From Zombos Closet

January 2025

Goliath and Samson Movie Radio Spots

Mark Forest with sword-and-sandal regular Mimmo Palmara in Goliath and the Sins of Babylon. The Italian production was originally titled Maciste: The Greatest Hero in the World. Maciste, pronounced "muh-CHEES-tay", is a strongman from early Italian cinema, renamed Goliath for American audiences who could better recognize this name associated with size and strength.
Mark Forest with sword-and-sandal regular Mimmo Palmara in Goliath and the Sins of Babylon. The Italian production was originally titled Maciste: The Greatest Hero in the World. Maciste, pronounced “muh-CHEES-tay”, is a strongman from early Italian cinema, renamed Goliath for American audiences who could better recognize this name associated with size and strength.

Greetings, Lovers of Radio Spots and all things collectible.

I hope this week’s installment finds you doing well.

This year has gotten off to a bittersweet start for me. My very distant cousin, Estil Yancey, passed away early last week, and, since I was the only surviving relative, I was called on to help put his final things in order. He was 104 years old and I didn’t know him that well, having only seen him a few times in my life.  He lived over in Possum Hollow so it was quite a ways away.

I grabbed Uncle Oscar and we made the three-hour journey over to the funeral home to make final arrangements. We met with his lawyer and the funeral director, a gaunt-looking fellow named Phineas Grimm. He looked so nice, so natural. He showed us Cousin Estil’s insurance policy and I couldn’t believe all the extra charges the funeral home had tacked on. These places really make a killing! I had to come up with an extra $100 to cover the overages. Uncle Oscar and I made plans to pick up Cousin Estil’s body in two days for interment in Witchwood Cemetery. We planned to have a simple memorial service before he was laid to rest. Uncle Oscar said he would handle everything. It was a serious undertaking.

The lawyer told me that I was the sole heir of Cousin Estil’s estate and that everything in and including his house was mine. He told me that Estil had been in poor health for most of last year, but he was still bright and alert. For some time he had volunteered in the geriatric ward at the local hospital because “he wanted to help the old people.” I told him I had no use for the house and he said he would take care of getting it listed on the market.

Before we left to go to the house, Uncle Oscar and I got to see Cousin Estil. Poor old critter. He was skin and bones. The lawyer told us that neighbors had helped bring him food and that nurses had checked on him everyday at the end. It was a grave situation. One day he fell and broke his hip, was taken to the hospital, and died of pneumonia a few days later.

Cousin Estil’s house was a modest little cottage with few things. After we saw what was there I decided to give his possessions to Goodwill. However, we did find a large footlocker in his bedroom which contained a treasure trove of valuable memorabilia. For much of his life Cousin Estil had worked in radio, serving as a DJ, a program manager, and in management. We found stacks of old 78 rpm records from artists like Kay Kyser, Glenn Miller, Perry Como, Dean Martin and others, as well as 45s and LPs from the rock-and-roll era. We also found old transcription disks of vintage commercials, lots of scripts and copy, and, believe it or not, a few radio spot records.

Double bill advert for Goliath and Samson movies.
Double bill advert for Goliath and Samson movies.

Uncle Oscar and I loaded up his things, dropped off most at the Goodwill and headed home. I spent a few hours that night going through the footlocker, reliving the past and playing some of my favorite Kay Kyser songs.

The radio spots were priceless and you’ll hear them over the next few weeks. Since I remember Cousin Estil being a fitness buff and in the prime of life back when I knew him, I decided to choose a sword-and-sandal double feature to honor him in this week’s installment.

So, from early Spring, 1964, listen as Paul Frees tells us about the American International combo Goliath and the Sins of Babylon, with Mark Forest, and Samson and the Slave Queen, with Alan Steel. Thank you, Cousin Estil, for having the foresight to save this and the others for me to share on my site all these years later. Rest In Peace, and may “the hits just keep on comin.”

 

Mighty Lou Degni (pronounced "DANE-yee"), known to fans as Mark Forest, as Goliath.
Mighty Lou Degni (pronounced “DANE-yee”), known to fans as Mark Forest, as Goliath.
Samson demonstrating his great strength in a scene from Samson and the Slave Queen, an Italian production originally called Zorro Against Maciste. (Sergio Ciani, an Italian bodybuilder better known to fans as Alan Steel.)
Samson demonstrating his great strength in a scene from Samson and the Slave Queen, an Italian production originally called Zorro Against Maciste. (Sergio Ciani, an Italian bodybuilder better known to fans as Alan Steel.)

