From Zombos Closet

August 2008

Mirrors (2008)

 

Zombos Says: Good

In a vivid red and brightly gruesome death scene, a woman’s mirror reflection pulls it’s mouth apart while leering at her lying in the bathtub; very, very far apart. As the reflection’s mouth starts ripping into dripping, stringy tissue, so does the real one, sending a shower of blood in every direction. I blinked for a second, wondering whether this was really happening to her or just an illusion, like Ben Carson’s (Kiefer Sutherland) incendiary mirror reflection encounter earlier in the film, which left him unnerved but not scorched. Whatever the smudgy black cloud in the mirror is, it can either make you imagine what it shows you is real, or make its diabolical reflections really happen. This time, her mouth stayed open; wide, wide open.

In director Alexandre Aja’s version of Kim Sung-Ho’s Into the Mirror,  the mystery in Mirrors surrounds the bizarre actions of two former security guards making the rounds of a burned-out department store, in New York City (though primarily filmed in Romania), awaiting renovation. Carson is a suspended NYPD detective involved in an accidental shooting, now battling his retreat into a liquor bottle. He takes up the nightly routine to pay the bills, walking through the department store’s charred hallways past the many scorched mannequins and large mirrors reflecting the destruction all around him, with his flashlight barely illuminating the darkness. A palm print on the surface of one squeaky clean mirror peeks his curiosity, and soon a dark force begins to exert its will on him through the glass, showing people in flames and sending him to the flooded basement where  the answer to the mystery lies.

The X-Files I Want to Believe (2008)

Zombos Closet: The X-Files: I Want to BelieveZombos Says: Very Good

Mulder:
Scully? Why would he say that? “Don’t give up.” Why would he say such a thing to you?

Scully:
I think that was clearly meant for you, Mulder.

Mulder:
He didn’t say it to me. He said it to you. If Father Joe were the devil, why would he say the opposite of what the devil might say? Maybe that’s the answer, the larger answer. Don’t give up.

Can a summer movie containing no car chases, no explosions, no larger than life monsters still succeed? Yes, according to director Chris Carter and writer Frank Spotnitz, if the movie is The X-Files: I Want to Believe. Replacing the special effects-driven drumbeat of the summer blockbuster with the drama of people wanting to believe in something greater than themselves, Fox Mulder and Dana Scully are brought together again to find the truth behind strange disappearances in snowbound, rural, West Virginia (though actually filmed in Canada). Along the way, they must come to a greater understanding of their own truths: the ones that drive both of them to never give up.

For Mulder, the truth is out there, waiting to be revealed if you keep searching for it. For Scully, the truth is deep inside, waiting for you to see it, even when those around you refuse to believe in its possibilities. For Father Joe, the truth is already known: he loathes it and desperately hopes for a greater one to take its place. For Janke and Franz, they want to believe in something the two of them can share, even if it is freaky enough to open an x-file-styled investigation; for them, the end justifies the means, and those means are gruesome. Who will be saved, damned, or remain indifferent? This is the essential quandary that every x-file poses for us as well as Mulder and Scully.