From Zombos Closet

August 2021

Johnny Weissmuller in Jungle Moon Men (1955)
Pressbook

The Jungle Jim pressbooks were usually a six-page foldout. I scanned the pages in the order you would see them when initially opening the pressbook. The JJ series had a long run of B (perhaps more C) movies to fill theater screens when patrons would spend hours at the theater; unlike today, where you pay a lot of money to see one movie. I'm sure lots of parents would "dump" their kids at the theater for a few hours so they could experience some freedom from parental duties. William Castle took very good advantage of that with his horror movies and their gimmicks. I pity the poor theater crew that had to clean up the mess after Emergo, after kids used the skeleton for target practice with anything at hand they could toss. Oddly enough, due to copyright issues, Johnny Weismuller's name replaced the Jungle Jim handle. Hence the reason the pressbook says Johnny Weissmuller in Jungle Moon Men. He played himself in the movie. This entry leans toward the fantastical, with an immortal Moon Goddess, pygmies that worshipped her (the Moon Men), and a hidden treasure. Wikipedia notes that plot elements were taken from She: A History of Adventure by H. Rider Haggard.

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Jungle Jim in Savage Mutiny (1953) Pressbook

Johnny Weismuller (who played Tarzan) did 16 Jungle Jim movies. While his acting style lacked much (though it made him perfect for Tarzan), the usual jungle mischief would provide the action. In this one, the locals need to relocate so an atom bomb test can go off and destroy their homes and livelihood. And I’d think much of the jungle animals too, for that matter. Those 1950s were tough.

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Murder on the Roof (1930) Pressbook

An all-talking production! Boy, that must have been quite a thrill to theater audiences when talking pictures replaced the silents. Earlier pressbooks used newsprint, which didn’t hold up well over the years; but this one for Murder on the Roof has lots of promotion, with newspaper ads, a book tie-in, and fashions to highlight.

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Orgy of the Dead (1965) Pressbook

I caught Orgy of the Dead many, many years ago, late one night. For the life of me I can’t remember where, but it may have been a late-night showing on some UHF channel. I was naughty, even then, and UHF had lax standards. After Criswell introduces this magnum opus “I am Criswell. For years, I have told the almost unbelievable, related the unreal and showed it to be more than a fact. Now I tell a tale of the threshold people, so astounding that some of you may faint. This is a story of those in the twilight time. Once human, now monsters, in a void between the living and the dead. Monsters to be pitied, monsters to be despised. A night with the ghouls, the ghouls reborn from the innermost depths of the world,” it goes on and on with topless burlesque dancers and a few monsters standing around a lot. My threshold for amusement dropped out after about 20 minutes. The pressbook for this odd entry into the nudie cutie sub-genre is rather small but also filled with topless women.

I’ve gone all prude and whited out the naughty bits for the sake of not offending anyone with this alluring image, but you can see all the naughty bits in the unexpurgated pressbook.

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Junior G-Men (1940) Pressbook

One of my guilty pleasures is watching the antics of the East Side Kids (aka Dead End Kids, Little Tough Guys, The Bowery Boys) troupe’s antics. Here they join with the FBI to foil terrorists. A surprising number of movies were made with various iterations of the boys, all starting from a serious play that moved onto the big screen, then an ongoing series of more light-hearted movies.

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This Gun For Hire (1942) Pressbook

Veronica Lake is wonderful as a singing magician and Alan Ladd is a block of dangerous ice as Philip Raven, a killer for hire. Their chemistry, the great Laird Cregar as a cunning but squeamish villain, and Robert Preston as the dogged lawman hot on their trail, makes for a solid and classic noir.

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Cole Bros. Circus Program (1938)

For circus buffs, here's the Cole Bros. Circus program for 1938. After moving to Long Island (New York) some years ago, I discovered Cole Bros. one hot summer day. They would put down stakes for their big top a few times before I ventured into the magic of that bygone era. I had seen Ringling Bros. and Barnum and Bailey Circus a few times at Madison Square Garden, and here on the Island at the Nassau Coliseum, but being in the big tent, up close to the caged lions (I kept running through exit scenarios in case of trouble as I watched), there's been nothing like it ever since. I know that animal treatment was a problem, but there was still something special, nostalgic, and sad about it all. When I was way to young to worry about names and social politics, my dad took me to Madison Square Garden to see Ringling Bros. for the first time. I went looking for the freak show, in high hopes of finally seeing up close what I had only seen through television shows and movies. You can't imagine how crestfallen I was when I found out there was none. To me, the freaks, the sideshow acts, they were the real performers of the circus. Of note to Western movie fans, cowboy star Ken Maynard toured with the Circus and has a write-up.

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