 

Sergio Ciani (Alan Steel), who body doubled for Steve Reeves, and kappeared in peplum films as Samson, Ursus, and Hercules.
Sergio Ciani (Alan Steel), who body doubled for Steve Reeves, appeared in peplum films as Samson, Ursus, and Hercules.

Bombay Mail (1934) Pressbook

Edmund Lowe starred in Chandu the Magician (1932), against Bela Lugosi’s evil villain, Roxor. In 1934, Lugosi took over as Chandu in the 12 chapter serial, The Return of Chandu, while Lowe starred in Bombay Mail. Although set in Bombay, it was actually filmed on various sets that included several railway stations and a studio-built Imperial Indian Mail train. Lowe learned his trade in vaudeville and silent films. Although the quintessential Hollywood leading man at that time, as he grew older Hollywood relegated him to Poverty Row productions.

Bombay Mail 1934 Movie Pressbook

The Time Machine (1960) Radio Spots

This is it! Our first look at the full-size time machine accompanied by Russell Garcia’s magnificent music intro.
This is it! Our first look at the full-size time machine accompanied by Russell Garcia’s magnificent music intro.

Happy New Year!

Land sakes! Here we are in January already. It just seems like yesterday when we were opening presents around the Christmas tree and enjoying fun with family and friends.

I was thinking back to 2024 and all the things that had happened to us, good and bad. Good memories were made, and things happened to make us wonder what life is all about. The older I get, the faster time goes…suddenly it’s a new year and the past slowly fades and memories dim.

I was over at the Witchwood Cemetery the other day talking with Uncle Oscar about the new arrivals to the cemetery we had received over the last year, and we both agreed time is moving way too fast. We agreed how memories are important and that we should cherish and hold on to the good ones.

Uncle Oscar said he appreciated my radio spot articles and the memories they brought back to him. I told him I appreciated Ol’ Zombos for giving me the chance to preserve them for posterity. They bring back memories for me, too, I said. I got to thinking which spots I should highlight this time around and the choice became obvious. Suddenly I was back in September, 1960, and was going to see The Time Machine.

Ah, yes: George Pal’s wonderful movie– poignant, sentimental, adventurous and hopeful. It makes one appreciate old friends, wonderful times, and times that can’t be recaptured. Or can they? With a time machine anything is possible.

In fact, you have all the time in the world.

Notice the detailing and color of the machine, designed by MGM art director Bill Ferrari and built by Wah Chang.
Notice the detailing and color of the machine, designed by MGM art director Bill Ferrari and built by Wah Chang.

Return of the Fly
and The Alligator People
Radio Spots

Richard Crane sees Beverly Garland after his full accidental transformation.
Richard Crane sees Beverly Garland after his full accidental transformation.

Ugghhh…

Hello, Children. You’ll have to pardon me. Your old Granny is feeling the after-effects of an over–indulgence of candy, pies, desserts of all kinds, eggnog and food, food, and more food that I have had since the holidays started back in late October. All this yummy stuff was too good to pass up! I’m sure there are a lot of you out there suffering from Holiday Hangover. But, it was all worth it! It’ll just take a few more days to recover.

I just love the holiday season.  Cool weather means Halloween, then Thanksgiving and Christmas. And then the anticipation of a new year and all the good things to come. There is just something magical about this time of year and I look forward to it with eager anticipation. It’s just a time for family, friends, sharing, and good times.

And speaking of good times, this past Halloween’s Monster Bash was a hit. We all are still talking about it. An added treat for me was when “Me and My Mummy” from the album Monster Mash was playing and The Radio Reaper approached me and asked if I could follow him back to his crypt. I did, and it was then he handed me a dusty old record of radio spots he had found buried at the bottom of his reliquary. I looked at it and commented that I had forgotten about these two features from the ‘50s that were released together as a double bill. I thanked him for the record and we hurried back to the party. I was anxious to hear the spots and present them to you. So, enjoy the spots for Return of the Fly and The Alligator People. …

The Exorcist’s House: Genesis
Book Review

The Exorcist's House: Genesis book coverI won’t be using words like masterpiece or homerun, or the usual hyperbole punted around too easily in reviews these days, but Nick Roberts is a writer to reckon with and his The Exorcist’s House: Genesis is rather a bold attempt at moving the exorcism-horror trope a rung up on the ladder of creativity, through a more complex story structure tied into his growing novel-verse, centered around a recurring evil. It doesn’t reach quite high enough, though, with its overarching story split across twenty-seven chapters alternating between two distinct timelines that don’t mesh until one, by necessity, takes precedence toward the end. It is as if Roberts wrote two novels, then decided to combine both into one. Each half moves itself up the ladder, but the two main timelines and their multiple past and present events and summaries, to tie in Robert’s prior novel, The Exorcist’s House, serve only to stifle the main narrative flow, killing its suspense-building and leading to a one-sided climactic battle (which, not so surprisingly, primes the next book in this exorcism-fueled novel-verse).

