From Zombos Closet

JM Cozzoli

A horror genre fan with a blog. Scary.

Terror By Night (1946) Pressbook

An enjoyable entry in the Sherlock Holmes series by Universal, Terror By Night is a solid 60 minutes of whodunit that director Roy William Neill keeps fast-paced and tensely mysterious given the confined setting of a “moving” train. Significant back projection helps maintain realism and Neill’s high-contrast lighting adds to the noirish look. The one failing movies taking place on trains or boats or planes have is the instability of simple motions of people walking or standing on something moving, sailing or flying; characters are always so motionless and stable while the normal jerks and bumps normally experienced in real life are not shown onscreen. The production costs for such realism can be high, but would be a welcomed sight. You can see a good copy of this movie on YouTube. The character actors appearing in the Sherlock Holmes movies were superb. To learn more about them I highly recommend reading Sherlock Holmes and the Fabulous Faces: The Universal Pictures Repertory Company by Michael A. Hoey.

Terror by Night Pressbook

Z vs. V: Among the Living
Book One Review

Z vs V Among the Living book coverThe standard “Don’t get eaten” plotline for zombie novels gets a nice gust of fresh air in Brad Goldberg’s Z vs. V: Among the Living. He also pays a lot more attention to the fact that living in a world filled with decaying everything, especially rotting people, really stinks a lot. Too many television shows, movies, and novels gloss over that point, which kills the realism for anyone watching or reading (or is it just me?). Breathing in such a world can be heroic enough, but Kyle goes one better: he insists on recording everything for a survival guide he imagines others could use. At least that is what he is thinking. That gives us insight into Kyle’s feelings and reasoning as he shoots, smashes, mashes, and otherwise tries to hold his nose through the daily mess of survival in New York City.

To liven things up with nicknames, he has to deal with corpsies by day, as he likes to call the dead, and vees by night, presumably undead blood suckers. Hey, it is his survival guide, so he can call them anything he wants. Going against the standard quiet approach to avoid attracting attention and more mouths to feed—on him—Kyle carries around a gun shop’s worth of handguns, semi-automatics and rifles to tackle the hordes. Not one to panic shop, he also remembered to grab the cleaning supplies to make sure his guns do not jam up in critical situations. The cleaning fluid comes in handy too when he gets wounded, though it stings a lot.

Goldberg makes sure there’s plenty of action to let the bullets fly as Kyle struggles in the present while flashing back to the past through alternating chapters. In the present, he becomes the protector of a ten-year-old named Chloe; her mother became a corpsie and her dad and brother became vees, so she needs all the help he can give. She is also a capable match for Kyle, using a grenade to save both of them early on, although she needs to practice her aim and timing.

In the past he was a television news reporter, watching the downfall of everything, who fell in love with the girl of his dreams only to have a rivalry intervene. In-between, the piece de resistance is a hell of a night as he is attacked by Zs and Vs, while fire and drowning limit his options for seeing the morning. To say this book moves fast and furious would be more than accurate.

The lulls are not much for rest, but Kyle and Chloe need to find food to keep up their stamina wading through endless corpsies and lodging each night to avoid the vees. It is in these moments that Goldberg gives us glimpses into the shattered lives of everyone by the remnants of those lives left behind or shattered on the floor. By this time, you realize he has a good handle on pacing: neither too long in the quiet, reflective moments, nor too short in the fights for life that occur fast, often, and described with tactical precision. The usual rivalries and petty squabbles among the living are here, but the daily slog dutifully jotted down by Kyle keeps them from overwhelming the hordes. Let’s face it: we read for the chomping and stomping, not the chit-chat; but darn if Goldberg has not struck the near perfect balance between both in his novel.

It’s a breezy page-turner but carries depth and emotional weight. His people are struggling to survive, struggling with each other, and struggling with themselves. We feel their struggles and that is a lesson in how you write a zombie novel. This is the first book in the series. Try not to hate him too much for having to wait until he gets the next book out. I am sure it will be worth it. Though, I do admit I am getting a bit anxious waiting already.

Staff book reviewer for The Horror Zine.

