From Zombos Closet

June 24, 2024

Empire of the Ants (1977) Pressbook

The ants invading your summer picnic didn’t come from It Came From Hollywood, but this pressbook did. AIP unleashes Joan Collins–I mean the ants, in this bargain basement production directed by  Bert I. Gordon (Earth vs. the Spider, The Amazing Colossal Man, The Magic Sword). The last film in AIP’s H.G. Wells run, which also included The Food of the Gods (1976) and The Island of Dr. Moreau (1977), the ants may be big but the special effects not so much. More thrilling for the female actors than the giant ant props used to attack them was the half-hour trek to the restroom. Filming took place in the Florida Everglades and  St. Lucie and Martin Counties during the fall. Wikipedia mentions that actress Pamela Susan Shoop had to go to the hospital after her jaw dislocated during a scream due to the cold weather. Bert I. Gordon took charge of the spfx, but using footage of regular ants against photographic backgrounds and mini-sets, process shots, and static, giant ant, handheld props pummeling the actors, detracted from the movie. IMDb notes this interesting tidbit: “According to Pamela Susan Shoop, the film’s sound man had a fight with director Bert I. Gordon towards the end of the shoot and threw all of its audio tapes into the swamp. They lost everything, so the entire film had to be looped. Because of this, their voices and actions never quite mesh.”

Although Gordon came in for criticism because of the aforementioned shots of bugs crawling over pictures in Beginning of the End, he does worse in Empire of the Ants. As the big ants head for the open door of the refinery [sugar], some of them begin climbing the building–where there is no building. To be charitable, one could suggest that the ants were merely standing on their hind legs, but of course it makes no sense that they would scratch their legs against open air. To represent the ant’s-eye view of things, Gordon simply places a plate with several circles cut out of it over the lens. Needless to say, this is not too impressive. (Creature Features: Nature Turned Nasty in the Movies, Willam Schoell, 2008, McFarland & Company)

Now me, I’d watch the movie just to see that! And Joan Collins getting pummeled by a giant ant prop, of course.

Empire of the Ants 1977 pressbook

Teenage Rebellion and
It’s a Bikini World (1967) Pressbook

Well, it is summer, so here’s a double bill to splash your world: Teenage Rebellion and It’s a Bikini World. America has always been an unruly mess of generational issues, but the 1960s were as turbulent as today’s social and political morass. However, the 1960s got it right, we just didn’t listen: make love, not war. Seems we just love to make war these days. So imagine it’s a warm summer’s evening at your local, nicely air-conditioned theater. It’s the late 1960s all over again, and the double bill is something your date wanted to see, but you could take it or leave it. You really rather see Frankenstein Created Women, but at least It’s a Bikini World has Sig Haig in it, so there’s that. It also was the last gasp, pretty much, for the beach picture genre of sand, songs, and humor. That teenage rebellion had something to do with that. Now, at this point, you’re thinking why pair both movies? Easy answer: Teenage Rebellion spent much of its camera time on girls and bikini’s on girls. Get the picture? And yes, It Came From Hollywood!

Teenage Rebellion and Its a Bikini World pressbook

Tarzan Lives!
Detroit News Article 1972

The first person to portray Tarzan in the movies was Elmo Lincoln in 1918. In 1932, Johnny Weismuller assumed the roll and became the definitive Tarzan, although he wasn’t quite the educated man that Edgar Rice Burroughs imagined in his books. Buster Crabbe (Flash Gordon and Buck Rogers) portrayed the ape man in a 1933 serial, and Herman Brix took a turn in 1935. Brix’s serial, The New Adventures of Tarzan, was the only one where Burroughs was involved in the production. Gordon Scott, Ron Ely, and other actors portrayed the jungle lord also. Jane Goodall noted that the Tarzan series had a major influence on her childhood. Jerry Siegel (co-creator of Superman) noted that Tarzan and John Carter of Mars were early inspirations for Superman. As for me, watching the Tarzan movies every Sunday on local television was an essential part of my childhood.

Tarzan Lives Detroit News Article 1972