Comic Book Review: The Wake 1
Zombos Says: Good (but predictable so far)
DC Comics doesn't send me books to review on a regular basis, but I do enjoy receiving them when I do. Of late, I've a mind to not review a comic series until it has made its run: issue to issue can be spotty, but taken as a whole reading experience, a series can play out rather well. So I tend to wait until I've gotten through all the issues, single or in a collection, before forming a critical appraisal. But when I receive unsolicited issues for review I, of course, try to review them as soon as possible. One of two things usually happens: DC's trying to ramp up support for a memorable endeavor or they're trying to shore up as much support as possible for an iffy one.
The first issue of Scott Snyder and Sean Murphy's The Wake (a 10 issue series) isn't iffy. The art is full of well-angled scenes and interesting characters, although Murphy does have a fondness for straight lines and sharp noses and chins that's a little excessive; but his lively faces and movie-scene storyboarding stands out even more.
The story ends on a high note with a surprise revelation that eggs you on to pick up issue 2, but the usual shadows of Homeland Security Departments dabbling in secret undertakings, and a Dr. Archer who, with her soured past history, is reluctant to get involved when they need her expertise, keeps this issue at the let's-see-where-Snyder-takes-it stage. She is urgently needed because she specializes in cetological vocalizations and there is a recorded whale song that sounds suspicious–and which also reminds her of a catastrophe she hasn't quite gotten over yet–sparking Homeland Security's interest in getting her involved.
Other people Homeland Security has brought onboard for the investigation include Dr. Marlin, who's written Legends of the Ocean–and what a coincidence, Dr. Archer has read it!–Meeks, the standard-plot-equipped anti-social type who has apparently crossed paths with Dr. Archer beforehand–not in a joyous way–and running the secret show, Agent Astor Cruz, who is, true to form, revealing those secrets only when needed.
Who do you think will die first?
The story proper starts 200 years earlier, our present time, give or take the Carnaby Street clothes and hairstyle of Dr. Marlin, and the first 4 pages tease us with the 200 years later aftermath. There's a 100,000 years ago teaser too, but that ties to the last page's thing revelation. Snyder has a lot going on so he has a lot of explaining to do. Hopefully he does it well in the next 9 issues.
Mexican Lobby Card: Gorilla at Large
Movies with hairy apes menacing leggy women are a small staple of the horror genre. Fay Wray in King Kong made it fashionable to be dramatically carried away in big hairy arms, and the dramatic contrast between big grunting brute and fragile screaming lady is always good for a thrill, or a laugh, given the man-in-suit special effects of the time.
Karloff, Stuart, and Bond
In The Old Dark House
Acquired this gem of a photograph, with Boris Karloff, Gloria Stuart, and Lilian Bond in a scene from The Old Dark House, from ebay; once again, from David J. Skal. Looking forward to his future offerings 😉
Here's Mr. Skal's listing details:
"For Karloff completists: a rarely seen image of Karloff, Gloria Stuart, and Lilian Bond in James Whale's THE OLD DARK HOUSE (1933). A crisp repro 8×10 bordered darkroom print on traditional fiber paper (not resin-coated). In immaculate condition (item is a barely handled file copy acquired by seller in the 1980s). Image has sharp contrast with no negative flaws, specks, or scratches in image. Only markings (on reverse) are film title and two small reference numbers in light pencil, with very small gray corner smudge (also on reverse). Seller has never seen image in any book or magazine."
Dracula: Bela Lugosi and Dwight Frye
I acquired this photograph of a deleted scene from Dracula, courtesy of David J. Skal, through eBay.
Here's Mr. Skal's listing details:
"This is such an iconic horror image it's easy to forget that scene doesn't actually appear in the final release print of Universal's 1931 horror classic DRACULA. Short scene of Renfield (Dwight Frye) pledging his fealty to Dracula (Bela Lugosi) appears in the shooting script, was recorded as filmed (by the numbered scene still), but was cut from the release print for unknown reasons. The footage itself has been lost, and this photo is all that remains. Item is an older print (from the 1970s) on 8×10 glossy fiber stock, bordered, in pristine condition (has been carefully stored for the last twenty years). Custom darkroom print with unusually nice gray scale–the folds of Dracula's cape, for instance, are sharply visible. No marks, crimps, pinholes. or damage of any kind. A few very small spots in background are negative artifacts, not a flaw of the print. From the personal research collection of David J. Skal, author of HOLLYWOOD GOTHIC and THE MONSTER SHOW."
Lon Chaney as Frankenstein Monster
I recently acquired this dramatic Lon Chaney Jr as Frankenstein’s Monster photograph from noted monsterkid David J. Skal through his eBay listing. Now if only Lon Chaney could have delivered this mood in Ghost of Frankenstein, that would have been wonderful to see.
Here’s Mr. Skal’s listing note:
“This dramatic portrait of Lon Chaney, Jr. as the monster in GHOST OF FRANKENSTEIN (1942) was the central for several image-flopped original posters, including some international ones. The posters would have been vastly better had they retained the full shadowy impact of the original photo! This is a midcentury darkroom print (likely 1960s, though perhaps earlier); 8×10, bordered, on traditional glossy fiber paper (not resin-coated) in excellent condition for a photo previously used editorially. Signs of normal handling wear, with some lower right corner border crimping. Some printer’s instructions on the back in light repro blue ink, a small piece of clear tape, and the stamp of original owner, the late Stephen Jochsberger, (d. 1989) a noted New York collector and fan magazine contributor. Seller purchased item from the Jochsberger estate in1990. From the personal research collection of David J. Skal, author of HOLLYWOOD GOTHIC and THE MONSTER SHOW. “