The more immersive narrative comes from the backstory timeline of 1967 with Merle Blatty, whose farmhouse becomes the titular epicenter of evil. Merle is quite a character: plain spoken, simple-living, smokes too much, but he is a reluctant yet determined exorcist. Note Merle’s last name too, which is a nod to William Peter Blatty, who wrote the granddaddy of them all, The Exorcist (and its sequel, Legion). Roberts gives nods to other fictional works here and there, usually through a character’s dialog. Horror fans may find that gratifying, but it tends to pull at the threads of Robert’s own storyline logic with these incessant, wink-wink, intrusions.

The 1967 timeline begins with chapter one, and what a chapter it is. Not only the best chapter in the book, but an exemplary chapter that sets a tone and mood that fails to continue through the alternating timelines of Merle’s for 1967 and 1973, and those of the Hill Family for 1997. Every action and description in chapter one is saturated with Merle’s determination and the evil power he is up against as he meets the Spider—the main entity of destruction hopping into Merle’s life and taking up residence in his farmhouse—through a visit to Ward F, the criminally insane ward of Weston State Hospital.

From there the book alternates between Merle’s trials and tribulations and Daniel Hill’s struggle against the ever-increasing terrors facing his family in 1997 when his none-too-bright brother Adam, looking to do an Amityville Horror-styled expose for quick money, returns to the farmhouse and opens the well in the basement–actually rather easily, given how it was supposed to be sealed good and tight after the last foray into the supernatural.

The well provides the otherworld portal between the story’s here, and the hellish there, and a cramped home for the Spider, an emissary (outcast?), looking to please something older, more powerful, and just as malevolent. Robert’s Spider is a unique supernatural character in that it is serving (or hopes to serve and impress) another being who seems indifferent to it, to curry favor and personal stature. It is also described as having combined demonic and human qualities, giving it the power to send strands of control through minds and souls across great distances, even when sealed in the well. So anxious to please its master, the Spider’s intentions provide a depth to its nature and goals, creating a more dimensionally fleshed-out creature beyond its usual deadly persuasions while still keeping it all very mysterious and even pitiable, like some Igor-like mad scientist’s assistant. While Roberts is not one for lengthy character descriptions, he does devote his best efforts to the Spider’s gory handling of anyone, either possessed or getting in the way, with aplomb.

The 1997 timeline kicks into high gear as it moves between the two Hill brothers, Daniel and Adam, as Adam unwittingly unleashes the Spider from the well and both Daniel’s family and Adam’s friends fall under the Spider’s growing control, increasing the body count gore and the blood flow. Two priests, although mentioned in flashback and in the current predicament, remain mostly referred to instead of active participants until the climax, which, given the buildup Robert’s painstakingly assembles through his complicated narrative structure, makes priestly intervention less stellar than anticipated. Remember how Stanley Kubrick’s The Shining treated the Dick Halloran character? That’s the same treatment given in the final battle between the Spider, Daniel, a priest, and assorted living and dead family members: lots of build-up to a too quick and one-sided, mostly, ending.

A simpler story structure and more good versus evil give and take would have made The Exorcist’s House: Genesis a stronger entry on the exorcism theme. But as a critic, my jaded mileage varies from yours, the reader, who just wants a good horror to snuggle up to. If that is where your mileage takes you, then, yes, Nick Roberts provides enough terror and bloody bits to make you want to snuggle up with a hot drink, a single light on, and this novel, especially if you have already read The Exorcist’s House. He may also sour you from visiting old farmhouses with old wells in their basements too, but that’s entirely on him. I personally find such places way too creepy anyway. I recommend you read the Merle Blatty chapters completely through before turning to the Hill Family’s struggles in their chapters. Taken in that order the horror mood may just leap up at you even more.

John M. Cozzoli, Staff Book Reviewer for The Horror Zine