I have not reviewed a DVD release before by starting with its extras, but with Dan Curtis' Dead of Night from Dark Sky I will because they are wonderful additions to this anthology first aired on television in 1977.
The standard photo gallery and unimportant clipped footage are here, but more pleasant surprises await fans of Dan Curtis' atmospheric approach to daytime television terror: the many Robert Cobert highlight music tracks and the pilot for the proposed Dead of Night series, A Darkness at Blaisedon.
Robert Cobert's orchestral compositions for Dark Shadows are identified more with Dan Curtis than him, but this association shows how integral Cobert's music is to Curtis' eerie, American Gothic atmosphere and its inhabitants. Cobert's string, wind, and percussive instrumentals amplify Curtis' romance-charged supernatural world of dark forces and dark beings, demanding an emotional response from us. You don't listen to a Cobert score, you dread its alarming tones, experience its mortifying portents, and anticipate its inevitable chilling denoument. The tracks included provide a good sampling of the tonal qualities and scales he used to produce his music's dread and terror tones.
A Darkness at Blaisedon, stars Kerwin Mathews as paranormal investigator Jonathan Fletcher. Along with his assistant, Sajeed Rau (Cal Bellini), both investigate the newly inherited--and very haunted--mansion now owned by Angela Martin (Marj Dusay). The American Gothic sets are elaborate, the pace 1969-slow (this would have been for daytime television, in the vein of Dark Shadows), and the premise would have provided for varied story ideas spread across the paranormal spectrum. Thayer David as the stone-faced caretaker provides the usual melodramatics as he struggles to keep the secret of Blaisedon from being discovered. If you've seen The Uninvited (1944), this will all seem familiar.
A Darkness at Blaisedon shows its age. In the opening, Fletcher and Sajeed examine a sarcophagus with a conveniently hinged lid, and throughout the production closeups are often executed abruptly. Still, Mathews in his cozy sweater and Bellini as the youthful and more daring assistant give it a charming dynamic that draws you into the mystery as they unravel it.
Continue reading "Dead of Night (1977)
Mystery, Imagination, And Terror" »







ZC Rating 1 of 7: Poor 





