From Zombos Closet

March 26, 2012

Comics Book Review: Ragemoor 1

20120326124257_001Zombos Says: Very Good

While I now only read graphic novels and trade paperback compilations of comic books–usually, anyway –this first issue of Ragemoor drew my attention because of Richard Corben's involvement.

Any Eerie, Creepy, and Heavy Metal magazine reader knows the name well. That this issue is also printed in brooding black and white only heightened it's appeal for me. And with writer Jan Strnad (who also wrote for Warren Publishing), the mood is assuredly sinister, the tone Gothically charged, and the foreboding future hinting at ancient monstrosities biding their arcane time until the moment's ripe for terror.

This first issue introduces the blood-drenched history of the rambling edifice as Herbert futilely warns his Uncle and companion to not spend the night at Castle Ragemoor, whose walls are alive with malevolent purpose and mystery. Herbert blames his brother's madness–he wanders the halls naked, peeing on the walls–on the castle's evil influence. His uncle thinks it all poppycock, mostly because he's looking to inherit the place after having Herbert committed.

After being shown to their rooms by Herbert's lone servant, Bodrick, his uncle and companion learn how dangerous the castle can be as parts of it come alive with a vengeance.

Corben's art is vibrant and propels the story's menace. Strnad's words explain only a little, leaving much more to be revealed, and allow Corben to show the dread. With Ragemoor's grinding movement of stones in the dead of night producing new rooms and longer hallways, what else may happen to Herbert and his future guests  is uncertain, but certainly will be deliciously deadly.

Magazines: HorrorHound 34
Dark Shadows, Lee, Hammer DVDs

Zombos Says: Very Good

For Dark Shadows fans, Horrorhound34HorrorHound issue 34 has two very interesting articles on the original soap opera series and its creator, Dan Curtis. There's also a bland, Extra-depth, interview with director Tim Burton that eschews any meaningful exploration of his motivations or intentions in reimagining the series into a Beetlejuice-styled quirky mix of humorous vampire Gothic. Burton even pretends to not know his movie's being referred to as comedy Gothic, and seems reticent to acknowledge how different his approach is to the original series. Unfortunately, the interviewer lets Burton's answer-pablum remain fluffy, which left me unsatisfied. 

Jessica Dwyer's mind-boggling retrospective on Dark Shadows not only covers the many rich–and confusing–storylines the show ran through during its 6 year run, but liberally illustrated throughout her article are the comic book covers, paperback covers, toys, bobble-heads, model kits, and other mechandise the show's popularity produced. She also gives a concise television and movie production history for Dan Curtis in her second article, The Man Who Built Collinwood, which is essential reading for younger fans who may not fully appreciate Curtis's influence on horror television and the vampire romance theme he solidified with Barnabus Collins.

In addition,  Christopher Lee (he plays the manager of the Collins fishing fleet in Burton's movie) is highlighted in a movie retrospective compiled by Aaron Christensen, which neatly bookends Nathan Hanneman's Hammer on DVD list. As Christensen's title alludes to, Lee's movie range contains "the good, the bad, and the Ughhhh, Lee." I won't admit its good or bad, but one of my favorites covered is Mario Bava's Hercules in the Haunted World

All in all, a very good issue to spend a few hours with.