From Zombos Closet

JM Cozzoli

A horror genre fan with a blog. Scary.

Cracked’s For Monsters Only
Issue 6, January 1969

A super issue 6 for Cracked's For Monsters Only has it all: Vic Martin's groovy monster mobile cut-out (I did cut it out way back when and hung it up!); Jerry Grandenetti's poetic, kinetic art in The Secret Files of Marc Vangoro, Frankenstein '68 (with story by Otter Binder?); Richard Bojarski's articles on John Carradine and Lionell Atwill; and must-have items like the miniature secret spy camera (yes, I bought it!) and the Monster Size Glow in the Dark  Skeleton (ditto!) in the ad pages. I also bought the x-ray binocular specs but I still couldn't see through walls or clothes. Damn.

Crackeds-for-monsters-only-6

Cracked’s For Monsters Only
Issue 1, November 1965

In 1965, the corner store's magazine rack was filled with monster magazines and young monsterkids reaching up to grab them. Gorged on the zany, horror host, hosted Shock! television packages of classic (and spastic) horror and science fiction movies, monsterish humor was all the rage by the middle 1960s. It would take the 1970s and maturing monsterkids to clamor for more sophisticated reading, but until then, blame Forrest J. Ackerman's Famous Monsters of Filmland for making horror movies fun and cool by poking a little fun and a lot of puns their way. Carrying the humor to the extreme was Cracked's For Monsters Only. Cartoons, wacky John Severin drawn comics, and photo-captioned mutants, aliens, monsters, and other assorted nasties went for the readers funny bone instead of his or her jugular vein. Here's issue 1. 

Crackeds-for-monsters-only-

Cracked Collectors’ Edition
Those Cracked Monsters
July 1980

If you missed the first go-round of Cracked's For Monsters Only, here's your chance to get a taste of the zaniness with the cartoons, funny captioned photos, and monster comics that went for the yucks in those issues. The humor is give or take for me. The artwork is to die for, though, and it captures the monsterkid love with style. 

Cracked-collectors-edition-monsters

Marvel-Con 1976 Program

I think I like the 1970s the best for comic collecting. That's when comics became sought after collectibles for real, fans became more earnest and knowledgeable, and conventions were more fun to attend because they didn't have moviemercials and had a more intimate atmosphere. Now its all glitz and blitz. And I had around 10,000 comic books in the 1970s.  Up to that point I had complete runs of every Marvel title. I also loved DC's Superman's Pal Jimmy Olsen, but lost those issues when my basement flooded. I eventually sold my comics and retired. From collecting, that is. 

1976-Marvel Con-program