From Zombos Closet

JM Cozzoli

A horror and movie fan with a blog. Scary.

20,000 Leagues Under the Sea (1954)
Pressbook Part 2

Go to Part 1

In this second part to Walt Disney’s 20,000 Leagues Under the Sea movie pressbook we see the ad mat pages (newsprint and poster advertisements), the coloring page (a subject  I will explore in a future post), the theater displays such as banners, flags, etc., and the always interesting exploitation ideas.

20000 leagues under the sea pressbook-11

Cracked’s For Monsters Only
Issue 2, September 1966

The previous owner of this copy of Cracked's For Monsters Only magazine must have treated it monstrously. I bet he read it, over and over again, in the wee hours of Saturday morning, with a flimsy flashlight held precariously in one hand as he flipped through the pages with the other. And when the pages started tearing away from the spine, due to so many page turnings, he taped them back in place. Maybe his name was Freddy Meyer, the person who wrote the same on the back cover's ECCH certificate. Or maybe Freddy was just one owner among many along the way. Or maybe this issue was owned by a girl who knew Freddy, and she borrowed it from him–Monsterkids stick together like slime and muck, you know–and she taped it for posterity because she liked Freddy, a lot, not knowing that iPad's and ebook readers would eventually eliminate the need for taping worn pages, and holding flashlights precariously under bedsheets in the wee hours of the morning.

Cracked's For-monsters-only-11142014_0003-11142014

My Halloween: James Chambers

James-chambersFive questions asked over a glowing Jack o'Lantern, under an Autumn moon obscured by passing clouds…in between mouthfuls of candy corn…with author James Chambers.

Why is Halloween important to you?

I love the creativity and mystery that come on Halloween, the celebration of imagination, the ritual of taking frightening things like skulls and bats and making something fun and exciting of them. It's the one holiday that encourages people to choose an alter ego for the day by putting on a costume, the one day we're encouraged to turn down the lights and let in the shadows. When I was young, I loved putting on a costume and trick-or-treating. As I grew, the focus of Halloween turned to spending time with friends, watching scary movies, pretending, perhaps, that spirits really did walk the earth on Halloween night. These days, I still love the scary movies, but I also enjoy the decorations, which have become much more elaborate than when I was a kid, and I enjoy the excitement in my children when they put on their costumes and head out trick-or-treating with their friends. Part of me, though, still likes to stay up past midnight with a horror movie marathon, one ear perked in hopes of hearing an eerie knock at the door or the stray whisper of something otherworldly passing in the night.

Describe your ideal Halloween.

The Halloweens I've enjoyed best have involved costume parties. My friends tried to outdo each other for creative or wild costumes. Or they came as their favorite movie monster in detailed, authentic outfits. One year, I went as Dracula, complete with cape, fangs, and fake blood capsules to bite and dribble out of my mouth. The costume parties pushed us to go out on a limb, take a risk, give each other a thrill or a laugh. For one night we created our own world where we could be someone different for as long as we stayed in costume. But it's been a long time since those parties. These days, my ideal Halloween involves non-stop horror movies playing in the background, usually a little horror writing, then taking my children trick-or-treating, and negotiating for my meager share of the candy haul when we get home.

Chambers Bat 2

What Halloween collectibles do you cherish, or hate, or both?

My favorite Halloween item is a giant vampire bat with a six-foot wingspan that we hang over our garage door every year. It's eyes light up, and it freaks people out. Small children avoid it. It's great! But I'm also a sucker for jack-o'-lanterns in any form. I always carve at least one very traditional jack-o'-lantern each year, just to keep the spirits away, of course. For me, that's the icon of Halloween, and I enjoy going out at night to see the glowing pumpkin faces. There's not much I hate, but I do sort of lament the proliferation of giant inflatable Halloween decorations. Some of them are pleasantly creepy, but, to me, it goes against the creative grain of Halloween to simply load up your front lawn with those things versus putting some imagination into a display. I'm a fan of clever Halloween displays. I've been lucky enough at times to live near homes where people go all out, changing everything over for Halloween, and even appearing in costume on Halloween night to give out some scares, and a few goodies as well.

Chamber Jack O Lanterns 1

When was your very first Halloween, the one where you really knew it was Halloween?