The Unfaithful (1947) Pressbook

One of the noir movies I have yet to see, The Unfaithful‘s Ann Sheridan, Warner Brothers’ Oomph Girl (not a nickname she liked but par for Hollywood),  faces postwar marital distress, suspicion, morality, and justice. She received the nickname in 1939 when Warner Brothers wanted to hype her allure and glamour. She also had some strong acting chops too. My favorite movie with her is Angels with Dirty Faces–or maybe it’s They Drive by Night–tough decision for sure. Then again there’s Black Legion, and…well, like I said; a tough decision to make.

the unfaithful 1947 movie pressbook

Mogambo (1953) Pressbook

A more family friendly version of Clark Gable’s Red Dust, Mogambo switched it up by location shooting in Kenya, Uganda, and Tanganyika. While some studio scenes were used (you can easily tell the difference by the lighting, grain, and camera framing), most of the love triangle between Gable, Grace Kelly, and Ava Gardner is shot in the wild by John Ford. To make it more interesting for kids gorillas were the highlight, with supporting dangers from wild animals and nature. Theaters gave out a gorilla mask kids (or any adults like me) could color and wear. The film was a hit and reminded people that Gable was still a star. It also brought Oscar nominations to Kelly and Gardner. MGM put together an imposing pressbook. The front and back cover are shown here so you can see the wrap- around illustration.

MGM's Mogambo pressbook.

Halloween 2025 Sighted: T.J. Maxx

I’m not one for plush, cuddly, and pinkish Halloween decor, but T.J. Maxx has a fun selection that’s colorful and works with either traditional or new-ish trends for October–or any time of the year–Halloween joy. Given the crazy tariff issues, I have my fingers crossed that suppliers overloaded on what they could before the costs kicked in, but I still fear we may see less Halloween and Christmas merchandise this year. I hope to be wrong. I especially look for smalls: those animated novelties or ghoulish decor (not cuddly or pink! well, maybe just a little) that you would have found in a Woolworth’s store, back-way-when. Last year was disappointing for those items, so I look forward to be surprised this year in a positive way. I mean, where did those those Pocket Screamers go? As for T.J. Maxx, the standout for me are the hands holding pumpkins candlestick holders. Now those are bewitching and cool (even with the pink cuffs that work so well with the green and orange).

TJ Maxx Halloween 2025 decor.

Closet Encounters of the Radio Spots Kind

Close Encounters for the Third Kind movie scene showing bottom of alien ship in mountain receiving area.

Welcome, all lovers of the mysterious and other-worldly! Welcome to my Radio Spot Reliquary.

In late 1977 a movie opened which captured the imaginations of all those who believe in UFOs and extraterrestrial life. The sci-fi magazines of the time immediately began to compare it to Star Wars but, in all fairness, it was a movie of a totally different kind. This movie, set on Earth, appealed more to the mind…offering many puzzling events which led to an astonishing conclusion. Visually it was satisfying and the effects were great, especially the mind-blowing finale. It remains a classic but didn’t lead to any spin-offs or sequels, aside from a director’s cut or two. So, keep watching the skies…they are watching us.

Mysterious lights in the sky! Strange happenings! Strange visions! The Devil’s Tower! Losing your mind! Government cover-up! The Mother ship! D-E-C-C-G! Contact! Close Encounters of the Third Kind!

Close Encounters for the Third Kind movie scene showing mom reunited with son.

Dracula Has Risen
From the Grave
Radio Spots

Dracula Has Risen From the Grave bandaid poster

 

Hello, My Children!

Whew, is it hot! It is hotter than an overcooked vat of my Witch’s Brew!

I was just sitting here in my parlor when I received a phone call from the Radio Reaper. He was all in a tizzy:

“Granny,” he said, breathlessly, “have you seen Zombos’ recent posting?  It is the pressbook for Dracula Has Risen From The Grave. I have some radio spots for it but I’m too busy to fix them up and send them to him. Can You do it?”

“Sure, Reaper,” I said. “I will be glad to. Send me the files and I’ll get right on it.”

He did and I did, and I must admit they were right up my alley. I wasn’t too familiar with the movie or the spots, but after hearing them, I was glad I got to write something about them.

They are not the usual radio spots I am used to hearing! If you have never heard them you are in for quite a treat. They are full of puns and I LOLed through most of them (that’s text jargon for those of you who do not know). I called up my grandson Big Abner and let him hear them and he LOLed, too.

