg’s Z vs. V: Among the Living. He also pays a lot more attention to the fact that living in a world filled with decaying everything, especially rotting people, really stinks a lot. Too many television shows, movies, and novels gloss over that point, which kills the realism for anyone watching or reading (or is it just me?). Breathing in such a world can be heroic enough, but Kyle goes one better: he insists on recording everything for a survival guide he imagines others could use. At least that is what he is thinking. That gives us insight into Kyle’s feelings and reasoning as he shoots, smashes, mashes, and otherwise tries to hold his nose through the daily mess of survival in New York City.

To liven things up with nicknames, he has to deal with corpsies by day, as he likes to call the dead, and vees by night, presumably undead blood suckers. Hey, it is his survival guide, so he can call them anything he wants. Going against the standard quiet approach to avoid attracting attention and more mouths to feed—on him—Kyle carries around a gun shop’s worth of handguns, semi-automatics and rifles to tackle the hordes. Not one to panic shop, he also remembered to grab the cleaning supplies to make sure his guns do not jam up in critical situations. The cleaning fluid comes in handy too when he gets wounded, though it stings a lot.

Goldberg makes sure there’s plenty of action to let the bullets fly as Kyle struggles in the present while flashing back to the past through alternating chapters. In the present, he becomes the protector of a ten-year-old named Chloe; her mother became a corpsie and her dad and brother became vees, so she needs all the help he can give. She is also a capable match for Kyle, using a grenade to save both of them early on, although she needs to practice her aim and timing.

In the past he was a television news reporter, watching the downfall of everything, who fell in love with the girl of his dreams only to have a rivalry intervene. In-between, the piece de resistance is a hell of a night as he is attacked by Zs and Vs, while fire and drowning limit his options for seeing the morning. To say this book moves fast and furious would be more than accurate.

The lulls are not much for rest, but Kyle and Chloe need to find food to keep up their stamina wading through endless corpsies and lodging each night to avoid the vees. It is in these moments that Goldberg gives us glimpses into the shattered lives of everyone by the remnants of those lives left behind or shattered on the floor. By this time, you realize he has a good handle on pacing: neither too long in the quiet, reflective moments, nor too short in the fights for life that occur fast, often, and described with tactical precision. The usual rivalries and petty squabbles among the living are here, but the daily slog dutifully jotted down by Kyle keeps them from overwhelming the hordes. Let’s face it: we read for the chomping and stomping, not the chit-chat; but darn if Goldberg has not struck the near perfect balance between both in his novel.

It’s a breezy page-turner but carries depth and emotional weight. His people are struggling to survive, struggling with each other, and struggling with themselves. We feel their struggles and that is a lesson in how you write a zombie novel. This is the first book in the series. Try not to hate him too much for having to wait until he gets the next book out. I am sure it will be worth it. Though, I do admit I am getting a bit anxious waiting already.

Staff book reviewer for The Horror Zine.

The Unfaithful (1947) Pressbook

One of the noir movies I have yet to see, The Unfaithful‘s Ann Sheridan, Warner Brothers’ Oomph Girl (not a nickname she liked but par for Hollywood),  faces postwar marital distress, suspicion, morality, and justice. She received the nickname in 1939 when Warner Brothers wanted to hype her allure and glamour. She also had some strong acting chops too. My favorite movie with her is Angels with Dirty Faces–or maybe it’s They Drive by Night–tough decision for sure. Then again there’s Black Legion, and…well, like I said; a tough decision to make.

the unfaithful 1947 movie pressbook

Mogambo (1953) Pressbook

A more family friendly version of Clark Gable’s Red Dust, Mogambo switched it up by location shooting in Kenya, Uganda, and Tanganyika. While some studio scenes were used (you can easily tell the difference by the lighting, grain, and camera framing), most of the love triangle between Gable, Grace Kelly, and Ava Gardner is shot in the wild by John Ford. To make it more interesting for kids gorillas were the highlight, with supporting dangers from wild animals and nature. Theaters gave out a gorilla mask kids (or any adults like me) could color and wear. The film was a hit and reminded people that Gable was still a star. It also brought Oscar nominations to Kelly and Gardner. MGM put together an imposing pressbook. The front and back cover are shown here so you can see the wrap- around illustration.

MGM's Mogambo pressbook.

Halloween 2025 Sighted: T.J. Maxx

I’m not one for plush, cuddly, and pinkish Halloween decor, but T.J. Maxx has a fun selection that’s colorful and works with either traditional or new-ish trends for October–or any time of the year–Halloween joy. Given the crazy tariff issues, I have my fingers crossed that suppliers overloaded on what they could before the costs kicked in, but I still fear we may see less Halloween and Christmas merchandise this year. I hope to be wrong. I especially look for smalls: those animated novelties or ghoulish decor (not cuddly or pink! well, maybe just a little) that you would have found in a Woolworth’s store, back-way-when. Last year was disappointing for those items, so I look forward to be surprised this year in a positive way. I mean, where did those those Pocket Screamers go? As for T.J. Maxx, the standout for me are the hands holding pumpkins candlestick holders. Now those are bewitching and cool (even with the pink cuffs that work so well with the green and orange).

TJ Maxx Halloween 2025 decor.

Closet Encounters of the Radio Spots Kind

Close Encounters for the Third Kind movie scene showing bottom of alien ship in mountain receiving area.

Welcome, all lovers of the mysterious and other-worldly! Welcome to my Radio Spot Reliquary.

In late 1977 a movie opened which captured the imaginations of all those who believe in UFOs and extraterrestrial life. The sci-fi magazines of the time immediately began to compare it to Star Wars but, in all fairness, it was a movie of a totally different kind. This movie, set on Earth, appealed more to the mind…offering many puzzling events which led to an astonishing conclusion. Visually it was satisfying and the effects were great, especially the mind-blowing finale. It remains a classic but didn’t lead to any spin-offs or sequels, aside from a director’s cut or two. So, keep watching the skies…they are watching us.

Mysterious lights in the sky! Strange happenings! Strange visions! The Devil’s Tower! Losing your mind! Government cover-up! The Mother ship! D-E-C-C-G! Contact! Close Encounters of the Third Kind!

Close Encounters for the Third Kind movie scene showing mom reunited with son.