The earliest one I remember is the year I found a dead body while trick-or-treating. True story. I was about five, and I went as Superman that year. One of my friends and I trick-or-treated a house. No one answered. The inside door was open, and through the storm door, we saw a bowl of candy on a table, and a woman's feet on the floor beside it. The rest of her body stretched back into shadows. Without really understanding what it meant, I knew right away she was dead. Everything seemed so still, and the thought just clicked in my head. But our parents didn't believe us. We had to drag them up to the door and show them, and then one of them quickly shuffled us off to the next house, while someone called for help. I never found out what happened to the woman, probably a heart attack or something similar. My friend and I continued trick-or-treating. Only years later did I grasp the weight of what we'd seen. Our parents really kept it from us then. But that's always defined Halloween for me. The possibility of a close brush with the unexpected, with something dangerous. I wrote a blog post about this for the Horror Writers Association's very first Halloween Haunts blog event, which you can read for the full story: http://horror.org/the-dead-have-the-best-candy/.

What's the one Halloween question you want to be asked and what's your answer to it?

I like when people ask me for my Halloween horror movie list. I switch this up every year, but rarely do I get to all the movies I pick. This year, I'm going heavy on the classics so I can share them with my kids, and we'll be watching a couple of Universal films, The Mummy and Creature from the Black Lagoon, as well as The Uninvited, and possibly The Haunting, and finally Frankenweenie. After the kids are in bed, I'll be throwing on Trick or Treat, Return of the Living Dead, at least one John Carpenter movie (Halloween, Prince of Darkness, or The Fog), and at least one movie that I haven't yet seen still to be chosen. If I'm lucky I may get to throw in  American Werewolf in London or The Resurrected.

Chambers Jack O Lanterns

Dracula Untold (2014)

Dracula-Untold

Zombos Says: Good (but I have reservations)

Dracula Untold is a good movie. It’s just not a horror movie but more a blend of dark fantasy, historical rearrangement, and bloodless swordplay. Unlike Van Helsing, the CGI is apropos to the storyline. The story just lacks bite, you know, the usual bite we have come to expect from Dracula the vampire. Or, rather, have come to yearn for ever since Bela Lugosi and Christopher Lee portrayed the blood-thirsty count. Too often sub-textual nuances are lacking in the predominantly visually interesting rehashings or re-imaginings we’ve been subjected to over the decades. With Lugosi and Lee it was very simple: evil begot evil, and evil was simply that, no more, no less, and very corruptive. No explanations to soften the terror, no apologies to bring on our sympathies: Dracula embraced his blasphemy and made playthings of anyone and everyone.

But ever since Dan Curtis gave us a vampire filled with feelings and remorse, letting us feel Dark Shadows‘ Barnabus Collins torment with each reluctant bite of his damnation, and more specifically, Jack Palance’s lost love torment as Dracula in Bram Stoker’s Dracula (1973), which is now an often used background story element–all this unfortunate emotional baggage has leeched onto Dracula, the supreme vampire. Horror fans have suffered the repercussions of this softened and more romantic anti-hero ever since.

And continue to do so with director Gary Shore’s Dracula Untold. The writers have penned this movie as a franchise-building first chapter in the super hero vein, so Vlad Dracula (who historically is Vlad the Impaler, Prince of Wallachia), who spiked thousands of innocent and not so innocent people for kicks and giggles, is now just a family man trying to keep his kingdom from being overrun by the Turks. He doesn’t just become a vampire, he becomes a super vampire with a heart of tarnished gold to defend his people. While Penny Dreadful on Showtime shows more promise for those horror fans who remember Dracula as a true evil, unexplained and unapologetic, Universal Studios new Dracula is offering his services as chief character in their new franchise mythos. He’s handsome, urbane, and keeps his fangs to himself as best he can. I wonder what the studio, the one that wrought the classic horror monster movie cycle in the first place, has in store for the Frankenstein Monster, the Mummy, the Wolf Man, and the Creature from the Black Lagoon now that they’re to be joined at the hips like the characters in the Marvel and DC Universes?