Hee hee.

These spots are quite unlike anything I would have thought the Warner Bros./Seven Arts marketers for Hammer’s vampire movie would have resorted to so I had to look it up on Wikipedia to see if it was a spoof or a tongue-in-cheek feature. But, no, it was played in all seriousness…even rated “G”, which is surprising in itself. However, the one-sheet poster should have been a dead giveaway for the advertising tone. I didn’t read anything about what Hammer Films thought of the American campaign so I guess all was well, since it became Hammer’s most profitable movie (according to IMDb).

Reader reviews on the Internet Movie Data Base (IMDb) mostly agree that it is one of the best in the Hammer series. I haven’t seen it so I can’t attest to that fact or add my opinion. It is the fourth of the series and was made in 1968.

So, here are the spots, courtesy of the Radio Reaper’s Reliquary. We hope you enjoy them and get a laugh or two from them. If nothing else, they have quite a bite….sorry….
Now, on with the pun-ishment!!

If you have radio spots you would like to share with Granny or just want to exchange spells, you can reach her at [email protected].

Dracula Has Risen
From the Grave
UK Pressbook

One of the pleasures reading these old pressbooks is learning all the creative ways promotion was done before social media. In this UK pressbook for Dracula Has Risen From the Grave, there’s the public service announcement from a mobile van driving through town and the lighting of the theater lobby a nice ominous green to prime the audience’s mood. Then of course you have the catchlines: “Harrowing Ferment of Feat; Not for Those of a Nervous Disposition; It Will Fascinate and Stun You, etc.” Interestingly enough, those catchlines can work with just about anything these days too.

Dracula has risen from the grave UK pressbook. Dracula has risen from the grave UK pressbook. Dracula has risen from the grave UK pressbook. Dracula has risen from the grave UK pressbook. Dracula has risen from the grave UK pressbook. Dracula has risen from the grave UK pressbook. Dracula has risen from the grave UK pressbook. Dracula has risen from the grave UK pressbook.

2 Niguads Et
L’Homme Invisible (1951)
French Pressbook

Abbott and Costello Meet the Invisible Man, part of their movie meetings with the Universal Studios’ classic monsters, was and still is a fun romp for the comedic duo. While it takes elements from the many Invisible Man movies before it, interestingly enough, Bud and Lou seem to forget they met the invisible man (well, at least one of them) at the end of Abbott and Costello Meet Frankenstein. It would have been fun if the studio had followed up on that, but it got lost by doing Abbott and Costello Meet the Killer, Boris Karloff instead. During this time, the duo had finally settled with the IRS regarding back taxes, but their partnership was breaking up. They held it together during filming, but when it came time for Lou to slap Bud around in their scenes, the jabs were harder than usual. If you are new to Abbott and Costello, watch The Time of Their Lives (1946) first. The fantasy, the comedy, and the romantic pull are all just wonderful.

By the way, the third film in the invisible man series is The Invisible Woman (1940). Directed and scripted like a screwball comedy, sort of, it falls short on both the comedy and the sci fi/horror aspects. It’s worth a look due to its special effects and actor John Barrymore, along with the lively Virginia Bruce. For some reason, the risqué element of her being nude, albeit invisible, caused a bit of concern. Of course, none of the nude invisible men faced that problem for some reason.

Abbott and Costello Meet the Invisible Man French pressbook

Abbott and Costello Meet the Invisible Man French pressbook

Reel Fantasy Issue 1, January 1978

If you thought Quasimodo’s Monster Magazine was cheaply printed, you haven’t read Reel Fantasy. There was only this first issue, but if you look beyond the pulp paper, sloppy print quality, lazy layout, and poor photo reproduction, the articles showed determination and an attention to the movies and television shows shaping our dreams and nightmares in 1978. The extensive coverage on Star Wars was informative and fascinating to read, along with the 1977 television roundup, and articles on Laser Blast, Sinbad and the Eye of the Tiger, and Damnation Alley. There’s also an interview with Jane Seymour, before she opened her hearts to become the Kay Jewelers spokesperson. And the piece de resistance is the back cover advert by Howard Rogofsky. Long in the tooth comic book collectors know that name for sure.

