Max Sparber has got one creepy, but very groovy record shelf. Leaving no tombstone unturned, no crypt left unopened, he seeks out new supernatural life in his quest for the morbid, the bizarre, and the ever-lasting bumps in the night-music that lie between the pit of our wildest nightmares, and the summit of our unholy dreams. Cool.
Join us as he dares to speak...
How did your fascination with music that touches on the ghastly and supernatural come about?
A few places. Firstly, like quite a few American children, I had several Halloween records when I was young, including Bobby "Boris" Pickett's The Monster Mash and several collections of Halloween sound effects. As an adult, I started tracking down albums like this to compile Halloween mix tapes for my friends, and began to realize that an enormous amount of music had been written with supernatural themes. That's when I began collecting in earnest.
What is it about supernatural-themed music that makes you seek it out and collect?
Well, I have a notorious need for novelty—I get easily bored with middle-of-the-road culture, and, frankly, how many love songs need to be written? Or, at least, how many love songs that rhyme "June" and "moon"? With supernaturally themed music, you get this marvelous variety of songs, including music in which the singers literally impersonate classic movie monsters, as well as genuinely spooky stuff, and quite a few albums on which actual movie monster stars appear. Trust me—if you can find a recording with Vincent Price or Boris Karloff on it, it's worth getting.