For those who remember the all in one (or as many as the budget allowed) Monster Rallies, where the Frankenstein Monster, the Wolf Man, and Dracula prowled together in House of Frankenstein (1944) and House of Dracula (1945), Universal’s approach seems like a more serious attempt at a meta-rally than the one used in The Monster Squad (1987). In that movie Dracula gathered the Monsters together in his quest to rule the world. But Dracula doesn’t want to rule the world in Dracula Untold. He doesn’t want to be evil, either. This tends to take a bite out of his more sanguine appeal and threat potential. To be fair, even though he may be a reluctant vampire, his intentions for good do get twisted into malevolence no matter what he does.

A beautiful, gothically-colored flourish has him change into a small colony of bats for quick trips and bedeviling enemies. A clever embellishment using point of view imagery mirrored on a sword blade, and a darkened palette throughout, makes Dracula Untold a beautifully rendered movie. But Dracula here is a pawn in a larger game, one being played by HIS master, the vampire that turned him, and this, by its structural implication, waters down the horror we should be seeing–and feeling–from the Prince of Darkness himself. Instead, the Master Vampire, the one who turned him, has all the plans and machinations for ill-intent. Go figure. All this time I thought Dracula was the master vampire.

Do you recall this line Lugosi speaks in Dracula (1931)? To die, to be really dead, that must be glorious.He says this to Mina during the opera’s intermission. So much is implied in this odd utterance. Is Dracula yearning for true death? Is Dracula mocking those who CAN die? He follows this with his more ominous There are far worse things awaiting man than death. Is he referring to his fate or to the fate he brings? So much to ponder in two sentences. So little to ponder in Dracula Untold. There are no notable quotes, no outstanding performances, no suspense delivered from Dracula’s potential terror.

In essence it’s the streamlined actioner we’ve come to expect from cinematic franchises. Simple plot, lots of action, and an ending that doesn’t quite end as it builds a bridge to the next movie in the series. Let the monster rally commence.

My Halloween: Scott Kenemore

Kenemore

Five questions asked over a glowing Jack o’Lantern, under an Autumn moon obscured by passing clouds…in between mouthfuls of candy corn…with author Scott Kenemore.

Why is Halloween important to you?

Scott: I’ve been a horror fan since I was nine or ten, and I’ve always had a soft spot for Halloween. The word “important” is interesting. I’d say Halloween is important to me because it creates a kind of carnival atmosphere where people feel free to explore and engage with concepts and ideas that they might not usually entertain. You can use it to try out new costumes, yes, but also new personalities and ways of interacting with the world (if only for a night). I can’t think of too many holidays with that component.

Describe your ideal Halloween.

Scott: I would be 10 years old again, enjoying the Headless Horseman Hayride at Conner Prairie in Indianapolis, and then jaunting off to a Halloween storytelling festival, probably followed by trick or treating. An ideal contemporary Halloween would be spent with interesting people who really give a damn about horror. And probably cocktails.

What Halloween collectibles do you cherish, or hate, or both?

Scott: I can’t be the only reader of this blog who encounters this, but–being a “horror person”–the distinction between Halloween collectibles and horror collectibles feels more and more blurred all the time. That said, it is probably my Collector’s Edition of Return of the Living Dead. This is one of my favorite horror films of all time, and has definitely been an important part of many good Halloweens.

When was your very first Halloween, the one where you really knew it was Halloween?

Scott: Zounds! This is hard. I have memories of picking pumpkins at a very PG-rated Halloween festival when we lived in upstate New York in the Binghamton/Endicott/Johnson City area when I was a little kid. I don’t know if I had entirely wrapped my brain around the entire reason for the season, but I definitely was beginning to understand that something was “up.” And that it was awesome.

What’s the one Halloween question you want to be asked and what’s your answer to it?

Scott: Ha! Maybe: “What’s your favorite scary story to read on Halloween?” Lately, my answer has been The Last Feast of Harlequin by Ligotti. It is about the idea of dressing up for festivals, and is very, very scary to boot.

 

 

Scott Kenemore’s latest novel is The Grand Hotel.

And yes, the place is haunted by strange things that go bump in the night (or slither their tentacles in the night). Perfect for your October reading to prime you for a gloriously spooky Halloween. Stay tuned for my review, which will be invoked before the candy corn runs out.