From Zombos Closet

April 19, 2024

Three on a Ticket (1947) Pressbook

A dying man walks into detective Michael Shayne’s office, holding onto a baggage ticket. The story unfolds from there. With Hugh Beaumont (Leave It to Beaver) as Shayne, the story is more poached than hard-boiled, but this PRC production is directed by Sam Newfield, one busy beaver to be sure as he was prolific and completed 250 feature movies beginning in the silent age and up to 1958. He also directed a lot more too, including training films, shorts, industrial films, and for television. He directed The Terror of Tiny Town 1938, an all small-person novelty western that’s best seen during a midnight show.

Producers Releasing Corporation (PRC) was a Poverty Row outfit but they had their own small studio. Sam Newfield directed so many of their movies he used two other names to make it look like PRC had more directors. Mostly producing B movies, the studio did the usual fare including westerns, horrors, and assorted action dramas. The Devil Bat and The Devil Bat’s Daughter were hits for PRC as well as many other films, and the classic noir, Detour, was also produced by the studio. They even had their own version of the Bowery Boys (Dead End Kids) called the Gas House Kids with Billy Halop. Halop’s career peetered out due to personal problems and his aging (no more playing Tommy), but he did have a resurgence in the 1970s with television’s All in the Family, where he played in ten episodes.

Three on a Ticket 1947 movie pressbook

Godzilla vs. The Smog Monster
Radio Spots!

Godzilla vs the Smog Monster movie posterCough… cough…wow…the air quality is especially bad today.  If only something could be done…

That’s exactly what the producers were considering when they were looking for their next Godzilla project. Pollution was bad everywhere in Japan as various factories continued to spew their by-products into bodies of water and into the atmosphere. People were getting sick on a grand scale.

In the original Gojira (1954), Godzilla represented the dangers of atomic experimentation. Now, seventeen years later, Toho decided that Godzilla should tackle a new threat to humanity: world-wide pollution.

Godzilla vs. Hedorah was produced in 1971, and introduced a new menace: an alien which arrived on earth on a comet and fed on pollution, growing larger the more he ate. He could change shape, from a sea creature, to a land animal, to a flying stingray-looking thing. As a land animal, he could spew out acidic sludge and shoot a red laser from his eye, and as a flying creature, he could emit toxic exhaust.

The producers wanted a “darker” Godzilla movie in keeping with the dangers of pollution. Visuals were often graphic as victims of the “smog monster” were left sick, disfigured or dissolved.  Unlike before, dead bodies were often seen scattered about the landscape.

When Godzilla met Hedorah in the final battle, he seemed to have met his match. Blinded in one eye by the acidic sludge, it was only with the help of massive electrical discharge machines designed by the movie’s scientist that he was able to help dehydrate the monster and the world was saved. Or was it? …

The Three Musketeers (1948) Pressbook
Advertising

Here’s The Three Musketeers pressbook portion that covered advertising. “The Three Musketeers was an extremely personal project for [Gene] Kelly for two reasons” (from the TCM article on the movie). “The first was the fact that he was recreating the character (D’Artagnan) played by his favorite star (Douglas Fairbanks) in his favorite movie (the 1921 version of The Three Musketeers). Kelly was later quoted in Tony Thomas’ The Films of Gene Kelly: Song and Dance saying “I loved playing this part. As a boy I idolized Fairbanks, Sr. and I raised myself to be a gymnast.” The second reason is that Kelly was hoping his performance in The Three Musketeers would convince MGM to let him do a musical version of Edmond Rostand’s Cyrano De Bergerac.. Regardless of his energetic performance in The Three Musketeers, the studio brass wouldn’t go for a musical Cyrano even though Kelly pestered them for years about it.”

The TCM article goes on to say how much June Allyson disliked playing the period piece. Lana Turner also had issues with her role as it was not a starring one. After a brief suspension by MGM and a rewrite of her character, she did eventually acquiesce.

Three Musketeers 1948 pressbook