Reel-fantasy-1-cover

Star Wars (1977) Radio Spots

Star Wars a New Hope, award scene

Welcome, all lovers of outer space adventures! Welcome to my Radio Spot Reliquary.

It was late May of 1977 when a relatively unknown movie opened in theaters and set off a chain reaction never before seen…a reaction that is still going strong almost fifty years later. Through sequels, comic books, books, cartoon series, and countless streaming spin-offs, the adventure continues to this day. Never has a handful of characters been so totally embraced by the cultures of the world as have these brave and gallant heroes battling seemingly overwhelming odds. Visually magnificent with groundbreaking visual effects, this motion picture set the standard for space operas to follow.

Radio-wise, the marketing campaign for this film never let up. The first five radio spots released were from May, 1977 and the next three were from mid-summer. The next fifteen story spots done in serial form were from its re-release in July, 1978 (shoot, at some theaters it was still playing as late as December, 1977!), and the last ten were from its re-release in 1979…”It’s Back!”

So, listen to the radio spots from the movie that started it all…a long time ago in a galaxy far, far away. The Force! Droids! Aliens! Heroes and a Princess! Jedis! Light Sabers! Star Destroyers! The Death Star! Star Wars!

 

 

Re-release in July, 1978

 

Re-release in 1979

Crossing the Streams:
Blindspot, Surrealestate, Agents of S.H.I.E.L.D

AI image of bookcase filled with books and movies, with an old television set in front.

Binge watching the streams and eye-balling the books falling off the shelf. What a life.

Finished the fifth season of the Agents of S.H.I.E.L.D and I’m wondering how much to the Hydra well they will go. I like that each season builds on that never-ending threat, sort of, but constantly making S.H.I.E.L.D destroyed by the lop off one head, two more take its place thematic is getting scripturally claustrophobic. And there’s the time travel goto that seems more a what-do-we-do-next necessity than an inspired creative exercise. I liked the first season more, where there was a solo episodic feel to the stories instead of a multi-threaded continuing narrative as the team came together with Phil Coulson (Clark Gregg–just sublime in the role, really). That team has the requisite techie nerds/hackers du jour/problem solvers duo of Leo Fitz and Jemma Simmons (lain De Caestecker and Elizabeth Henstridge), May (Ming-Na Wen) the martial arts prone pilot with a grim past; Ward (Brett Dalton) the dashing and heroic agent who turns out to be…but that would spoil it for you; Mack (Henry Simmons) who provides the moral compass and some solid knuckles; and Skye(Chloe Bennet) who can whip up a quake in a second. Interestingly, you can find some similarities between the Skye and Jane Doe (Blindspot) characters. Luke Mitchell, who plays Lincoln Campbell, an inhuman here, and Roman, a mean human in Blindspot, also generates a similar ambivalence in both of his characters across the two series.

Surrealestate is back for its third season on Hulu. A novel touch has a real estate group tackling the more paranormal aspects of their properties with August (Maurice Dean Wint),  the nerdy guy who builds their ectoplasmic-fantastic gadgets to deal with the supernatural; the good hair guy, Luke Roman (Tim Rozon), who leads the group and can sense through the ether and talk to ghosts; his partner Susan (Sarah Levy) with her telekinetic and pyrotechnic abilities; and Clytemnestra (Elena Juatco) or just Lomax for short, who seems the more grounded-to-the-ordinary side of things person among them. Zooey (Savannah Basley), former receptionist and office manager, but now law career-minded–one foot in, one foot out–character, rounds out the main cast. There was Phil (Adam Korson), a former priest who worked with the group, but he was in seasons one and two. Being a Canadian production, like the X-Files first five seasons,  it has that narrative je ne sais guoi quality that differentiates it from American television storytelling. At first I thought a show about ghosts every episode would be redundant, but Surrealestate goes the heavenly highway route as seen in Touched by an Angel, Highway to Heaven, and Ghost Whisperer. But, and it’s a big but, it manages to avoid the saccharine aftertaste and leans more toward sinister shenanigans that need to be excised. That’s not to say that each story doesn’t wrap up to a white light ending, but in these stories, the characters and storylines are presented with more salt and less sugar. …